Finbarr O’Reilly: In Conversation with Photojournalism Hub

Finbarr O’Reilly is a multi award winning photojournalist and the 11th Laureate of the Carmignac Photojournalism Award. He has covered conflicts and combat situations in Congo, Chad, Sudan, Afghanistan, Libya and Gaza. His awards include the 2019 Nobel Peace Prize exhibition photographer and the World Press Photo of The Year in 2020.

‘Congo, A Sublime Struggle’ is evocatively titled after a quote from Patrice Lumumba’s Independence Speech. It is a sequel of ‘Congo in Conversation’ by Congolese photographers and journalists, and produced by the Carmignac Photojournalism Award team and Finbarr.

The monograph explores the Eastern DRC and how it connects with the environmental and climate crisis, the country’s colonial history, and on-going extractive practices. in collaboration with the International Criminal Court.

Iga Barriere, Ituri, DRC, May 17, 2021. Miners at a gold mine in Iga Barriere in Congo’s Ituri province
© Finbarr O’Reilly for Fondation Carmignac

This monograph is a striking and meaningful endeavour that documents and presents the many facets that are part of Congo today, including struggles and efforts in bringing the country as a whole. It includes work on the reparation programme with victims of violence in collaboration with the International Criminal Court.

On Friday 1st July, Finbarr O’Reilly joined Cinzia D’Ambrosi and Safeena Chaudhry in a conversation about The Congo, Photography, reparation and trauma.

During the interview, Finbarr answers questions on his latest work and monograph ‘Congo, A Sublime Struggle’, which contains powerful photographs and writings on Congo of the last two years.

MONOGRAPH – FINBARR O’REILLY
CONGO, A SUBLIME STRUGGLE

Carmignac Photojournalism Award – 11th Edition
Democratic Republic of Congo

Co-published by: Reliefs / Fondation Carmignac
Release date: June 17, 2022
Bilingual: French/English
Size: 24 × 28 cm, 128 pages
Texts : Finbarr O’Reilly, Comfort Ero and Judge Antoine Kesia-Mbe Mindua
Photographs : Finbarr O’Reilly
Price: 35 euros, 45 USD, 58 CAD, 35 GBP
Distributed by: Harmonia Mundi

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Beau Patrick Coulon: REVEL & REVOLT

Revel & Revolt is a new photo book by Beau Patrick Coulon, a co-edition with Burn Barrel Press and Defend New Orleans’ imprint: DNO books. Coulon presents his straightforward-yet-personal visual documentation of protests, parades, and the punk scene in New Orleans from 2013 to 2020. 

‘Revel & Revolt’ photobook could not be materialised in such a powerful visual documentation if it wasn’t for the incredible talent and the lived experience that Beau holds. The photo book allows you to view the subjects’ s moments of anger, sadness, bliss with an openness, direct and unaffected manner that only a photographer with a real understanding and connection with the world that they inhabit may have. Beau’s journey to photography has been an interesting one. He was born in Hollywood and he spent much of his childhood between California, Florida, and Oklahoma. At 13, he moved out of his mom’s apartment to live on the streets with punks he met on Hollywood Blvd while skipping school.

Coulon travelled across the country by freight train and lived among a network of derelict squats, punk houses, collectives, and DIY art spaces. He first arrived in New Orleans in the mid-90s and found work that ranged from seasonal farming, doing demolition, pouring concrete to framing. These experiences gave him an unparalleled view of life and an understanding of class struggles and nomadic living.

Coulon’s life is different today however his photographs speak of the past, transitional living and of history that reminds us all of struggle and fortitude, beauty and despair.


Beau Patrick Coulon
https://www.beaupatrickcoulon.com/

Revel & Revolt photobook info:

Revel & Revolt

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All photos copyrighted ©Beau Patrick Coulon

Mubashir Hassan: The forgotten future of Kashmir

Photos & text by Mubashir Hassan

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©Mubashir Hassan

Kashmir in the last 30 years has been reduced to a land of pain and misery with thousands dead, disappeared, raped, detained and tortured. When an anti-India insurgency began in 1989, the mighty forces that India employed here crushed the rebellion. Since then more than 90,000 people have died and 8,000are disappeared.

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©Mubashir Hassan

The ongoing conflict mounted scars not only on the adults but the new generation. The young children’s were badly affected with hundreds killed, thousands blinded, amputated bodies, and detained in Indian jails.

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©Mubashir Hassan

With more than half a million Indian troops stationed, Kashmir has the distinction of being the most heavily militarized zone in the world. The Indian forces enjoy special powers under laws such as the Armed Forces special Powers Act (AFSPA) that gives them immunity and impunity to arrest or kill anyone on mere suspicion, without the fear of facing legal action.

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©Mubashir Hassan

The turmoil has devastated an entire generation. People have gone through worst in these turbulent times. The story is all about the Children’s who are the Future of Kashmir and a yearning of new generation to live a life of peace and dignity.

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©Mubashir Hassan

The images shot by me are somehow my own childhood experiences, as I grew in such condition seeing things periodically right from the time when rebellion broke out in Kashmir.

