What is it like to be a young person today

What is it like to be a young person today is a photography project with young people living in Hammersmith & Fulham. The young participants learned about photography and visual narrative whilst engaging with documenting the local area. The project also allowed the development of photo stories bringing about their own personal reflections about living in the area, including the impact of the Covid-19 pandemic in their lives.

Young people photography exhibition

We worked with a group of youths living in White City and Wormholt to talk about their experiences of growing up in the area. We met once a week from January to March and we used photography as a means to represent their lives. Initially the group learned the basics of photography and once they had confidence in using the medium they slowly moved onto working in pairs. They directed their photography, finding their ideal environmental settings, to take photos of each other. As time went on, they started to incorporate in the sessions, their personal experiences. These were coupled with intermittent sessions where all the group engaged in discussions.
We did not input the subject matter, we just facilitated the conversations. We took audio recordings and photos of what they shared as being relevant to their lives.

One of the emerging worry for young people was fear of the future, anxiety which was greatly impacted by Covid-19 pandemic and the drastic changes that it brought to their lives. Loneliness and confusion were also established somewhat by fear of catching covid and the transition from lockdowns to moving back to ‘normal’. One of the participants, expressed very beautifully:

Photographically the group worked on expressing what was like to be a young person today, producing great set of photo stories, which they document, their lives through friends, their state of mind, self portraits and photo story on one of the participant.

Following a visual narrative, one of the participants took photos to describe the subject inner life.

Self expression was the method used by this participant, producing a stunning set of landscape photograph that would show their inner mind.

The experience of being a young refugee is shown in a beautiful set of photographs. The participants expresses her fears, longing to see their family and hopes for the future.

The teenage world is brought to life by this great set of images captured with a mobile phone. The images document her life through her friends, social life and being together. These photos are wonderfully candid.

The project culminated in a Youth Arts Showcase on the 2nd of April at Our Lady of Fatima Hall in White City . The event was a great opportunity for the participants to show their work in a public context.
Photojournalism Hub has worked with young people living in White City and Wormholt in west London to help them to tell their story through photography of what it is like to grow up today in west London.
The poignant and inspiring photography produced reflect the state of being of young people following the experiences of upheaval, loss, and insecurity poised by Covid-19 pandemic and the extended lockdowns to contain the spread of the virus. Finding metaphors in water, leaves and reflective materials in nature, the young photographers have taken to landscape photography, to their peers, and to the documentation of their friends’ lives as a means of presenting their own lives.
The event was attended by many people and was punctuated by presentations and arts workshops. Beneficiaries received a Certificate to award them for their work and participation. They are also officially part of youth arts development team.
Beneficiaries were asked to feedback on the project, at the start of the project, mid way and at the end. We measured:

Improved confidence
Improved wellbeing
Learned new skills
Improved further education, cv, prospects

We share the digital version of the booklet that accompanied the photography exhibition.

We are continuing to work with the participants by inviting them to have their say and be part of future arts developments in White City and Wormholt. The project was kindly supported by W12together, who where also the organisers of the Arts Showcase.

The project was supported by the charity W12Together 


FROM THE INSIDE

Photojournalism Hub welcomes three photographers whose work addresses disabilities and stigmas – of their own or of the others .

28th February 2022 18:30 – 21:00

The Invention Rooms, Imperial College
68 Wood Lane
London
W12 7TA

To join: HERE

©Patricia Lay-Dorsey

Living with one or more chronic conditions is the daily routine of so many people in the world. Nonetheless, the way visible and invisible illnesses are portrayed by media, films, and schoolbooks can be highly frustrating. “The disabled” tend to be portrayed as dependent persons who constantly need help. When they are not, they tend to suddenly become heroes, simply for facing their daily lives. Both views point out that the invisible barrier of unconscious stereotypes and bias on the others’ daily truth is the biggest hurdle for a disabled person. For this reasons, Photojournalism Hub welcomes three photographers whose work addresses disabilities and stigmas – of their own or of the others – in differently unique ways: Patricia Lay-Dorsey, Jameisha Prescod and Sophie Harris Taylor.

