Photojournalism Hub x Riverside Studios (Oct 2023)

We’re delighted to welcome Aidan Brooks and Andrew Blowers to the 36th edition of the Photojournalism Nights.

Both photographers use the tool of photography as a means to connect with others in an authentic, raw and meaningful way whether through exploring encounters with strangers or documenting the street around them.

Photojournalism Nights is an event that invites photojournalists and documentary photographers to share their powerful, committed photography dedicated to social justice and human rights causes. Photojournalism Nights event is an opportunity for the public to ask questions, found out how to be involved and learn insights behind the powerful photos stories that are helping advance social justice and human rights around the world. After the presentations, the audience and the guest photographers can continue conversations and socialising in Riverside Studios bar and coffee lounge area.

Aidan Brooks
I am a community photographer and visual storyteller, with the goal of capturing individuals in an authentic and meaningful way. I use my camera to initiate conversations and discover how people feel in the moment. My passion for photography began during my childhood as a shy boy growing up in Wirral, Merseyside. Instead of asking direct questions, I found comfort behind the camera, which gave me confidence and security when interacting with people. This experience has taught me to challenge my judgments, approach things with courage and curiosity, and be a good listener. I believe in the power of being present for people and providing a safe and empathetic environment where they can express themselves freely. Aidan will be presenting selected images/stories to talk about why “talking to strangers is important for us all.”
www.aidanbrooks.co.uk
@aidan_brooks

Andrew Blowers
Having first picked up a camera after growing tired of taking phone snapshots, Andrew spent £50 on a film SLR in 2017, and was hooked. Alongside photography, Andrew is also an accomplished semi-professional bass player and during the COVID pandemic and lockdown of 2020 he found himself without a creative outlet and his enjoyment of street photography turned into documenting the world around him. 
Exclusively shooting black and white, he greatly favours the use the old ways of film and the darkroom, only utilising digital when needs must. His style is honest and open, empathetic and devoid of visual trickery. 
He is a member of documentary collective New Exit Group @newexitgroup where copies of collaborative debut zine Bardo are available. The project based on blues in Soho is being sequenced and designed, available soon. Darkroom prints from projects are available on request.
@andyblowers
@newexitgroup

To book a place HERE

Capturing Crisis

I am incredibly pleased to present the fifth edition of Capturing Crisis photography and reporting magazine produced by the group of youths of the ‘Stories, Reporting Mag, Photography Course’ project.
Responding to the cost of living crisis, the young photographers have produced photo stories and photographs covering topics that expose social justice issues as well as current social and environmental changes.
In this issue, you will find photo stories documenting a community led urban space called ‘Meanwhile’ and street photography that in a candid manner seek to document the impact of the economic crisis.
I am very proud for the commitment, talent and drive demonstrated by the young participants.

Photojournalism Hub x Riverside Studios (2nd Edition)

We’re delighted to welcome Zula Rabikowska and Giorgia Tobiolo to the 35th edition of the Photojournalism Nights. To join us register HERE

Photojournalism Nights invites contemporary photojournalists and documentary photographers to share their powerful, committed photography and engage audiences in social justice and human rights causes. Photojournalism Nights event is an opportunity for the public to ask questions, found out how to be involved and learn insights behind the powerful photos stories that are helping advance social justice and human rights around the world. After the presentations, the audience and the guest photographers can continue conversations and socialising in Riverside Studios bar and coffee lounge area.

Zula Rabilowska is a Polish queer photographer and visual artist based in London. Zula was born in Poland, grew up in the UK and her experience of migration influences her photography practice. Zula’s projects explore migration, gender and LGBTQI+ communities with a focus on Central and Eastern Europe and her work unpicks the binary understanding associated with the “West” and the “East”. Zula works with multimedia, film, and photography, and incorporates archival images and documents to challenge conventional visual story-telling norms. Zula holds an MRes in French Postcolonial Literature from the University of Warwick and an MA in Documentary Photography from the University of the Arts London. Zula exhibited as a solo artist in London (England) and Belfast (Northern Ireland), and her group shows include Format Festival (UK), Brighton Photo Fringe (UK), Lahti Fringe Festival (Finland), Gothenburg Fringe Festival (Sweden) Urban Banks Berlin (Germany) and Enjoy Museum of Art Beijing (China). Zula’s work has been published internationally including Dazed and Confused, the British Journal of Photography, the BCC, The Times. Guardian, The Calvert Journal. Zula works as a photographer in Europe, and a photography lecturer at Kingston University London, she is also a co-founder of the Red Zenith Collective, an online platform for non-binary and female artists from Central and Eastern Europe. Zula will be presenting 2 projects, “Nothing but a Curtain” and “Scared to Love.” Her photographs from “Nothing but a Curtain” will be exhibited a the Four Corners in October with the Private View on Thursday 12th October. All are welcome, please register here: https://www.fourcornersfilm.co.uk/whats-on/nothing-but-a-curtain IG: @zula.ra and zulara.co.uk

