Saumya Shah is a street photographer from Ahmedabad, Gujarat, India. He is sharing some of his street photographs taken in Ahmedabad, Gujarat and in Mumbai, Maharashtra, India. Saumya says: “I love to capture emotions through my camera”.
Belgrade is the capital of Serbia, located in the Western Balkans. As everywhere in the world, it is prescribed to wear a mask. This, to me as a photographer, is an historical film moment. And so I decided to make a photo film story for him in which the main actor is a mask. The photos were taken after 45 days of quarantine. On my instagram page whose link I put in the email you can see the whole story about Covid -19 in Belgrade.
The biggest social injustice during the quarantine was that we were closed for four days every week for 24 hours. After 45 days of such a life, I can freely say that people were lost when their right to free movement was finally restored. On the other hand, everyone tried in their own way to adhere to social distances and protection measures. Freedom of movement was restored to us, but again we were all alone. – Una Skandro
After an arbitrary census was held in Bhutan (1989), the government of Bhutan displaced approximately 100,000 Southern Bhutanese (Lhotshampas) out of Bhutan. There are several explanations for the expulsion/displacement as well as the conflict between the Lhotshampa and the Northern government, which a series of protests in the late 80s were held within the country against the government’s repressive ‘One Nation One People’ policy; illegalising Nepali/Lhotshampa cultural practices under the social code of conduct: Driglam Namzha. After the initial civil unrest in 1991, thousands of Lhotshampa Bhutanese arrived at the border of in Eastern Nepal from West Bengal, India by foot and trucks. By the mid-1990s these Bhutanese refugees had increased to the rough estimates of 100,000 individuals. As a response to the crisis after conflict with the continuously collapsing Nepali government, Bhutanese officials stated the Bhutanese refugees were, in fact, opportunistic economic-migrants rather than vulnerable refugees they self-claim to be. Thus the Bhutanese government has not repatriated the refugees. Since their exodus, individuals have reports of torture, murder, arrests and rapes during the late 80s to early 90s in Bhutan. Furthermore, many of the individuals have remained as refugees within Eastern Nepal or India for over two decades to either look for repatriation or simply to find peaceful residency in their refuge. Whereas many refugees have resettled into third-nations to find a better life from their traumatic experiences. As of today the Bhutanese government has not repatriate the displaced group in totality and continues to deny the legitimacy of their vulnerability and refugee status. As a consequence of lack of pictorial evidence, caused by the unavailability of video, photo or audio records, there is little evidence of the events that lead to the exodus other than personal accounts, and it remains a serious question of Bhutan’s dark past in isolation from the rest of the world. All information here is based on the accounts of the government of Bhutan, the international communities, third-party witnesses, refugees and scholars. Any misinformation presented on this website will be removed as appropriate.
‘Speak Out’ is an ongoing photography project on women, survivors of domestic violence. Following the changes in in the UK of the 2013 legislation on domestic violence, where the definition of ‘domestic violence’ broadened to encompass different types of abuses, including financial, physical, psychological, sexual or emotional, the project ‘Speak Out’ highlights and raises awareness of those layers to many women in order for them to access a much needed help. Domestic abuse still remains a taboo across many cultures. Through her photographic project. Wamaitha brings to light the voices of women who have taken a stand and broken the silence about their personal experiences of domestic abuse and its devastating effects – and the journey to move forward, not as victims but survivors. Wamaitha will speak about the ‘Speak Out’ project on the 4th February 2019 in the next Photojournalism Hub Debate event.
Master – An Ainu Story’ tells the the life story of an Ainu man – Kenji Matsuda, who grew up being discriminated against in his own land because of his Ainu heritage and gives a rare insight into the life of the indigenous people of northern Japan. There is very little documentation on the Ainu in English and few Japanese know much about them. It is thought that there may be up to 200 000 people of Ainu descent living in Japan today, but due to the history of discrimination against them only 10 percent of that number will admit to having Ainu roots. This exhibition looks at the personal story of a man who carried the legacy of shame from his grandparents generation and has tried to help revitalise this deep and rich culture that the Japanese government attempted to eliminate at the end of the 19th century.
The exhibition ‘Master- An Ainu Story’ is currently showing at The Brunei Gallery, SOAS in London until 15th December. Open everyday except Sunday & Monday from 10:30am – 5pm, and until 8pm on Thursdays.
Adam Isfendiyar #adamisfendiyar www.adamisfendiyar.com
In April 2015 I travelled to Ukraine to document the long-lasting implications of Chernobyl’s nuclear disaster for both the environment and the people 30 years after the disaster. The Chernobyl’s accident seems to have been forgotten by society. I wanted to give a voice to the lives of those carrying on with the poisonous legacy of Chernobyl. In my first trip, I visited the 30 km exclusion zone where around 200 people are still living. For my research I interviewed doctors working at the National Institute Cancer Research in Ukraine, NGOs working with victims of Chernobyl and scientists who are studying the DNA modifications both in plants and human beings. I become very interested in remote areas, which are still contaminated by radiation and where people have limited access to hospitals and doctors.
“Life after Chernobyl” portrays life both inside the 30 Km exclusion zone and Narodichi region, 50 km southwest of the nuclear plant. This turned out to be one of the worst hit areas by radiation but only detected five years later. With my collective “Food of war” we are helping to raise awareness of the Chernobyl’s accident through European exhibitions, talks and conferences. We have also collaborated with artists reflecting on the consumption of food in countries where radiation travelled after the 1986’s accident. Life after Chernobyl is an ongoing project that I would like to develop into a book and a short film.
To know more or would like to support this ongoing project, please follow this link:
‘Women of the Market’ is a photo-essay that documents the daily lives of the women that run the Vietnamese marketplace. I wanted to highlight the grit, grime, strength and beauty of the women that provide for their families. Their relentless work ethic and acute knowledge of the wet market is expressed in these photographs.
Please join the live stream of the Photojournalist Hub ninth edition of the Photojournalism Nights with an amazing line-up of photographers: Ada Trillo, Georgina Smith and Ala Buisir.
Ada Trillo, award winning Philadelphia-based photojournalist, native to the Juarez-El Paso binational metroplex, covers stories to create awareness and fight injustice. Her powerful photographs engage with migration, Black Lives Matter and borders.
Georgina Smith, photojournalist based in East Africa covering stories, photos and words for BBC, Al Jazeera English, United Nations, Guardian. Georgina will share a very coignant series on Kenya’s pastoralists who face hunger and are under threat of conflict as locust plague is unravelling in the country.
Ala Buisir, documentary photographer currently residing in Ireland with roots in Libya. Her work documents the social and political tension around us today. The aim is to raise awareness by presenting events through different perspectives in hopes that it may also bring about change.
The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights.
The fourth issue of Wondering about West London? presents photo stories and street photography on Christmas and Winter Holidays with London in full lockdown as well as article with Rosie Whitney-Fish, Founder and Chief Executive of DanceWest, and wonderful illustrations.
Wondering about West London? Issue four is sadly our last edition for the time being. As the Editor in Chief of the magazine and project manager and facilitator of the project, I would like to share my feelings of awe at the determination, initiative and creativity demonstrated by the participants. The zine has shared meaningful, resourceful, and touching content from a youth perspective. I would like to express my thanks to our editor Laura James who has worked on the layout of the zine and to W12together for supporting this worthwhile project – Cinzia D’Ambrosi, Editor in Chief.