©Sophie Harris-Taylor
©Jameisha Prescod

This event will be hosted by Sabrina Merolla. She is a documentary and press photographer, multimedia storyteller and participatory photography facilitator, who has shown her daily routine of “diverse ability” in more than one personal project. www.sabrinamerolla.co.uk

Photojournalism Hub Workshops x White City Place

Cinzia D’Ambrosi

It was a privilege for the Photojournalism Hub to be invited by Stanhope Plc to host a series of free Photography Workshops for residents of Hammersmith and Fulham borough at White City Place in White City, London.
The workshops were facilitated by photojournalist and founder/director of the Photojournalism Hub, Cinzia D’Ambrosi for the past three consecutive Mondays at different time of the day, including lunchtime, to render them available to a wide range of people.
The aim of the project was to provide an inclusive space in which member of the local community would get together and learn visual skills. Under the theme of getting to know one another, participants worked with a fellow participant to tell something about their lives in the form of a photo story using reporting techniques such as interviewing, writing and taking photographs. The outcome is a series of printed zines which will be made available in/around White City.

The project has highlighted how people of different ages, backgrounds and experiences can be brought together by creative expression. It has provided a platform upon which participants have had the opportunity to develop a photo story following through steps from start to completion. Most participants identified becoming more confident in taking photos, learning visual narrative and enjoying meeting new people as being some of their key experience of the sessions.

Mia and Tiana, 16 years old, enrolled to the workshop as they are thinking to pursue a career in media and politics.

The Photojournalism Hub launched in November 2018 in White City and since then has delivered many community focused photography projects in the local area working with youths, women, and the elderly. Photojournalism Hub has used the concept of getting to know a fellow participant to its workshops as a means to combat isolation, prejudice whilst providing a platform for creative expression and for learning reporting, visual narrative and photography.
The workshops at White City Place were kindly supported by Stanhope PLC.

Photojournalism Nights 17th edition (online)

Photojournalism Hub seventieth edition of the Photojournalism Nights presents a superb line-up of guest photographers:  Ofir Berman , Ruth Toda-Nation . Sebastian Barros – Løng .

To join the live Stream: Here

Ofir Berman is an Israeli documentary photographer and visual storyteller whose work focuses on social and cultural issues. Her work gives an intimate view of people living within the fringes of society and aims to capture the resilience and the authentic spirit in the lives of the subjects. In 2020 she finished her Master studies in Madrid and continued to work on personal projects. Recently, she has been documenting Palestinian refugees from Gaza, with the intention of provoking discourse and a new vision of Palestinian-Israeli relations through photography, media, and a new perception of interpersonal communication. The series was published in different European and Israeli newspapers and in the French i24news TV channel. In 2021 she was chosen for the 30 under 30 women photographers by Artpil and was nominated for the Leica Oskar Barnack Newcomer Award.

Ruth Toda-Nation photographic work explores themes present in her everyday life documenting issues relating to family, ageing, loneliness, transience and departure. Her photographic journey began documenting on the streets of Liverpool in the 1980’s. Ruth is currently living in Milton Keynes where she continues to document issues around aging as well as developing new work entitled ‘Birthing a City’ which explores the development of a new town and the lived experiences of its residents.

Sebastian Barros – Løng is a freelance documentary and fashion photographer based in Bogotá, Colombia covering politics, social issues, and health working as a contributor for Italian agency NurPhoto and as a stringer for the Agence France-Presse. Sebastián’s work covers the COVID-19 pandemic and how it actively changes and evolves in Colombia along the raise of protests and how politics shape Colombia’s next presidential elections, also helping young and new documentary and journalism photographers at @longvisualpress a photo agency stablished by him and his girlfriend that distributes their photos across the globe reaching local news sites in Colombia and international ones as The Guardian.

To join the live Stream: Here

Photojournalism Nights 15th Edition – Summary

Photographer Denise Laura Baker answers questions from the public.

Written by Fatima Sanchez

On Friday 23rd, the Photojournalism Hub hosted the 15th edition of the Photojournalism Nights event at The Studio inside The Westworks, dynamic venue in White City Place.

The night was filled with an engaged public, thought-provoking conversations and presentations from outstanding photographers documenting outstanding current affairs .

Our guests for the night included Denise Laura Baker, Simon King and Carolina Rapezzi who shared great insights on the work they have been producing over the last few years of their career.

