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Photobook: Sulgrave Club 100 years
Official Centenary photo-book:
Sulgrave Club 100 Years
A century of the Sulgrave Club, told through image and memory. 96 pages. Limited copies available.
Sulgrave Club 100 Years is the official centenary photobook celebrating 100 years of the Sulgrave Club in London W12. Produced by Cinzia D’Ambrosi and published by the Photojournalism Hub to mark a significant milestone in the Club’s history and community life, the 96-page publication brings together archival and contemporary photography to trace the people, places and stories that have shaped the Club since its founding.
Sulgrave Club 100 Years documents a century of community life through photographs, personal memories, archival material and contributions spanning generations. The publication accompanies Lens on a Century, the centenary exhibition held at the Sulgrave Club on 26 June 2026, and extends the exhibition’s exploration of the Club’s history through a wider collection of images and personal stories.
Among its archival material are remarkable connections to members and figures associated with the world-famous British rock band The Who. The book features a letter from Pete Townshend, alongside photographs of Roger Daltrey, generously provided by Irish Jack, who is regarded as the fifth member of the band.
The photobook also includes archival photographs which offer a rare, intimate historical glimpse into the Sulgrave Club and youth provision in the late 1950s and early 1960s in the UK.
Together, these photographs, documents and personal contributions create more than a record of an anniversary. Sulgrave Club 100 Years is a visual history of a community, preserving memories and connections that might otherwise be lost, while celebrating the continuing role of the Sulgrave Club in the lives of generations of people in West London.
ISBN: 978-1-0369-8846-3
Publisher: Photojournalism Hub CIC
Photography, curation & project management: Cinzia D’Ambrosi
95 pages
Price: £25
Shipping: UK only
To order a copy HERE
COVID-19 & Beyond
Photojournalism Hub presents COVID-19 & Beyond, a powerful photographic collection reflecting on one of the most pivotal moments in recent history and the profound, lasting consequences that continue to shape our world today.
Emerging from an international open call launched by Photojournalism Hub director Cinzia D’Ambrosi at the height of the pandemic, COVID-19 & Beyond brings together, for the first time, this vital body of work in a single publication following its debut as a physical exhibition. Both long-awaited and deeply necessary, this collection offers an urgent and collective reflection on the pandemic and its aftermath.
Featuring compelling work by photographers from London and across the globe, the book documents lived realities and bears witness to a crisis that did not affect everyone equally. While COVID-19 was a shared global event, its impact exposed and intensified existing injustices and structural inequalities. Marginalised communities faced disproportionate risks, losses, and restrictions, as longstanding issues around housing, migration, race, women’s rights, access to healthcare, mental health, and freedom of expression became further entrenched.
Through photography, personal testimonies, and reflections, COVID-19 & Beyond amplifies voices too often excluded from dominant narratives. It is both a record of an extraordinary and traumatic period and a critical lens on its enduring consequences, physical, emotional, economic, and political.
More than a retrospective, this book asks urgent questions about the present and the future: Where are we now? What has changed? What has been normalised? And where are we heading?
As Cinzia D’Ambrosi reflects:
“The pandemic acted as a catalyst, accelerating social change, widening inequality, and reshaping our relationship with power, rights, and accountability. In many ways, it forced humanity to confront its own fragility—marking a moment when collective survival, dignity, and justice were fundamentally challenged. Yet many questions remain unanswered. The struggle did not end when lockdowns were lifted.”
To order a copy: HERE
Prints
A collection of social justice and human rights issue driven photographic prints supporting photojournalists and documentary photographers who courageously and truthfully work to effect change.
Maria Tomas Rodriguez
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £ 120 + p&p
Young girl after school.
Photo taken in Kenya, 2019. In many places, when Christmas holidays are over, girls are back to their homework routines, classes, and perhaps midterm exams. In some Kenyan villages, girls aged between 9-17 years old returning to school after the Christmas break means that they will be subjected to pregnancy tests and examined for female genital mutilation – FGM – by trained medical professionals in local schools and clinics. The tests have been put in place as many girls are forced to undergo FGM during the Christmas vacation, and pregnancies following it are not uncommon.
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £ 120 + p&p
Celebration day.
Photo taken in Senegal, 2016. This woman lives in the Ossouye, a small village in the Casamance, Senegal’s south. On this day, new young men circumcisions were taking place and women were out dressed up in their best outfits.
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £ 120 + p&p
Bedik woman.
Photo taken in Senegal 2016. The Bedik tribe lives in the south-eastern corner of Senegal, near the Guinean border and close to the headwaters of the Gambia River. They arrived at different times between the 11th and 19th centuries. The area remains remote and many of the cultural adaptations of the people, including their agro-pastoral, social, ritual and spiritual practices persist to this day.
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £120 + p&p
Traditional celebration.
Photo taken in Senegal 2017. Male circumcision is one of the oldest and most widespread surgical procedures in the world performed in pre-pubertal boys, adolescents or adults. In Senegal, male circumcision is considered essential for becoming a full member of society and it is a major festivity across the community with big celebrations for which men wear their traditional outfits.