Giorgia Tobiolo Giorgia is an Italian documentary photographer and educator, based in London. Raising internal questions stimulates Giorgia to examine the external environment. In this two-way relationship, she is keen to reveal the humanity, diversity, and vulnerability of labelled or stereotyped subjects, often objects of prejudice. Ultimately with her practice, she aims to break down the indifference towards certain topics and give a voice to people that need recognition, support, or inclusion. Besides her MA in Photojournalism and Documentary Photography at the University of Westminster, she has completed an Internship with Magnum Photos. Giorgia has, and continues to, collaborate with schools, festivals, charities, associations, private clients, magazines and institutions such as UAL, The British Academy of Photography, Urban Photo Fest, Photography Oxford Festival, the Calthorpe Project, Caritas Foundation, Migrants Resource Centre, the Prison of Pescara, Reuters Institute, CNN, AlJazeera, Source Magazine and more. IG: @giorgiatobiolo and giorgiatobiolo.com

To join us register HERE

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

Photojournalism Hub x Riverside Studios

We’re delighted to welcome Marcin Kornacki and Nathaniel White-Steele to the 34th edition of Photojournalism Nights on the 31st July at the Riverside Studios, 7pm. To join us HERE.

Photojournalism Nights invites contemporary photojournalists and documentary photographers to share their powerful, committed photography and engage audiences in social justice and human rights causes. Photojournalism Nights feature Q&A’s from guest speakers and an opportunity to connect with photojournalists who are helping advance social justice and human rights around the world.

About the Photographers

Nathaniel White-Steele is a documentary artist from Bristol, UK. He is interested in the visual register of authority, how power inscribes itself on landscapes and how ‘territory’ is made. He has worked with satellite images, GIS mapping technology, audio, archive, wet plate collodion tintypes and other methods to unpick how we attempt to control the landscape in order to govern people and the moments when the landscape and the people resist. Nathaniel is currently based in London and has exhibited both nationally and internationally, most recently showing alongside anthropologist Jason de Leon’s work Hostile Terrain 94 in Den Haag, The Netherlands.

Marcin Kornacki is a London-based photographer currently completing his MA in Photojournalism and Documentary Photography at LCC London. His photography focuses on the often untold human stories behind the headlines of communities affected by both chronic and acute distress. His most recent project on Jaywick, the most deprived area in the UK, was recognised by the British Journal of Photography as a winner of the 2022 Portrait of Britain. He is currently working on a project with Haitians displaced by gang violence in the country’s capital city Port-au-Prince.

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

PHOTOJOURNALISM NIGHTS 33rd edition (online)

Join us for an exciting night of PHOTOJOURNALISM! Our online event starts on Wed Jun 21 2023 at 7:00 PM BST. To book: HERE

This event will showcase the works of talented photojournalists Vudi Xhymshiti and Sascha Klamp. Get ready to be inspired by their captivating images and stories. Vudi a renowned photojournalist will share stories from war torn Ukraine where he has been reporting from over 7 months and Sascha who is a multi awarded filmmaker will be speaking about his latest work in Armenia.

During the event, you’ll have the opportunity to interact with the photographers and learn about their experiences in the field. You’ll also get a chance to ask questions and share your own thoughts on the power of photojournalism.

Don’t miss out on this incredible opportunity to connect with two great photojournalists, documentary photographers and filmmakers with and connect with a peer community. Register now and get ready for a night that will inspire.