The event started with the presentation of the photojournalist and portrait photographer Denise Laura Baker. Denise’s work is heavily embedded in socially engaged work. She has been documenting communities and events since the age of 11 as well as becoming a psychologist, studies that have added an incredible depth to her photographic work. In her compelling presentation, she explained the importance of drawing back from any subjectivity, ‘putting aside your personal biases’, which also ‘strengthens the [psychological] work’ that she captures.

Furthermore, her family environment, engaged in social justice, has contributed to her inclination towards photographing issues that surround communities around the UK and Wales. Her key interests surround the travellers and environmentalist communities.

One compelling aspect from Denise’s personal approach to photojournalist work is that she is in the look-out for the bigger picture in a story. Yet, not losing to capture the small details, like it is the human “gaze” in an image.

Simon Black talks about his latest and ongoing project.

The second guest of the evening was Simon King, British documentary photographer who brought to us captivating documentary work shot on film. He presented us his photographic documentation of Washington, D.C. when it was subject to militarised observation to a degree not seen in about 53 years, due to fears of right-wing violence after the MAGA riot at the Capitol of January 6.

When asked why investigating this topic, he explained ‘to keep exploring Patriarchism and the political landscape in America’.

Simon proved transparency, honesty and openness with his words which all encompassed with the strong visual work from his project, yet to be shown in its entirety.

Simon’s photographs seem to bring together elements that form conversations and interactions that are symbolic and representative of the political landscape in America. Some of the work he shared from this project evidenced how the journalists and police force members’ body language mirrored the political scene at the time.

Carolina Rapezzi shares insights behind her iconic photo of a girl taking a short rest amid e-waste disposal in Ghana.

The last guest of the Photojournalism Nights event, was Carolina Rapezzi, who is a self-taught Italian photographer who has been working on social, humanitarian, and environmental issues. She took the initiative to merging her journalistic background and interest for photography to document current affairs such as migration issues, various protests, and ultimately environmental issues.

Carolina introduced us to her timely long-term project Burning dreams which she has invested herself in for the past few years. Her project was  inspired by an investigation that she came across while researching on e-waste. A gps was placed inside an old washing machine in the UK and it eventually ended up been shipped to Agbogbloshie in Ghana. This was Carolina’s starting point of her ongoing and timely project.

She travelled to Ghana to investigate the way the e-waste was disposed as well as the impact of this in the communities. She learned that the cheapest way to get rid of huge amounts of e-waste was by burning it – often by local children.

Her project exposes the impact of disposing e-waste illegally and/or using methods that are not environmentally friendly.

Her presentation also opened up conversations on how important it is for a country to develop and sustain several sources of income, in order to divert from reliance on e-waste disposal, a completely non-sustainable activity.

Her presentation and insights, make us reconsider expanding the life of our day-to-day devices such as our mobile phones or laptops, something we often overlook.

Furthermore, her powerful work stresses how important it is for environmental issues to be talked about at a global level rather than simply national because of its scale and repercussions.

The Photojournalism Nights presented photographers whose work is committed to bringing to the wider public topics that impacts social justice. Bringing people together to learn and talk about these pressing issues is a fundamental step for action and positive change.

To learn more on the Photojournalism Nights: HERE

To contact the writer: fatima@photojournalismhub.org

Injustices & Inequalities: Covid-19 – Edition 11

The current Covid-19 pandemic has disproportionately affected communities and people who were already marginalised, discriminated, and at the throng of continuous injustices and inequalities. We are bringing together stories, investigations from around the world to highlight and advocate and create the important exposure to leverage and bring about positive changes.


In the 11th edition of the Journal on “Injustice & Inequalities: Covid-19”, we present the work of Guilherme
Bergamini which exposes some of the contradictory messages given by government officials.
At the start of the pandemic, Guilherme listed 27 countries cited in the news above published on March 3, 2020, He searched Google “Street View” at random and appropriated each photograph, covering the people in the image with red circles.
The monitoring carried out by the Federal Government is contradictory for what he observed in the actions taken by the President of the Federative Republic of Brazil. What is at stake, as he understands it, are the lives of millions of Brazilians who survive each day with minimal wage or nothing, an unjustifiable and impractical social inequality.

