Month: May 2024

Federico Tisa: Tinuola

Photo Stories

2018 / ongoing

This is the story of Mary, born on the 2nd of May 1994 in Mushalash, a small town in Lagos State in Nigeria. Her grandmother called her Tinuola, meaning “full of wealth” in the Yoruba language.

After a journey of more than 2.500 miles and endless time, which took her from Lagos to Benin City, then to Kano, Agadez in Niger and finally to the seaport city of Zuara in Libya, she arrived in Sicily in October 2014 and was transferred to Florence shortly afterwards. Following the end of one of the hospitality projects, she was transferred to Chivasso, a small town near Turin in 2017. Mary is a guest of the Mary Poppins association, a non-profit organisation that works with trafficked women.

The journey that carries me to Chivasso is much shorter, just a few minutes’ drive from Turin, where I live and work. I turn to Mary Poppins thanks to the advice of a friend who works for the cooperative as an operator. After a series of introductory interviews I met Mary in April 2018. Time carried me to become her friend. Her white brother. That is what she calls me now when she has to introduce me to her friends.

In 2019, Mary leaves the project and starts a new life. A life not easy and full of difficulties, made of mistakes, steps forward, passions, pain, humiliation. A long bureaucratic path to regularization on Italian ground and the search for a job.

This is a small story about the world around her and her incredible story.

It’s the story of our friendship.

Mary poses for a portrait I took of her at the Sacra di San Michele. A place I absolutely wanted her to see given its strong spirituality. Sant’Ambrogio di Susa, February 2020.

Mary and Kate are getting ready for another birthday party for a friend of theirs who is in the Mary Poppins shelter project. Chivasso, July 2018.

Mary and her roommates during a birthday party for their friend’s daughter. Chivasso, May 2018.

Mary shows signs of Libya on her body, of the exploitation she was subjected to and the voodoo ritual she underwent before leaving for Europe. She has a story no different from the thousands of other girls imprisoned in hot spots and forced into prostitution to pay off the debt contracted for the journey.
A debt tha strangles them and forces them to be trafficked. San Sebastiano da Po, May 2018.

With the arrival of 2022, it has been more than two years since Mary has been undocumented, officially illegal. So, we decide it is time to begin to find a way out of this state of slumber and malaise. Through old contacts in the hospitality world and a lawyer friend, Mary is placed in a new project. Turin, March 2022.

Mary jealously preserves this photo. It’s the only photo of her mum with her and her brother. Her mother unfortunately died when she was still a child and Mary grew up with her grandmother in a house outside the city. Chivasso, May 2018.

The first trial period, the first activated internship is officially over. It lasted six months. The tailoring job currently is the only way she can afford money to help pay her rent and everything else. Turin, February 2023.

Mary poses for a portrait in the room of her host cohousing. Turin, March 2023.


Federico Tisa – BIO
From architectural studies to photography the step is short

Federico Tisa Turin. April 1982. In 2013, following a trip to Perugia, Federico fell in love with documentary photography and totally dedicated himself to this new direction, which became totalizing and inspiring.
In 2015 he obtained a master’s degree at the Italian Institute of Photography in Milan. He continued his studies in photojournalism in Rome, where he completed a master’s degree in photojournalism in 2017, focusing on the use of photography as a means of communication dedicated to an anthropological narrative and the development of medium- and long-term projects. His work explores the human condition from a broad perspective, with a focus on the social and cultural context.
Since 2017, Federico has been working as an independent photographer and his work is published by national and international magazines.


Federico Tisa | Documentary photographer
email: tisa.federico@gmail.com
tel: +393384611573
web: www.federicotisa.com
instagram: /federicotisa

Photojournalism Hub x Riverside Studios 03rd June

IN FOCUS
03rd June 2024, 7 pm

Riverside Studios
101 Queen Caroline Street
London W6 9BN
To join: HERE

We are honoured to present renowned and award winning photographers Mariusz Smiejek and Roland Ramanan to the In Focus event on the 3rd of June. Both photographers’ long term work are deeply rooted in the documentary photography tradition presenting social justice issues combined with strong visual narratives.

Mariusz Śmiejek is an independent photographer, visual storyteller, and educator with over 20 years of experience specializing in capturing the raw narratives of human and social conditions. Renowned for documenting a wide range of subjects including post-conflict communities, refugee crises, child slavery, human trafficking, and systemic abuse. Recipient of prestigious awards in international photography competitions, his work has been exhibited globally and featured in renowned publications globally including The New York Times, National Geographic, and the British Journal of Photography, among many others. www.mariuszsmiejek.com