Vudi Xhymshiti is a photographer and journalist based in London, who has covered major world events since 2007, with his work appearing in prestigious news outlets such as The New York Times, TIME Magazine, The New Yorker, The Guardian, The Times and the Sunday Times of London, CNN, BBC, DW etc. His assignments have taken him to the frontlines of the Arab Spring, the Syrian and Libyan Civil Wars, and the aftermath of the Armenian-Azerbaijani armed conflict in Nagorno Karabakh. Throughout 2022, he reported on the Russian military aggression in Ukraine and travelled to Moldova to observe and report on the impact of Russian territorial expansionist foreign policy on neighbouring countries. He also spent four months familiarising himself with rising tensions in Kosovo, Bosnia and Herzegovina, and Montenegro, following Serbia’s alignment of its Foreign Policy with the Russian Federation. Xhymshiti is not only a talented journalist, but also the founder of VX Pictures and an educator in the visual journalism industry. Don’t miss out on his insights and coverage – visit his website https://vudixhymshiti.uk/ to learn more about him, read his blog https://vudixhymshiti.uk/blog/, and view his latest work on https://vximages.com/.

©Vudi Xhymishiti

Sascha Klamp is a British/German multi-award winning Documentary Filmmaker, Photo-documentary Journalist and Producer based in London, UK. He spent the majority of his career as an investor and entrepreneur which enabled him to travel across frontier and emerging markets. His photography practice centres on highlighting social impact and social justice affairs which is deeply rooted in his curiosity to learn more of the world around him. He tells frontline human and community stories based on empathy for the situation and the people involved. His thinking is informed by his interest in ethnology and anthropology. Sascha exhibited a small selection of his The Art of Seeing, The Art of Remembering project in London in November 2022. His work was highly commended by the TPF Social Documentary Awards (Professional Category, Series) for his The Art of Seeing, The Art of Remembering work. Sascha completed his MA Photojournalism & Documentary Photography studies at the University of the Arts (Distinction), London. He also holds an MBA (Bayes Business School, London) and a Masters in Law, LLM (King’s College, London), and a BSc International Securities, Investment & Banking from Henley Business School (ICMA Centre). He is married with three daughters. Filmography: “The Art of Seeing, The Art of Remembering” (2022), “The Blockade” (2023)

BECOME A PJH MEMBER

Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

JONATHAN ALPEYRIE: a look at his career

Jonathan Alpeyrie’s career spans over two decades, has brought him to 35 countries, and has covered 14 conflict zone assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America, and Central Asia.

Born in Paris in 1979, Jonathan Alpeyrie moved to the United States in 1993. He graduated from the Lycée Français de New York in 1998 and went on to study medieval history at the University of Chicago, from which he graduated in 2003. Alpeyrie started his career shooting for local Chicago newspapers during his undergraduate years. He spent a month driving across the country to create my first photo essay like a professional. The essay focused on the remnant of the Communist era heavy industry. His driver at the time took him to all the major industrial sites, visiting abandoned factories and taking photographs of what once was. The decaying infrastructure was a fascinating reminder of a collapsed system barely 10 years prior.

May 16, 2021 – La Joya, Texas, USA. La Joya has become a new hot bed of passing migrants trying their luck in entering the USA. Strong Border Patrol and local police as well as national guard units are present all along the area in order to arrest as many as possible. ©Jonathan Alpeyrie

After graduating from the University of Chicago in the spring of 2003, Jonathan was sent off to start his first dangerous photo essay which he hoped at the time would help me further to launch his career as a photojournalist. He spent over a month covering gang activity in the Congolese capital of Kinshasa. With the photo essay completed, he returned home and was quickly picked up by Getty images for the reportage section after it was noticed by some editors at the NYC office. 2004, was a watermark year for Jonathan as he started covering wars that very same year, from West Africa to the Caucasus, all for Getty Images. 

