The Photojournalism Hub Calendar 2026 showcasing the incredible work of photojournalists and documentary photographers who have contributed to our mission.
Photojournalism Hub presents Why shop small business? – the latest edition of documentary photography and writings from our local young and senior participants of our documentary photography courses. Why shop small business? brought a lot of conversations and critical analysis on what it really means. Are we shopping more ethically because more conscious of what we eat? Are we more aware of the authenticity and the personal experiences that one has in small independent outlerier. Or the choices of shopping small points to having the economic capacity to do so and thus a statement of wealth. One pervading reflection is that shopping small is very much tied to serving communities. We could say that we have many communities around each local shop, something that we cannot find in much bigger commercial chain.
We have printed a number of copies of the magazine for our beneficiaries and for sharing and making it available in our community. If you would like a copy or discuss a feature, please contact us.
We would like to thank the NHS West London Trust, Hammersmith & Fulham Council, Sobus and Hammersmith United Charities for their support.
Support our work and become a Photojournalism Hub member! and receive the benefits of free access to events, resources, premier editorial content, and discounts on entry to our photography exhibitions, training and shop. You will be supporting our work advocating, advancing social justice and human rights, amplifying community voices and enhance media educational and work opportunities to those facing social, economic and structural challenges. Support the Photojournalism Hub from as little as £1 every month. Thank you. Join us HERE
Photojournalism Hub and Riverside Studios are delighted to announce Denise Laura Baker and Etienne Bruce as the featured photographers for ‘In Focus,’ a captivating series of photography events. This series delves deep into the realm of socially engaged documentary photography, using the lens as a powerful tool for engagement and exploration. The event includes presentations, live interactive Q&As and a social. Etienne Bruce will present us Xenitia, which is an archive, centered on displacement to Greece. It is framed by two motifs: “nostos” (Classical Greek; to return home, homecoming) and “algos” (Classical Greek; pain, grief). Together, these affect-laden words form the root of “nostalgia”. “Xenitia” itself is a Greek term that encompasses the state of being a foreigner, otherness, estrangement, loss, distance, and a profound yearning for home soil. And Dr. Denise Laura Baker will share Deeds, Not Words: motivations and methods of resistance from a photographer’s perspective, currently being shown until April 13th at Gallery 74, Waterside Arts in Sale, Manchester, which explores the myriad ways photography crosses into the realm of activism and the complex relationship between photojournalism and activism.
Denise Laura Bakeris a socially engaged photojournalist and documentary photographer and storyteller, focusing on environmental and social issues, climate change, activism, and community. Through these she explores themes of connection, journeys, identity, change and transition. Denise’s photographic and creative work draws on influences from her career as a visual artist, and her previous career as an ethnographic psychologist where she interviewed and collected the stories of the people with whom she worked. In March 2020 she was featured as an emerging female photographer in film https://analoguewonderland.co.uk/blogs/film-news/female-voices-in-film-denise-laura-baker and in 2021 and 2022 she won PX3 State of the World. She has published numerous photographs in the mainstream press as well as photo essays in magazines such as New Internationalist, Open Democracy and Novara Media. Her work has been featured in group exhibitions as well as solo shows most notably LLAWN Llandudno Arts Weekend in 2019, Galeri Caernarfon, North Wales 2022, Islington Climate Centre 2023, The Black E Gallery in Liverpool as part of The World Transformed 2023 and Open Eye Gallery, Liverpool 2023. Denise’s work is currently being shown until April 13th at Gallery 74, Waterside Arts in Sale, Manchester. Denise teaches and mentors, runs community arts workshops, and has received funding through the Arts Council for Wales, Creative Gwynedd, RBKC Creative Grants, The Westway Trust and Imaginary Millions. With Deeds, Not Words(Deeds, Not Words: motivations and methods of resistance from a photographer’s perspective) Denise explores the myriad ways photography crosses into the realm of activism and the complex relationship between photojournalism and activism. In this project she examines protest through the female eye, which has enabled her to connect with her own background in activism as well as others, and her relationship to photography as activism. @deniselaurabaker
Etienne Bruce is an Anglo-French visual artist, editorial photographer and educator currently based in London, UK. Her project-based work is a form of documentation driven by an engagement with the nature of the photographic image, which often includes an element of recording oral histories. A preoccupation with the relationship between form and content has led her to embrace different modes of expression including text, movement, sound, space, sequence and literary forms as portals through which to re-examine documentary image-making practice and embrace its inherent ambiguity. Through her work, Etienne seeks to challenge her perceptions and reinterpret things as she understands them while always striving to engage respectfully and collaboratively with the people and stories that are central to her practice. Etienne is a member of Women Photograph, she is Education & Training Manager at The Photography Foundation, and her book Xenitia was published by Zone6 Press in 2023. @etienne_bruce
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Thousands rallied in London’s Trafalgar Square to advocate for a Free Palestine and to call for an immediate Ceasefire. Among the crowds, were Londoners, families with their children, and representatives from various organisations, all uniting in in central London Trafalgar Square to demand an end to the violent conflict. The vast majority of demonstrators conveyed their message peacefully, holding up placards, and posters with messages emphasising the urgency of a ceasefire, on a day marked by numerous protests across the capital.
