PHOTO STORIES

Saumya Shah

Saumya Shah is a street photographer from Ahmedabad, Gujarat, India. He is sharing some of his street photographs taken in Ahmedabad, Gujarat and in Mumbai, Maharashtra, India. Saumya says: ” I love to capture emotions through my camera“.

©Saumya Shah
©Saumya Shah
©Saumya Shah
©Saumya Shah

Saumya Sha

IG: @trooper_with_canon

WhatsApp: 8000863640

Covid-19 in Belgrade, Serbia

Una Skandro

Belgrade is the capital of Serbia, located in the Western Balkans. As everywhere in the world, it is prescribed to wear a mask. Which to me as a photographer is a very historical film moment. And so I decided to make a photo film story for him in which the main actor is a mask. The photos were taken after 45 days of quarantine. On my instagram page whose link I put in the email you can see the whole story about Covid -19 in Belgrade.

The biggest social injustice during the quarantine was that we were closed for four days every week for 24 hours. After 45 days of such a life, I can freely say that people were lost when their right to free movement was finally restored. On the other hand, everyone tried in their own way to adhere to social distances and protection measures. Freedom of movement was restored to us, but again we were all alone. – Una

Instagram: tismaskandrophotography

DEAR HIS MAJESTY

AVISHKAR CHHETRI

After an arbitrary census was held in Bhutan (1989), the government of Bhutan displaced approximately 100,000 Southern Bhutanese (Lhotshampas) out of Bhutan. There are several explanations for the expulsion/displacement as well as the conflict between the Lhotshampa and the Northern government, which a series of protests in the late 80s were held within the country against the government’s repressive ‘One Nation One People’ policy; illegalising Nepali/Lhotshampa cultural practices under the social code of conduct: Driglam Namzha.

After the initial civil unrest in 1991, thousands of Lhotshampa Bhutanese arrived at the border of in Eastern Nepal from West Bengal, India by foot and trucks. By the mid-1990s these Bhutanese refugees had increased to the rough estimates of 100,000 individuals. As a response to the crisis after conflict with the continuously collapsing Nepali government, Bhutanese officials stated the Bhutanese refugees were, in fact, opportunistic economic-migrants rather than vulnerable refugees they self-claim to be. Thus the Bhutanese government has not repatriated the refugees.

Since their exodus, individuals have reports of torture, murder, arrests and rapes during the late 80s to early 90s in Bhutan. Furthermore, many of the individuals have remained as refugees within Eastern Nepal or India for over two decades to either look for repatriation or simply to find peaceful residency in their refuge. Whereas many refugees have resettled into third-nations to find a better life from their traumatic experiences.

As of today the Bhutanese government has not repatriate the displaced group in totality and continues to deny the legitimacy of their vulnerability and refugee status. As a consequence of lack of pictorial evidence, caused by the unavailability of video, photo or audio records, there is little evidence of the events that lead to the exodus other than personal accounts, and it remains a serious question of Bhutan’s dark past in isolation from the rest of the world.

All information here is based on the accounts of the government of Bhutan, the international communities, third-party witnesses, refugees and scholars. Any misinformation presented on this website will be removed as appropriate.

http://theperipheralpeople.com/

 

Speak Out

Wamaitha Ng’ang’a

‘Speak Out’ is an ongoing photography project on women, survivors of domestic violence. Following the changes in in the UK of the 2013 legislation on domestic violence, where the definition of ‘domestic violence’  broadened to encompass different types of abuses, including financial, physical, psychological, sexual or emotional, the project ‘Speak Out’ highlights and raises awareness of those layers to many women in order for them to access a much needed help. Domestic abuse still remains a taboo across many cultures.  Through her photographic project. Wamaitha brings to light the voices of women who have taken a stand and broken the silence about their personal experiences of domestic abuse and its devastating effects – and the journey to move forward, not as victims but survivors.  Wamaitha will speak about the ‘Speak Out’ project on the 4th February 2019 in the next Photojournalism Hub Debate event.