Photo editor: Cinzia D’Ambrosi

STAY AT HOME IT’S NOT A WEAK FLU!

Photography and text by Guilherme Bergamini

Total deaths from COVID-19 in Brazil until June 2, 2021
                                        465.312 lives
i
©Guilherme Bergamini

Searching the Internet about the new COVID-19 around the world, I saw the website of the Ministry of Health of Brazil. I came across a list of 27 countries that are being monitored by the Federal Government.
I listed these 27 countries cited in the news above published on March 3, 2020, I searched in Google “Street View” at random and appropriated each photograph, covering the people in the image with red circles.
This monitoring carried out by the Federal Government is contradictory for what I observe in the actions taken by the President of the Federative Republic of Brazil. What is at stake, if he understands it, are the lives of millions of Brazilians who survive each day with minimal wage or nothing, an unjustifiable and impractical social inequality.
And in this conflict of vanities, interests and power, we can come to an unprecedented tragedy.
Never imagined that i would live an experience of pandemic and social confinement. From that I remember a passage from the inauguration speech of the President-elect of the Federative Republic of Brazil, Jair Bolsonaro, on January 1, 2019, in Brasília, in the Federal District, Brazil:

“May God bless this great nation. Brazil above all. God above all. This is our flag, which will never be red. It will only be red if our blood is needed to keep it green and yellow.” – Part of the inauguration speech of the President-elect of the Federative Republic of Brazil, Jair Bolsonaro.

©Guilherme Bergamini
©Guilherme Bergamini

http://guilhermebergamini.com/fiquem-em-casa-nao-e-uma-gripezinha/

Biography

Reporter photographic and visual artist, Guilherme Bergamini is Brazilian and graduated in Journalism. For more than two decades, he has developed projects with photography and the various narrative possibilities that art offers. The works of the artist dialogue between memory and social political criticism. He believes in photography as the aesthetic potential and transforming agent of society. Awarded in national and international competitions, Guilherme Bergamini participated in collective exhibitions in 44 countries.

Guilherme Bergamini
www.guilhermebergamini.com 
Mob: +55 31 999523047 

Facebook: Guilherme Bergamini
Instagram: guilhermebergamini

Photojournalism Nights 15TH Edition

Photojournalism Hub 15th edition of the Photojournalism Nights presents a superb line-up of guest photographers: Carolina Rapezzi , Denise Laura Baker, Simon King.

23rd July 2021 06:30 pm

White City Place, The WestWorks,
195 Wood Lane
London
W12 7FQ

To join here

Ghana, Accra, November 2018. Rashida is a young girl originally from the North of Ghana, she sells water in the scrap yard of Agbogbloshie. Along with other girls living in the area, she carries water bags into a wheelbarrow and sell them for 1 Ghanaian Cedi each (the equivalent of £0,15) to workers who need to extinguish the fire and cool down the copper extracted from burning cables, wires and other appliances.

Carolina Rapezzi is an award-winning photographer based in London, part of the collective Women Photograph. Her works focus on social, humanitarian and environmental issues. She worked on migration issues in Sicily and France, covered the 100th anniversary of the Russian Revolution in Moscow and St. Petersburg, followed several protest movements in London, including the more recent Black Lives Matter and, since 2018 she has been working on environmental issues. Her independent project Burning Dreams on electronic waste in Ghana has been awarded internationally and exhibited multiple times: Portrait of Humanity 2019, Winner Flash Forward 2019, Winner 1st Prize Single Images, Winner World Water Day 2020, Shortlisted Sony World Photography 2020, Winner Siena International Award 2020.

©DeniseLauraBaker

Denise Laura Baker is a photojournalist, documentary, and portrait photographer. Her work draws on influences from the many different strands of her career, particularly her time as an ethnographic psychologist where she interviewed and collected the stories of the people with whom she worked. She has been exhibiting since 2016 and have, exhibited at various locations in Wales, including holding her first solo exhibition as part of LLAWN 2019 (Llandudno arts Weekend). She is the recipient of an Arts Council for Wales R&D grant for a project examining interconnecting communities within Gwynedd, Conwy and Ynys Mon. She also teaches and give talks on the role of narrative in photography and photo book making.