£150+ p&p
Photojournalism Hub Members £ 120 + p&p
Boats of shame. Photo taken in Canary islands, Spain, in 2021. In 2020/21, around 45,000 illegal immigrants from West Africa arrived by boat to the Canary Islands (Spain, EU). This route is the deadliest migratory path: 1 out of 20 migrants dies on the attempt to reach European soil. Poorly equipped boats travel distances of up to 1,500 kms. The engines break often, leaving the passengers adrift for days or weeks in which food and water run out. Frequently the occupants die during the crossing. Those who remain alive throw the corpses into the ocean to save on fuel. Ports on the Canary Islands are these days plagued with hundreds of these abandoned boats.
Maria Tomas Rodriguez
Maria Tomas-Rodriguez is a Spanish born photographer living in UK for the last 22 years. Her photography work has always been black and white social – documentary photography, although recently, with the pandemic and domestic lockdown, she started exploring colour photography. Maria combines her current university academic job with her interest in photography and travelling for documenting social matters and people’s cultures & traditions. She collaborates on regular basis with Baolar, a charity based in Senegal as an active member and photographer. Her major photography work concerns the modern-slavery conditions of children and the harsh working conditions of fishermen, both works in Senegal. She also has documented the Afar salt miners work in Ethiopia just a few months before the war started in the Eritrean border.
Her main interest is to contribute to raise awareness on injustices and social inequalities. Some of her work has been published in UK online magazines and Spanish local newspapers. In parallel to her interest in documentary photography, she is very keen on water sports and has
developed a still ongoing portfolio on wind and water sports, attending major championships and documenting the training of professionals of these sports. Her work has been recognized at several international photography awards and exhibited in the last
years, both individual and group exhibitions.
Instagram @photomtr
Images will be printed by Genesis Imaging.
Mohammed Salim Khan
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £120 + p&p
Children in the camp don’t have toys to play like most other children outside the refugee camp
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £120 + p&p
We don’t have any ambulances and during an emergency we need to walk to the nearest primary level hospital, which is very far from the camp.
Paper size: 16 x 12 inches
Unframed
£150+ p&p
Photojournalism Hub Members £120 + p&p
Conflagrations are common in the camp. In one of these events a mother was separated from her son in the ensuing chaos. They were reunited a day later.
on the reverse
Paper size: 16 x 12 inches
Unframed
£150+ p&p
Photojournalism Hub Members £120 + p&p
Genocide remembrance day.
Mohammed Salim Khan
Mohammed Salim Khan, I am a 28 years old photographer. My family became refugees and fled from Myanmar in 1991. I grew up in Kutupalong refugee Camp in Bangladesh. I am a person, who has never ever seen his own country and home village. I have been capturing lives and emotions of my community who has been fleeing violence and persecution in Myanmar for decades and now are dispersed in refugee camps.
My photos have been published in several Bangladeshi and international media, including The Guardian, The Independent, ABC news, Reuters, Al Jazeera, NPR, The Washington Post, AFP, South China Morning Post to name a few, as well as been presented in many international exhibitions in Italy, Japan, and the UK, including featured in the Oxford Human Rights Festival, UK
Ségolène Ragu
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £120 + p&p
Semiramis
Like Beirut itself, the Semiramis building is falling into ruin. Built in the 1960s, it was a luxury building decorated with rich mosaics and statues of lions at the entrance. It used to host rich tourists from the Gulf in furnished flats. Today, the owners no longer want to maintain it. With the soaring devaluation of the Lebanese pound (which has lost 98% of its value in three years), they are now only receiving symbolic rents. They are therefore trying to evict the current tenants in order to resell the building or destroy it.
Paper size: 16 x 12 inches
Unframed
£150 + p&p
Photojournalism Hub Members £120 + p&p
Like Beirut itself, the Semiramis building is falling into ruin. Built in the 1960s, it was a luxury building decorated with rich mosaics and statues of lions at the entrance. It used to host rich tourists from the Gulf in furnished flats. Today, the owners no longer want to maintain it. With the soaring devaluation of the Lebanese pound (which has lost 98% of its value in three years), they are now only receiving symbolic rents. They are therefore trying to evict the current tenants in order to resell the building or destroy it.
Ségolène Ragu is a French-Lebanese photojournalist based between Paris and Beirut. After a professional experience in cultural desk research and audiovisual, she completed a training course in documentary photojournalism at EMI-CFD in Paris. Since then, she has been documenting the consequences of the economic, political, and social crisis in Lebanon through personal projects and assignments.
To purchase a print, please contact Photojournalism Hub, admin@photojournalismhub.org
Photojournalism Hub Calendar 2026
The Photojournalism Hub Calendar 2026 showcasing the incredible work of photojournalists and documentary photographers who have contributed to our mission.
We are proud to present a striking collection of images that tell powerful stories from across the globe.
This year’s calendar features outstanding work by acclaimed photographers Mahmoud Abu Al-Qaraya, Masoud Amin Naji, Mark Chapman, Cinzia D’Ambrosi, Manuela Federl, Francesca Gabbiadini, Myah Asha Jeffers, Daniel Lai, Gašper Lešnik, Sabrina Merolla, Bruno Saguer, Richard Zubelzu
Each photograph embodies the heart of our mission using documentary photography and photojournalism to inspire awareness, connection, and action.
To order a printed copy: HERE
Price: £15 (this includes UK delivery)
Price: £15+ £8.05 (Shipping in Europe)
To order a digital copy: HERE
Proceeds from the sale of the Photojournalism Hub 2026 Calendar will fund bursaries for portfolio reviews for young disadvantaged photographers and a grant supporting the development of an emerging photographer’s photojournalism project.