 
Lenka ©Wamaitha

                “The question of ‘why doesn’t she leave the abusive relationship’ is not easy as it sounds. You become mentally dependent on that person” —– Lenka

Nadine ©Wamaitha Ng’ang’a

“When you are a victim of psychological domestic violence, there is nothing to show.” — Nadine

www.wamaithanganga.com

Master – An Ainu Story

Adam Isfendiyar

Master – An Ainu Story’ tells the the life story of an Ainu man – Kenji Matsuda, who grew up being discriminated against in his own land because of his Ainu heritage and gives a rare insight into the life of the indigenous people of northern Japan. There is very little documentation on the Ainu in English and few Japanese know much about them. It is thought that there may be up to 200 000 people of Ainu decent living in Japan today, but due to the history of discrimination against them only 10 percent of that number will admit to having Ainu roots. This exhibition looks at the personal story of a man who carried the legacy of shame from his grandparents generation and has tried to help revitalise this deep and rich culture that the Japanese government attempted to eliminate at the end of the 19th century.  www.adamisfendiyar.com

The exhibition ‘Master- An Ainu Story’ is currently showing at The Brunei Gallery, SOAS in London until 15th December. Open everyday except Sunday & Monday from 10:30am – 5pm, and until 8pm on Thursdays.

Kenji Matsuda stands on the edge of Lake Akan which sits at the base of the mountain known in the Ainu language as Pennishiri or ‘male mountain’ ©Adam Isfendiyar

Three ladies in traditional Ainu costume watching Ainu dancing at the marimo festival in Lake Akan. ©Adam Isfendiyar

A village elder returns a marimo to the Lake with prayers to protect it for another year. ©Adam Isfendiyar

 

 

 

Life after Chernobyl

Quintina Valero

In April 2015 I travelled to Ukraine to document the long-lasting implications of Chernobyl’s nuclear disaster for both the environment and the people 30 years after the disaster.
The Chernobyl’s accident seems to have been forgotten by society. I wanted to give a voice to the lives of those carrying on with the poisonous legacy of Chernobyl.
In my first trip, I visited the 30 km exclusion zone where around 200 people are still living. For my research I interviewed doctors working at the National Institute Cancer Research in Ukraine, NGOs working with victims of Chernobyl and scientists who are studying the DNA modifications both in plants and human beings. I become very interested in remote areas, which are still contaminated by radiation and where people have limited access to hospitals and doctors. “Life after Chernobyl” portrays life both inside the 30 Km exclusion zone and Narodichi region, 50 km  southwest of the nuclear plant. This turned out to be one of the worst hit areas by radiation but only detected five years later. With my collective “Food of war” we are helping to raise awareness of the Chernobyl’s accident through European exhibitions, talks and conferences. We have also collaborated with artists reflecting on the consumption of food in countries where radiation travelled after the 1986’s accident.
Life after Chernobyl is an ongoing project that I would like to develop into a book and a short film. To know more or would like to support this ongoing project, please follow this link:
 https://quintinavalero.photoshelter.com/index/G0000vxfJNue62j0

Natalia, school’s teacher stands by the entrance of Maksimovichy village, where many houses were abandoned after Chernobyl’s disaster.

Nastia Natsik with her daughters Iuliana, Madina and Lia in her family house in Khristinovka. Lia, 2 suffers from a brain tumour. Her father,Emil, 37, fled the conflict in Abkhazia (Geogia) when he was eleven, 3 years after Chernobyl’s disaster. Though evacuation was enforced in 1992, many families decided to stay.

Tatiana Ignatiuk in her kitchen in Maksimovichy, where she lives with her three children and husband who works in the forest.
Anna is holding apples from her tree. She lives in the evacuated village of Copachichi in the 30km exclusion zone of Chernobyl.
Dima, 6 years old is waiting to be seen by Alexander and Daniel, two volunteer doctors from Kiev. About 60% of children in Narodichi region suffer from malnutrition alongside cardiovascular and respiratory diseases. Children are no longer considered victims of Chernobyl. Ignored by the authorities, many of those children rely on local NGOs and international aid organisations for medical treatment.

https://quintinavalero.photoshelter.com/index/G0000vxfJNue62j0