Exhibiting photographers: Björgvin Sigurðarson, Heiða Helgadóttir, Ingvar Högni Ragnarsson, Pétur Thomsen.
Curated by Cinzia D’Ambrosi
Presenting some of the layers that form Iceland today.
Over the course of history, Iceland has had a dramatic past; on a purely geographical terms, has had and still has, a largely active volcanic activity and the land is in a continue mutation. On a social physical dimension, massive changes have come about and often following adverse and dramatic events. A most recent one, in late 2008, following the default of three major banks, Iceland experienced a banking collapse, that relative to the size of the country, is considered the largest experienced by any country in economic history.
The event led to important social changes, including economic depression, unrest, and then a complete overhaul when the world pinned Iceland on the map following the eruption Eyjafjallajokull and the suspension of flights over a time. Since then, Iceland has gone through a massive change, jolting it from a country mostly financially dependent on fishing and heavy industry, turning to tourism as one of the main economy activities.
Northern Layers is presenting Icelandic photographers whose work portrays a different face of Iceland from the snowy picturesque images we are so accustomed to seeing in tourism advertising board. We are presented with a photographic narrative that exposes some of the layers that form the Icelandic society. The four photographers invited in Northern Layers, are presenting stories of those living in Reykjavik camping site as seen in the powerful and equally tender photos of Heiða Helgadóttir, the underground culture populated by young people using graffiti, skating and music as a form of creative outlet in the work of Björgvin Sigurðarson, and a journey into the rapidly changing infrastructure of Iceland in the work of Ingvar Högni Ragnarsson and in the work of Pétur Thomsen, the artificial lake and the constructions that have spoiled one of Europe’s largest wildernesses through the construction of three dams, the Kárahnjúkar Hydroelectric Project , one of which the highest in Europe.
Northern Layers is about looking at the speed of events that have catapulted the country in ways that not even the locals recognise and trying to capture the traces of what it was/is and will be. – Cinzia D’Ambrosi.
ABOUT THE CURATOR: Cinzia D’Ambrosi is an independent photojournalist and the founder and director of the Photojournalism Hub. Her work can be seen on: www.cinziadambrosi.com, www.hatehurts.eu and
ABOUT THE PHOTOJOURNALISM HUB:
The Photojournalism Hub is an independent community-based organisation that engages in the fight against social injustice and human rights violations through photojournalism and independent journalism. We believe that independent journalism and photojournalism is the key for social justice advocacy and a means for elevating silenced voices. Using photojournalism, the Photojournalism Hub hosts events, publishes editorials, creates campaigns and it offers community projects. www.photojournalismhub.org
Cover photo: ©Heiða Helgadóttir