Instagram Takeover with Yushy

18th – 21st October 2021 @photojournalism_hub

We are pleased to present Aiyush Pachnanda @_yushy who will be taking over the Photojournalism Hub Instagram account from Monday the 18th to Thursday 21st October.
Yushi is a British-Indian documentary photographer, specializing in long-form work focusing on different sub-cultures, political issues and music culture Join Yushi from Monday to learn about his compelling work and ask questions. Photo @_yushy

CELEBRATING THE ‘ABOUT US’ PHOTOBOOK

We are thrilled to announce that the photobooks produced with the participants of the ‘About us’ project are printed!
The project worked with senior residents living in London Hammersmith & Fulham and focused on using visual narrative and photography as a tool for self expression and a means to develop and foster togetherness and friendship.
Facilitating this project has been very positive and we are very proud for the achievements that participants accomplished.
A special thanks for their valuable support to the funders of the project @hamunitedcharities.
Thanks to @hammersmith_community_gardens for hosting our sessions in their wonderful Glasshouses in Ravenscourt park, thanks to #TinaWood @masbrocentre for her valuable assistance and the participants for their trust and eagerness to learn and be open to the creative process. It would be a delight to share more on this wonderful community focused project.

Photojournalism Nights 17th edition (online)

Photojournalism Hub seventieth edition of the Photojournalism Nights presents a superb line-up of guest photographers:  Ofir Berman , Ruth Toda-Nation . Sebastian Barros – Løng .

To join the live Stream: Here

More on the Speakers:

Ofir Berman is an Israeli documentary photographer and visual storyteller whose work focuses on social and cultural issues. Her work gives an intimate view of people living within the fringes of society and aims to capture the resilience and the authentic spirit in the lives of the subjects. In 2020 she finished her Master studies in Madrid and continued to work on personal projects. Recently, she has been documenting Palestinian refugees from Gaza, with the intention of provoking discourse and a new vision of Palestinian-Israeli relations through photography, media, and a new perception of interpersonal communication. The series was published in different European and Israeli newspapers and in the French i24news TV channel. In 2021 she was chosen for the 30 under 30 women photographers by Artpil and was nominated for the Leica Oskar Barnack Newcomer Award.

Ruth Toda-Nation photographic work explores themes present in her everyday life documenting issues relating to family, ageing, loneliness, transience and departure. Her photographic journey began documenting on the streets of Liverpool in the 1980’s. Ruth is currently living in Milton Keynes where she continues to document issues around aging as well as developing new work entitled ‘Birthing a City’ which explores the development of a new town and the lived experiences of its residents.

Sebastian Barros – Løng is a freelance documentary and fashion photographer based in Bogotá, Colombia covering politics, social issues, and health working as a contributor for Italian agency NurPhoto and as a stringer for the Agence France-Presse. Sebastián’s work covers the COVID-19 pandemic and how it actively changes and evolves in Colombia along the raise of protests and how politics shape Colombia’s next presidential elections, also helping young and new documentary and journalism photographers at @longvisualpress a photo agency stablished by him and his girlfriend that distributes their photos across the globe reaching local news sites in Colombia and international ones as The Guardian.

Please do support our work that uses the power of visual narrative and photojournalism to advocate for social justice by offering a donation or becoming a Patron. Membership of as little as £1 will provide access to free entry to our events, discounts to our workshops and previews/ access to interviews, podcasts and lots more. To learn more and join us: Here

To join the live Stream: Here

Photojournalism Nights 15th Edition – Highlights of the event

Photographer Denise Laura Baker answers questions from the public.

Written by Fatima Sanchez

On Friday 23rd, the Photojournalism Hub hosted the 15th edition of the Photojournalism Nights event at The Studio inside The Westworks, dynamic venue in White City Place.

The night was filled with an engaged public, thought-provoking conversations and presentations from outstanding photographers documenting outstanding current affairs .

Our guests for the night included Denise Laura Baker, Simon King and Carolina Rapezzi who shared great insights on the work they have been producing over the last few years of their career.

The event started with the presentation of the photojournalist and portrait photographer Denise Laura Baker. Denise’s work is heavily embedded in socially engaged work. She has been documenting communities and events since the age of 11 as well as becoming a psychologist, studies that have added an incredible depth to her photographic work. In her compelling presentation, she explained the importance of drawing back from any subjectivity, ‘putting aside your personal biases’, which also ‘strengthens the [psychological] work’ that she captures.

Furthermore, her family environment, engaged in social justice, has contributed to her inclination towards photographing issues that surround communities around the UK and Wales. Her key interests surround the travellers and environmentalist communities.

One compelling aspect from Denise’s personal approach to photojournalist work is that she is in the look-out for the bigger picture in a story. Yet, not losing to capture the small details, like it is the human “gaze” in an image.

Simon Black talks about his latest and ongoing project.