March 25, 2017, West Mosul, Northern Iraq. A son is crying over the dead body of his father after he was killed after a car bomb blew up on the street. A massive car bomb sent by ISIS has targeted an Iraqi army controlled street on the front lines, destroyed a few humvees, and killing a local civilian who was delivering water to his family. ISIS units has been using car bombs to destroy Iraqi army units and defensive positions, however, civilians usually pay the price of such attacks. ©Jonathan Alpeyrie

I became a war photographer in order to immerse myself into historical situations to then report them back to the public. Cut and dry

Jonathan Alpeyrie

With almost a decade of experience behind him and half a dozen wars under my belt, Jonathan decided to go on his own and leave the agency business partially behind. Dealing directly with his own clients while still working for various photo agencies, he started covering wars in the Middle East and Central Asia, furthering his resume as a war photographer. A year later, the Arab Spring launched a new phase in his career. 
With the various conflicts erupting all around the Middle East, Syria started to attract war reporters from all over the world interested in covering this new hot conflict. After two trips to the war-torn country in 2012, Jonathan decided to return in 2013. It happened after he was kidnapped for three months by Islamic rebels.

May 4, 2017 – Northern Mosul, Iraq. The 9th division of the Iraqi army is launching a new operation to relieve pressure on the Federal police in Southern Mosul after suffering multiple setbacks from constant Daesh counter attacks. This new offensive is meant to end all ISIS resistance inside the city, which would free the remainder of the areas still controlled by ISIS fighters. Severe resistance is causing significant casualties amongst Iraqi ranks. ©Jonathan Alpeyrie

March 6, 2022 – Irpyn, Municipality of Kiev, Ukraine. Some civilians have remained on the other side of the river and still trying to escape towards Kiev and seek for safety. Russian forces North West of Kiev are slowly closing in on the Ukrainian capital trying to push South and enter the city. The Ukrainian army is so far is resisting the Russian onslaught and causing significant casualties and delays to the advancing Russian troops. ©Jonathan Alpeyrie

By 2014, right after his release from Syria, he embarked on another voyage, this time into Slavic land to start covering the new hot war: Ukraine. After almost 14 months of coverage, he was injured during a gun battle in Mariupol. 

February 6, 2015, Debalteve, Donbass Oblast, Ukraine. A lone woman is standing in front of the bombed out house. Thousands of civilians are still trapped inside the besieged city of Debaltseve. The rail way hub has been hotly contested by both pro-Russian separatists and Ukrainian forces, where hundreds of civilians are soldiers have died since the battle stated 10 days ago. Each day volunteers form all over Ukraine risk their lives to go inside the city to provide with food to the remaining locals still inside the town as artillery fire from both sides rains down in and around the city. ©Jonathan Alpeyrie

That year his career took another turn as he almost permanently stopped working for agencies and focused on some of his big clients like Vanity Fair, CNN, and others, which, interestingly was a reminiscence of the earlier part of his career when he was solely doing photo essays and almost no news. He focused on personal projects which took him closer to a region a new from his previous travels like Mexico and Central America while keeping an eye on South America.

September 9, 2022 – Guayaquil, Guayas, Ecuador. With the ramping up of the drug war in Ecuador, the small South American nation has become one of the major passing point of drug and arms smuggling of the Southern Continent. Indeed, most of the illecit drug trade has its starting point in Peru where the Cocaine is being produce then shipped through Ecuador, then Colombia for refining. The Ecuadorian authorities hare struggling to keep up with the violence the trade induces. ©Jonathan Alpeyrie

After a hiatus from covering wars, he went to Iraq to cover the battle of Mosul in 2017, and took another break from war in 2018, except for some time spent on the front lines in Ukraine, he decided to focus on the drug wars in South America, and more specifically in Brazil. Covid19 cut short his project and focused on the pandemic with an exception: the war in Armenia at the end of 2020. 

The War in Ukraine since 2014 never ended but rather was in a state of hiatus with more upsurge of fighting once in a while. February 2022, with the Russian invasion of its neighbor, has had everyone surprised by the scale of its aggression. When the fighting erupted he was in Mexico shooting a story on the drug war, as soon as his assignment ended he departed for the front in Central Ukraine. He spent a month covering the war between the two Slavic nations. Once more, he was drawn back into a conflict. 