Not Surrendering tells a visual story specifically about the struggle of loyalists to shape a distinct identity in post-conflict Northern Ireland. The documentary narrative introduces us to the daily lives of the local British working-class as well as members of its illegal paramilitary groups. Recognised as terrorist organizations until recently, these associations still carry weight, sow fear, and control Northern Ireland’s Ulster.
By focusing on the spaces which the book’s subjects inhabit, aspects of their daily lives, and the particularities of their neighbourhoods separated by ominous ‘peace walls,’ the photography brings to the fore the psychological state of siege which permeates working-class districts in Northern Ireland. The story also spotlights the atmosphere of despair which accompanies each successive generation – trapped socially and mentally in unprocessed traumas from which it cannot escape.
The aim of the Not Surrendering is to increase awareness and knowledge about processes of reconciliation in post-conflict societies that are divided territorially, politically, nationally, and religiously.
The story this volume highlights the difficulties NGO and other grassroots projects face while working with difficult youth from families deeply involved in the conflict.
The photographic images illustrate the tensions arising during celebrations of national identity, during which especially members of paramilitary groups openly fan the flames of hatred towards their neighbours. This directly affects the indoctrination of the youngest who actively participate in numerous events of this type, leading often to recruitment of young people into paramilitary associations or organised criminal groups.
This has been a personal, individual project from the very beginning to the end (2010-2020); partly supported at the very end stage by Artists Emergency Programme grant from the Arts Council of Northern Ireland and The National Lottery.

Roland Ramanan is a London based documentary photographer, born in 1966 with a background in music and education. He developed a passion for photography around 2010, initially through street photography. In 2012 he started a long term documentary project on a vulnerable group of people who gravitate towards a corner of east London called Gillett Square which is to be published by Dewi Lewis as the book “Dominoes”. This work has been featured in Vice magazine among others and has won various awards including being shortlisted for the Royal Photographic Society documentary awards 2023. In 2022 he was one of the finalists in the Portrait of Britain awards. Roland’s current project focuses on the London roller skate scene and its relationship to black culture. https://rolandramanan.com/

Dominoes is a unique and vibrant mosaic of the lives that float in and around a particular corner of Hackney in London’s East End. The book is populated by intimate pictures of people who have experienced addiction and pain as well as the deep joys of the community of which they are a part. Gillett Square was derelict and underdeveloped for years until, in the 1990s it became an experiment in urban regeneration. Like the Dominoes they play in the square, those lives are often precarious. For ten years from 2012 I was privileged to be allowed into the lives and homes of some of those I have met, to photograph their fights and struggles; their families and their lovers. Some of these people are now my friends and some are no longer with us. The participants I am closest to form the heart of the book and I’m sure that bond will continue. The work gives us honest glimpses into lives that we may often turn away from but always with a sense of hope. Dominoes touches on universal themes of love, death, hope and the evolution of urban communities.

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Angelo Scelfo: The Strip

Featured photographers


Italy: Marina di Acate – April 2024.

It has been called the ‘transformed belt’ and consists of a set of territories in southern Sicily where greenhouse farming activities have replaced the original crops. This transformation has led to the partial destruction of dune environments with the consequent pollution of the coast, the loss of biodiversity and a strong marginalisation of migrant communities. In fact, migrants are the majority of the workforce.

Those who work in the greenhouses are also hidden from the rest of the community as they live, in most cases, in rural settings and in employer-provided housing that is often shacks or company sheds. Throughout the area, entry into the labour market is a profoundly precarious process, marked by daily relationships and articulated solely in terms of exploitative relationships.

In recent decades, the number of greenhouses on the island has practically tripled. An example is the case of Santa Croce di Camerina (RG) in which has the highest percentage ratio of migrant population employed in agriculture and the municipality hosts half of the foreign population registered in the province. A simple estimate of the area covered by the greenhouses, which changes every year, shows an area of about 61 square kilometres surrounding the town.

The NGO Emergency operates in the entire area of the transformed belt. In addition to having a psychological support programme for the labourers, it is vital for those who otherwise would not have access to basic health services.

Finally, there is the environmental factor. Greenhouse agriculture requires an intensive use of pesticides and fertilisers that lead to a progressive loss of fertility and a high rate of soil consumption. Residues seem to be a determining factor in the pollution of water analysed by ISPRA. The institute calculates that at least 66,176 tonnes of fertilisers are released annually into the island’s agricultural systems. To this is added atmospheric pollution from dioxins due to the numerous fires lit at the end of the day to burn greenhouse maintenance waste often made of plastic.

Further links:

https://www.instagram.com/lo_scelf

https://www.facebook.com/paul.ferdinand.984

Bio
Angelo Scelfo, Italian photojournalist based in Bologna (Italy). Born in October 1979 in Bologna and grown up in Sicily. I studied philosophy at Università degli studi di Palermo and photography at ISFCI in Rome. Since 2005 I have been involved in photography, today I dedicate myself full time to photojournalism as a freelancer. I also like to write: the world of self-productions and fanzines has always been the most congenial to me. I live between Bologna, Rome and Palermo.

Angelo Scelfo photographer

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