The second guest of the evening was Simon King, British documentary photographer who brought to us captivating documentary work shot on film. He presented us his photographic documentation of Washington, D.C. when it was subject to militarised observation to a degree not seen in about 53 years, due to fears of right-wing violence after the MAGA riot at the Capitol of January 6.

When asked why investigating this topic, he explained ‘to keep exploring Patriarchism and the political landscape in America’.

Simon proved transparency, honesty and openness with his words which all encompassed with the strong visual work from his project, yet to be shown in its entirety.

Simon’s photographs seem to bring together elements that form conversations and interactions that are symbolic and representative of the political landscape in America. Some of the work he shared from this project evidenced how the journalists and police force members’ body language mirrored the political scene at the time.

Carolina Rapezzi shares insights behind her iconic photo of a girl taking a short rest amid e-waste disposal in Ghana.

The last guest of the Photojournalism Nights event, was Carolina Rapezzi, who is a self-taught Italian photographer who has been working on social, humanitarian, and environmental issues. She took the initiative to merging her journalistic background and interest for photography to document current affairs such as migration issues, various protests, and ultimately environmental issues.

Carolina introduced us to her timely long-term project Burning dreams which she has invested herself in for the past few years. Her project was  inspired by an investigation that she came across while researching on e-waste. A gps was placed inside an old washing machine in the UK and it eventually ended up been shipped to Agbogbloshie in Ghana. This was Carolina’s starting point of her ongoing and timely project.

She travelled to Ghana to investigate the way the e-waste was disposed as well as the impact of this in the communities. She learned that the cheapest way to get rid of huge amounts of e-waste was by burning it – often by local children.

Her project exposes the impact of disposing e-waste illegally and/or using methods that are not environmentally friendly.

Her presentation also opened up conversations on how important it is for a country to develop and sustain several sources of income, in order to divert from reliance on e-waste disposal, a completely non-sustainable activity.

Her presentation and insights, make us reconsider expanding the life of our day-to-day devices such as our mobile phones or laptops, something we often overlook.

Furthermore, her powerful work stresses how important it is for environmental issues to be talked about at a global level rather than simply national because of its scale and repercussions.

The Photojournalism Nights presented photographers whose work is committed to bringing to the wider public topics that impacts social justice. Bringing people together to learn and talk about these pressing issues is a fundamental step for action and positive change.

To learn more on the Photojournalism Nights: HERE

To be in touch with the writer: fatima@photojournalismhub.org

Injustices & Inequalities: Covid-19 – Edition 11

The current Covid-19 pandemic has disproportionately affected communities and people who were already marginalised, discriminated, and at the throng of continuous injustices and inequalities. We are bringing together stories, investigations from around the world to highlight and advocate and create the important exposure to leverage and bring about positive changes.


In the 11th edition of the Journal on “Injustice & Inequalities: Covid-19”, we present the work of Guilherme
Bergamini which exposes some of the contradictory messages given by government officials.
At the start of the pandemic, Guilherme listed 27 countries cited in the news above published on March 3, 2020, He searched Google “Street View” at random and appropriated each photograph, covering the people in the image with red circles.
The monitoring carried out by the Federal Government is contradictory for what he observed in the actions taken by the President of the Federative Republic of Brazil. What is at stake, as he understands it, are the lives of millions of Brazilians who survive each day with minimal wage or nothing, an unjustifiable and impractical social inequality.

Photo editor: Cinzia D’Ambrosi

STAY AT HOME IT’S NOT A WEAK FLU!

Photography and text by Guilherme Bergamini

Total deaths from COVID-19 in Brazil until June 2, 2021
                                        465.312 lives
i
©Guilherme Bergamini

Searching the Internet about the new COVID-19 around the world, I saw the website of the Ministry of Health of Brazil. I came across a list of 27 countries that are being monitored by the Federal Government.
I listed these 27 countries cited in the news above published on March 3, 2020, I searched in Google “Street View” at random and appropriated each photograph, covering the people in the image with red circles.
This monitoring carried out by the Federal Government is contradictory for what I observe in the actions taken by the President of the Federative Republic of Brazil. What is at stake, if he understands it, are the lives of millions of Brazilians who survive each day with minimal wage or nothing, an unjustifiable and impractical social inequality.
And in this conflict of vanities, interests and power, we can come to an unprecedented tragedy.
Never imagined that i would live an experience of pandemic and social confinement. From that I remember a passage from the inauguration speech of the President-elect of the Federative Republic of Brazil, Jair Bolsonaro, on January 1, 2019, in Brasília, in the Federal District, Brazil:

May God bless this great nation. Brazil above all. God above all. This is our flag, which will never be red. It will only be red if our blood is needed to keep it green and yellow.” – Part of the inauguration speech of the President-elect of the Federative Republic of Brazil, Jair Bolsonaro.