With the ongoing drug war tearing apart Mexico, it’s Northern boder with the USA has been for decades now a strategic location in order to pass drugs and migrants into the USA, making the area a highly lucrative spot in Tijuana, Baja California , Mexico, March 27, 2023. In recent years, Tijuans has been prone to intense violence between various drug cartels and the government, seeing at some point up to 10 murders each day, making Tijuana one of the most dangerous cities in the Americas. Photographer: ©Jonathan Alpeyrie

May 22, 2019 – Rio de Janeiro, Brazil. An operation is under way to capture and kill drug dealers operating ner the police station. A unit of the famous UPP police unit is operating in one of the most dangerous favela of Rio. Clashes errupt on a daily basis between the military police and drug gangs. Rio Police suffers about 200 killed each year in the hands of the various armes gangs populating the favelas. ©Jonathan Alpeyrie

Alpeyrie has worked as a freelancer for various publications and websites, such as the Sunday Times, Le Figaro Magazine, ELLE, American Photo, GLAMOUR, Aftenposten, Le Monde, & bbc among others. Jonathan Alpeyrie’s career spans over a decade, and has brought him to over 36 countries, covered 14 conflict zones assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America and Central Asia. A future photography book about wwii. Veterans with verve editions are in the works.

Alpeyrie has been published in magazines such as: Paris Match, aftenposten, times (Europe), Newsweek, Wine Spectator, Boston Globe, glamour, bbc, vsd, Le Monde, newsweek, Popular Photography, Vanity Fair, La Stampa, cnn, and Bild Zeit, elle Magazine, Der Spiegel, Le Figaro, marie claire, The Guardian, The Atlantic.

Jonathan Alpeyrie
www.jonathanalpeyrie.com
E: peloponnessian@hotmail.com
@Jonalpeyrie

BECOME A PJH MEMBER

Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

About Me, and my Community – Issue 4

We are pleased to present the 4th issue of ‘Me, and my Community’, a photography magazine produced by a group of senior residents of Hammersmith & Fulham.

In this issue, the group has continued to explore their individual ideas and projects on communities and their lives within. We present photo stories that document the impact of regeneration in the borough of Hammersmith & Fulham, street photography exploring life through shop windows, eco-community and sustainable living at Meanwhile Gardens, Ravenscourt Park and much more.

We hope you enjoy this issue.

Prints

A collection of social justice and human rights issue driven photographic prints supporting photojournalists and documentary photographers who courageously and truthfully work to effect change.

Maria Tomas Rodriguez


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Young girl after school.
Photo taken in Kenya, 2019. In many places, when Christmas holidays are over, girls are back to their homework routines, classes, and perhaps midterm exams.  In some Kenyan villages, girls aged between 9-17 years old returning to school after the Christmas break means that they will be subjected to pregnancy tests and examined for female genital mutilation – FGM – by trained medical professionals in local schools and clinics. The tests have been put in place as many girls are forced to undergo FGM during the Christmas vacation, and pregnancies following it are not uncommon.


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Celebration day.
Photo taken in Senegal, 2016. This woman lives in the Ossouye, a small village in the Casamance, Senegal’s south. On this day, new young men circumcisions were taking place and women were out dressed up in their best outfits.


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Bedik woman.
Photo taken in Senegal 2016. The Bedik tribe lives in the south-eastern corner of Senegal, near the Guinean border and close to the headwaters of the Gambia River. They arrived at different times between the 11th and 19th centuries. The area remains remote and many of the cultural adaptations of the people, including their agro-pastoral, social, ritual and spiritual practices persist to this day.


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Traditional celebration.
Photo taken in Senegal 2017. Male circumcision is one of the oldest and most widespread surgical procedures in the world performed in pre-pubertal boys, adolescents or adults. In Senegal, male circumcision is considered essential for becoming a full member of society and it is a major festivity across the community with big celebrations for which men wear their traditional outfits.



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Boats of shame. Photo taken in Canary islands, Spain, in 2021. In 2020/21, around 45,000 illegal immigrants from West Africa arrived by boat to the Canary Islands (Spain, EU). This route is the deadliest migratory path: 1 out of 20 migrants dies on the attempt to reach European soil. Poorly equipped boats travel distances of up to 1,500 kms. The engines break often, leaving the passengers adrift for days or weeks in which food and water run out. Frequently the occupants die during the crossing. Those who remain alive throw the corpses into the ocean to save on fuel. Ports on the Canary Islands are these days plagued with hundreds of these abandoned boats.