©Simon King

Simon King is a documentary photographer, currently working on a series of long-term projects, all on 35mm film. Simon teaches at UAL, and with Leica Akademie (UK). Simon works with the collective New Exit Group to publish photo-essays highlighting intimate, local stories. Simon’s recent publications include BARDO (in collaboration with NEG), a USA Digest which includes work from 2019 – Winter 2021, and Transiting Bulgaria, from his recent time there over Christmas 2020.

The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join HERE

Thanks to White City Place for supporting our events

How has Covid-19 and Brexit impacted the LGBTQ+ communities?

Tina at the site of the Guy Fawkes night fire near her home © Richard Ansett 2016

Join us for a conversation on the impact of Covid-19 and Brexit on the LGBTQ+ communities.

Photojournalism Hub is pleased to host a conversation on the challenges that the LGBTQ+ community face, and the further impact of Brexit and Covid-19 pandemic has had on the community. How can we as individuals and as communities support and address the current challenges? Departing from the photography of Gemma Mancinelli and Tim Boddy, join us in the conversation.

Tim Boddy, is a photographer based in London, and a recent graduate of LCC’s Photojournalism & Documentary Photography MA course. Tim develops personal documentary-based projects outside of his commercial work. His practice generally centres on the LGBTQ+ community, whom he enjoys working alongside to embolden storytelling and to make his work more representative of the community.

Gemma Mancinelli, is a photographer and a visual storyteller based in London. Her dedication to human rights, especially women’s rights, LGBTQ+ and working class, is central in her photographs. Gemma has extensively reported on the movement of protests of the last years, focusing on documenting the people’s stories within.

Fazal Mahmood, Rapid Intervention Worker at St Mungo. Fazal will share his personal experiences, both about the trials, tribulations and the celebrations of the integration of his identity from being a South-Asian Muslim gay man.

Richard Ansett, an award winning photographer known for his provocative images. His images are in permanent collections including the National Portrait Gallery, London and Library and Archives Canada, Bibliothèque Nationale de France and the Smithsonian Institution. His images have been part of major collaborative exhibitions.

TO JOIN US REGISTER HERE

Thanks to White City Place for supporting our events

Cover photo ©Richard Ansett

Injustices & Inequalities: Covid-19 – Edition 10

The current Covid-19 pandemic has disproportionately affected communities and people who were already marginalised, discriminated, and at the throng of continuous injustices and inequalities. We are bringing together stories, investigations from around the world to highlight and advocate and create the important exposure to leverage and bring about positive changes.
In the 10th edition of the Journal on “Injustice & Inequalities: Covid-19”, we present the work of Kasangati Godelive Kabena.
Kasangati shares a photo documentary tracing the complex relationship during the period of confinement imposed by Covid-19 pandemic guidelines and the practice of faith in Kinshasa in DRC. As the practice of faith is very much part of daily life for the communities in Congo and in Kinshasa, Kasangati explores through photographs the emptiness that confinement has created in the society.

Photo editor: Cinzia D’Ambrosi

ALMOST EMPTY
Photography & Text by
KASANGATI GODELIVE KABENA

Il était important pour moi de comprendre un peu cette relation complexe pendant la période de confinement entre le covid-19 et la religion en RDC. Pendant la période de confinement, je suis allé en ville, à Kinshasa (République Démocratique, pays où la majorité de la population est chrétienne) pour voir l’état des églises, les rues presque vides, les lieux étrangers et familiers (amis etc. ). Ces lieux n’étaient plus fréquentés car ils ne pouvaient plus accueillir plus de monde. Cette imposition indirecte et directe était fatale surtout pour les églises aussi pour nos relations amicales etc.

It was important for me to understand a little this complex relationship during the period of confinement imposed by covid-19 pandemic guidelines and the practice of religion in the Democratic Republic of Congo (DRC) . During the period of confinement, I went to town, to Kinshasa, where the majority of the population is Christian to see the state of the churches, the almost empty streets, the foreign and familiar places (friends etc. ). These places were no longer frequented because they could no longer accommodate more people. This indirect and direct imposition was fatal especially for the churches, but also for our friendly relations etc.

Kasangati Godelive Kabesa
Phone: (+243) 818022128 (+233) 595534983
godelivekas7@gamail.com
https://www.eyeem.com/u/30716632
IG: GodeliveKasangati