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Join us for a special edition of the IN FOCUS: a Photography Evening event at Riverside Studios, as part of the exhibition ‘Covid-19 & Beyond‘. The IN FOCUS features two acclaimed documentary photographers Chiara Fabbro and Ruth Toda-Nation, whose work in the exhibition explores the profound impact of the pandemic on society’s most marginalized and overlooked groups.

Chiara Fabbro is an Italian documentary photographer based in London, whose work focuses on social issues. She has worked in a variety of places, from the suburbs of Kuala Lumpur, in Malaysia, where those who have fled conflict and persecution cannot be granted refugee status and are forced into a life in limbo; to the squats in the Balkans where migrant men, women and children get stuck during their journey towards Europe; to the beaches of the Canary Islands, the destination for thousands of people who every year set off in flimsy boats from the coast of West Africa, facing what is arguably the most dangerous journey to Europe.
Chiara’s work has been published in a range of print and online magazines and newspapers, such as Al Jazeera English, Balkan Insight, Altreconomia, Solomon and El Salto. She has also collaborated with several NGOs for their advocacy and fundraising campaigns. Chiara has won the 2021 Portrait of Humanity award and received an honourable mention in Photography 4 Humanity Global Prize 2020, supported by the UN Human Rights Office. In 2022 she was shortlisted for the Marilyn Stafford FotoReportage Award and she was selected for Earth Photo 2025 Award.

Between Borders: Finding Refuge in a Pandemic – Faces and feet were telling the story of a long journey – hundreds of kilometers on foot, across mountains and rivers. The fear of the pushbacks at the borders, often violent and degrading, was giving way to the relief of finally reaching Italy, mixed with the uncertainty of what lay ahead. 
These young men travelled along the Balkan route of migration in 2020, and arrived in Trieste amidst the pandemic. Access to temporary shelters was limited due to COVID-19 measures, leaving people in transit with no choice but to sleep rough. The pandemic weighed heavily on them, as borders were tightened further and reports of pushbacks increased. It also stirred negative feelings towards migrant people, with some accusing them of spreading the virus. The already unwelcoming climate towards those seeking refuge became even harsher.
Yet the commitment of the volunteers from Linea d’Ombra, caring for those in transit through Trieste, created a small corner of humanity. Every night on the street, then as now, they tend to wounded feet, fill empty stomachs and replace worn-out shoes with new pairs for the road ahead.

Ruth Toda-Nation ’s photographic practice is informed by a nomadic childhood bridging two cultures, Japan and Britain. She began photographing in Liverpool in the 1980s and later in the rural areas of northern Japan. She continues to document the communities where she lives. Her intimate approach interweaves themes navigating family dynamics and community bonds while reflecting on ageing, loneliness, transience, and departure. Ruth often combines images with words drawn from interviews to amplify the voices of communities she documents allowing their stories to unfold.
Her first book, Our Lockdown Garden, was published by The Mindful Editions in 2022. Her recent body of work, Love is a Life Story, received the Royal Photographic Society Documentary Photographer of the Year award in 2023, and portraits from her ongoing project 900 Yards featured in Portrait of Britain 2023.

The projects, Love is a Life Story and Our Lockdown Garden document the pandemic lockdown experience of my father John (91) and his friend and neighbour Mary (97) as residents of a retirement community and care home in Milton Keynes, UK. John and Mary’s friendship and journey through lockdown reflects many of our eldest citizens experiences as friendships replaced family. 
Given their age they were aware that they may never have come out of lockdown, yet their personal voices were lost amongst the incessant news bombarding us with the mortality figures of this very vulnerable group. With no requirement to test discharged patients being sent back into care from hospital, deaths in care homes rose sharply. As a result, it is estimated that a quarter of known coronavirus deaths in Great Britain took place in care homes. 
The invisibility of this generation— The Silent Generation—was amplified during the pandemic, and many spent their last moments alone and deprived of their loved ones. If a society’s humanity is measured by how it treats its most vulnerable members, then I can’t help asking: did we do enough? 

IN FOCUS is presented by the Photojournalism Hub in collaboration with  Riverside Studios, bringing to the public compelling and thought-provoking contemporary documentary photography and photojournalism.