Mubashir Hassan
Mubashir Hassan is a freelance photojournalist based in Kashmir valley, India. For the past six year, Mubashir has covered many stories on politics, conflict, human rights violations, as well as day to day life, art, culture and architecture. He is available for assignments.

On the project
‘Children: The forgotten future of Kashmir’ is an ongoing project by photojournalist Mubashir Hassan that focuses on the children living under the conflicted area of Kashmir valley. It documents the impact that the conflict has on their lives; from being physically maimed, psychologically traumatised and deprived of a future. ‘Children: The forgotten future of Kashmir’ is a personal project. It is an important story that needs to be seen and told. If you would like to support Mubashir, please be in touch with him. He is looking for commissions, representation and/or donations, which albeit small would make a huge difference for him. You can get in touch with Mubashir directly on:

Mubashir Hassan
T: +91-   9622663411
E: mubashirhassanpj@gmail.com
Insta: mubashirhassan_images

Quintina Valero: Life after Chernobyl

Quintina Valero

In April 2015 I travelled to Ukraine to document the long-lasting implications of Chernobyl’s nuclear disaster for both the environment and the people 30 years after the disaster. The Chernobyl’s accident seems to have been forgotten by society. I wanted to give a voice to the lives of those carrying on with the poisonous legacy of Chernobyl. In my first trip, I visited the 30 km exclusion zone where around 200 people are still living. For my research I interviewed doctors working at the National Institute Cancer Research in Ukraine, NGOs working with victims of Chernobyl and scientists who are studying the DNA modifications both in plants and human beings. I become very interested in remote areas, which are still contaminated by radiation and where people have limited access to hospitals and doctors.

“Life after Chernobyl” portrays life both inside the 30 Km exclusion zone and Narodichi region, 50 km  southwest of the nuclear plant. This turned out to be one of the worst hit areas by radiation but only detected five years later. With my collective “Food of war” we are helping to raise awareness of the Chernobyl’s accident through European exhibitions, talks and conferences. We have also collaborated with artists reflecting on the consumption of food in countries where radiation travelled after the 1986’s accident. Life after Chernobyl is an ongoing project that I would like to develop into a book and a short film.

To know more or would like to support this ongoing project, please follow this link

Natalia, school’s teacher stands by the entrance of Maksimovichy village, where many houses were abandoned after Chernobyl’s disaster.
Nastia Natsik with her daughters Iuliana, Madina and Lia in her family house in Khristinovka. Lia, 2 suffers from a brain tumour. Her father,Emil, 37, fled the conflict in Abkhazia (Geogia) when he was eleven, 3 years after Chernobyl’s disaster. Though evacuation was enforced in 1992, many families decided to stay.
Tatiana Ignatiuk in her kitchen in Maksimovichy, where she lives with her three children and husband who works in the forest.
Anna is holding apples from her tree. She lives in the evacuated village of Copachichi in the 30km exclusion zone of Chernobyl.
Dima, 6 years old is waiting to be seen by Alexander and Daniel, two volunteer doctors from Kiev. About 60% of children in Narodichi region suffer from malnutrition alongside cardiovascular and respiratory diseases. Children are no longer considered victims of Chernobyl. Ignored by the authorities, many of those children rely on local NGOs and international aid organisations for medical treatment.

Quintina Valero
https://www.quintinavalero.com
@QuintinaV
#quintinavalero/

Gueules Gazées

By Roberto di Mola 

Gueules Gazées is an ongoing documentary series showing the effects of tear gas among
protestors. Grins, runny noses and burning eyes are just the visible effects. According to a study published by the French association of toxicology-chemistry the aftermaths of exposure could be serious and permanent damages might be caused to the nervous system, to the breathing apparatus
and to the sight. Moreover it certifies the presence of small amounts of cyanide potentially
toxic in case of long exposures.

Gueules Gazées tries not only to underline direct consequences of potentially lethal
weapons used against civilians, but it also aims to show people’s strategies to relieve pain
and provide first aid to those affected by the gas. Heavily armed police, LBD, tear gas: are there any other more peaceful means to provide security and safeness in public order policing?

Instagram: #mirai.mir

Paris, June 2020. Milk is often used to alleviate burns that reach the eyes. Here, after
the passage of the demonstrators, milk flows on the street.
Paris, June 2020. A protester makes a grimace of pain.
Paris, June 2020. A protester sprays his face with milk.
Paris, June 2020. A demonstrator receives assistance.
Paris, July 2020. A typical riot police squad: one of them is holding a LBD gun. The
majority of serious injuries are caused by the reckless use of this weapon.
Paris, June 2020. A Parisian café after being attacked with tear gas.
Paris, June 2020. A man trying to get out from the café after the attack.
Paris, June 2020. More and more protesters, aware of the effects, equip themselves with the necessary to provide first aid.

Paris, June 2020.In this case an umbrella is used to better protect themselves from
“toxic winds”.

Paris, July 2020. Another technique is used to curl up against the wind.

Photographs by Roberto di Mola
Instagram: #mirai.mir