©Guilherme Bergamini
©Guilherme Bergamini

http://guilhermebergamini.com/fiquem-em-casa-nao-e-uma-gripezinha/

Biography

Reporter photographic and visual artist, Guilherme Bergamini is Brazilian and graduated in Journalism. For more than two decades, he has developed projects with photography and the various narrative possibilities that art offers. The works of the artist dialogue between memory and social political criticism. He believes in photography as the aesthetic potential and transforming agent of society. Awarded in national and international competitions, Guilherme Bergamini participated in collective exhibitions in 44 countries.

Guilherme Bergamini
www.guilhermebergamini.com 
Mob: +55 31 999523047 

Facebook: Guilherme Bergamini
Instagram: guilhermebergamini

Lateral Thinkers in Germany

Photography and text by Cassiel Kanter

In Germany, people have been protesting against the corona measures of the federal government for more than a year. In terms of content, the spectrum ranges from citizens who want to point out the importance of the fundamental right of assembly to vaccination opponents, esoterics, general sceptics of the state and conspiracy theorists. Right-wing extremists and “Reichsbüger” can also be found at the demonstrations. The inner core of the “Querdenker” scene is monitored by the German domestic intelligence service, among other things because of overlaps with the extreme right-wing scene. The official goal of the in Germany called “Querdenker” is the unrestricted restoration of the currently partially restricted basic rights: “We insist on the first 20 articles of our constitution”, they say in a one-page manifesto. These are, in particular, the abolition of the restrictions on fundamental rights imposed by the “Corona Ordinance”. At moment, the situation in Germany is calming down, as more and more people are being vaccinated and the pandemic is hopefully moving towards its end.

Cassiel Kanter
Insta: cassielkanterphoto
twitter: MartinStopsel

All photos copyright ©Cassiel Kanter

Photojournalism Nights 15TH Edition

Photojournalism Hub 15th edition of the Photojournalism Nights presents a superb line-up of guest photographers: Carolina Rapezzi Denise Laura BakerSimon King.

23rd July 2021 06:30 pm

White City Place, The WestWorks,
195 Wood Lane
London
W12 7FQ

To join here

Ghana, Accra, November 2018. Rashida is a young girl originally from the North of Ghana, she sells water in the scrap yard of Agbogbloshie. Along with other girls living in the area, she carries water bags into a wheelbarrow and sell them for 1 Ghanaian Cedi each (the equivalent of £0,15) to workers who need to extinguish the fire and cool down the copper extracted from burning cables, wires and other appliances.

Carolina Rapezzi is an award-winning photographer based in London, part of the collective Women Photograph. Her works focus on social, humanitarian and environmental issues. She worked on migration issues in Sicily and France, covered the 100th anniversary of the Russian Revolution in Moscow and St. Petersburg, followed several protest movements in London, including the more recent Black Lives Matter and, since 2018 she has been working on environmental issues. Her independent project Burning Dreams on electronic waste in Ghana has been awarded internationally and exhibited multiple times: Portrait of Humanity 2019, Winner Flash Forward 2019, Winner 1st Prize Single Images, Winner World Water Day 2020, Shortlisted Sony World Photography 2020, Winner Siena International Award 2020.

©DeniseLauraBaker

Denise Laura Baker is a photojournalist, documentary, and portrait photographer. Her work draws on influences from the many different strands of her career, particularly her time as an ethnographic psychologist where she interviewed and collected the stories of the people with whom she worked. She has been exhibiting since 2016 and have, exhibited at various locations in Wales, including holding her first solo exhibition as part of LLAWN 2019 (Llandudno arts Weekend). She is the recipient of an Arts Council for Wales R&D grant for a project examining interconnecting communities within Gwynedd, Conwy and Ynys Mon. She also teaches and give talks on the role of narrative in photography and photo book making.

©Simon King

Simon King is a documentary photographer, currently working on a series of long-term projects, all on 35mm film. Simon teaches at UAL, and with Leica Akademie (UK). Simon works with the collective New Exit Group to publish photo-essays highlighting intimate, local stories. Simon’s recent publications include BARDO (in collaboration with NEG), a USA Digest which includes work from 2019 – Winter 2021, and Transiting Bulgaria, from his recent time there over Christmas 2020.

The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join HERE

Thanks to White City Place for supporting our events

We are back to in-person events!

Join us on the 29th June 06:30pm at White City Place, London W12 7TF for our first in person event since Covid-19 pandemic began.

We are so excited to host ‘How has Covid-19 and Brexit impacted the LGBTQ+ communities?’ Talk event welcoming an amazing group of guest speakers Richard Ansett, Tim Boddy, Gemma Mancinelli, Fazal Mahmood and Teddy Prout.

©Gemma Mancinelli
©Tim Boddy
©Richard Ansett
White City Place

To Join us: https://tinyurl.com/4cn63a4c