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Maria Tomas Rodriguez
Maria Tomas-Rodriguez is a Spanish born photographer living in UK for the last 22 years. Her photography work has always been black and white social – documentary photography, although recently, with the pandemic and domestic lockdown, she started exploring colour photography. Maria combines her current university academic job with her interest in photography and travelling for documenting social matters and people’s cultures & traditions. She collaborates on regular basis with Baolar, a charity based in Senegal as an active member and photographer. Her major photography work concerns the modern-slavery conditions of children and the harsh working conditions of fishermen, both works in Senegal. She also has documented the Afar salt miners work in Ethiopia just a few months before the war started in the Eritrean border.
Her main interest is to contribute to raise awareness on injustices and social inequalities. Some of her work has been published in UK online magazines and Spanish local newspapers. In parallel to her interest in documentary photography, she is very keen on water sports and has
developed a still ongoing portfolio on wind and water sports, attending major championships and documenting the training of professionals of these sports. Her work has been recognized at several international photography awards and exhibited in the last
years, both individual and group exhibitions.
Instagram @photomtr

Images will be printed by Genesis Imaging.

Mohammed Salim Khan


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Children in the camp don’t have toys to play like most other children outside the refugee camp


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We don’t have any ambulances and during an emergency we need to walk to the nearest primary level hospital, which is very far from the camp.


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Conflagrations are common in the camp. In one of these events a mother was separated from her son in the ensuing chaos. They were reunited a day later.

on the reverse
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Genocide remembrance day.

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Mohammed Salim Khan
Mohammed Salim Khan, I am a 28 years old photographer. My family became refugees and fled from Myanmar in 1991. I grew up in Kutupalong refugee Camp in Bangladesh. I am a person, who has never ever seen his own country and home village. I have been capturing lives and emotions of my community who has been fleeing violence and persecution in Myanmar for decades and now are dispersed in refugee camps.
My photos have been published in several Bangladeshi and international media, including The Guardian, The Independent, ABC news, Reuters, Al Jazeera, NPR, The Washington Post, AFP, South China Morning Post to name a few, as well as been presented in many international exhibitions in Italy, Japan, and the UK, including featured in the Oxford Human Rights Festival, UK

Ségolène Ragu


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Semiramis
Like Beirut itself, the Semiramis building is falling into ruin. Built in the 1960s, it was a luxury building decorated with rich mosaics and statues of lions at the entrance. It used to host rich tourists from the Gulf in furnished flats. Today, the owners no longer want to maintain it. With the soaring devaluation of the Lebanese pound (which has lost 98% of its value in three years), they are now only receiving symbolic rents. They are therefore trying to evict the current tenants in order to resell the building or destroy it.


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Like Beirut itself, the Semiramis building is falling into ruin. Built in the 1960s, it was a luxury building decorated with rich mosaics and statues of lions at the entrance. It used to host rich tourists from the Gulf in furnished flats. Today, the owners no longer want to maintain it. With the soaring devaluation of the Lebanese pound (which has lost 98% of its value in three years), they are now only receiving symbolic rents. They are therefore trying to evict the current tenants in order to resell the building or destroy it.

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Ségolène Ragu is a French-Lebanese photojournalist based between Paris and Beirut. After a professional experience in cultural desk research and audiovisual, she completed a training course in documentary photojournalism at EMI-CFD in Paris. Since then, she has been documenting the consequences of the economic, political, and social crisis in Lebanon through personal projects and assignments.

To purchase a print, please contact Photojournalism Hub, admin@photojournalismhub.org

Capturing Crisis

We are incredibly pleased to present the fourth edition of Capturing Crisis photography and reporting magazine produced by the group of youths of the ‘Stories, Reporting Mag, Photography Course’ project.

Responding to the cost of living crisis, the young photographers have covered with photo stories and photographs themes and topics that expose social justice issues as well as current social and environmental changes.

Some of the stories cover the impact of living crisis on restaurants owned by minority groups, the relationship of the UK to the past through the relationship of people to monuments, the emergency and emergence of food banks. Some have taken up street photography as a means to document the reality of London.

We are very proud for the commitment, talent and drive demonstrated by the young participants.