A young girl holds up a Freedom for Palestine poster, London Trafalgar Square. @Cinzia D’Ambrosi
Jonathan Alpeyrie’s career spans over two decades, has brought him to 35 countries, and has covered 14 conflict zone assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America, and Central Asia.
Born in Paris in 1979, Jonathan Alpeyrie moved to the United States in 1993. He graduated from the Lycée Français de New York in 1998 and went on to study medieval history at the University of Chicago, from which he graduated in 2003. Alpeyrie started his career shooting for local Chicago newspapers during his undergraduate years. He spent a month driving across the country to create my first photo essay like a professional. The essay focused on the remnant of the Communist era heavy industry. His driver at the time took him to all the major industrial sites, visiting abandoned factories and taking photographs of what once was. The decaying infrastructure was a fascinating reminder of a collapsed system barely 10 years prior.
After graduating from the University of Chicago in the spring of 2003, Jonathan was sent off to start his first dangerous photo essay which he hoped at the time would help me further to launch his career as a photojournalist. He spent over a month covering gang activity in the Congolese capital of Kinshasa. With the photo essay completed, he returned home and was quickly picked up by Getty images for the reportage section after it was noticed by some editors at the NYC office. 2004, was a watermark year for Jonathan as he started covering wars that very same year, from West Africa to the Caucasus, all for Getty Images.
I became a war photographer in order to immerse myself into historical situations to then report them back to the public. Cut and dry
Jonathan Alpeyrie
With almost a decade of experience behind him and half a dozen wars under my belt, Jonathan decided to go on his own and leave the agency business partially behind. Dealing directly with his own clients while still working for various photo agencies, he started covering wars in the Middle East and Central Asia, furthering his resume as a war photographer. A year later, the Arab Spring launched a new phase in his career. With the various conflicts erupting all around the Middle East, Syria started to attract war reporters from all over the world interested in covering this new hot conflict. After two trips to the war-torn country in 2012, Jonathan decided to return in 2013. It happened after he was kidnapped for three months by Islamic rebels.
By 2014, right after his release from Syria, he embarked on another voyage, this time into Slavic land to start covering the new hot war: Ukraine. After almost 14 months of coverage, he was injured during a gun battle in Mariupol.
That year his career took another turn as he almost permanently stopped working for agencies and focused on some of his big clients like Vanity Fair, CNN, and others, which, interestingly was a reminiscence of the earlier part of his career when he was solely doing photo essays and almost no news. He focused on personal projects which took him closer to a region a new from his previous travels like Mexico and Central America while keeping an eye on South America.
After a hiatus from covering wars, he went to Iraq to cover the battle of Mosul in 2017, and took another break from war in 2018, except for some time spent on the front lines in Ukraine, he decided to focus on the drug wars in South America, and more specifically in Brazil. Covid19 cut short his project and focused on the pandemic with an exception: the war in Armenia at the end of 2020.
The War in Ukraine since 2014 never ended but rather was in a state of hiatus with more upsurge of fighting once in a while. February 2022, with the Russian invasion of its neighbor, has had everyone surprised by the scale of its aggression. When the fighting erupted he was in Mexico shooting a story on the drug war, as soon as his assignment ended he departed for the front in Central Ukraine. He spent a month covering the war between the two Slavic nations. Once more, he was drawn back into a conflict.
Alpeyrie has worked as a freelancer for various publications and websites, such as the Sunday Times, Le Figaro Magazine, ELLE, American Photo, GLAMOUR, Aftenposten, Le Monde, & bbc among others. Jonathan Alpeyrie’s career spans over a decade, and has brought him to over 36 countries, covered 14 conflict zones assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America and Central Asia. A future photography book about wwii. Veterans with verve editions are in the works.
Alpeyrie has been published in magazines such as: Paris Match, aftenposten, times (Europe), Newsweek, Wine Spectator, Boston Globe, glamour, bbc, vsd, Le Monde, newsweek, Popular Photography, Vanity Fair, La Stampa, cnn, and Bild Zeit, elle Magazine, Der Spiegel, Le Figaro, marie claire, The Guardian, The Atlantic.
Jonathan Alpeyrie www.jonathanalpeyrie.com E: peloponnessian@hotmail.com @Jonalpeyrie
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Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE
Som Prabh from the Photojournalism Hub was in conversation with award winning photojournalist Ryan Thomas on his photobook ‘Everything Will Kill You, So Choose Something Proactive’. The photobook is a collection of images shot from 2018 to 2022, mostly shot in Britain, with additional photographs taken in America and France. The work focuses on sublime, chaotic, and even peaceful (albeit disruptive) elements and has become an exploratory research into the similarities that bind rapidly fluid groups of people and the unpredictable energy that ensues. Ryan is a 23-year-old photojournalist currently based in Bristol, UK. He has an MA in Photojournalism from the University of Wales Trinity St. David’s Swansea. Ryan grew up in rural Wisconsin but have deep roots embedded in west Wales, the Land of my Fathers. Ryan covers a range of documentary subjects and has worked with a number of charities and enjoys being involved with intimate and personal projects just as much as the active aspects of protests and rallies. He has had editorial commissions with Huck Magazine, WalesOnline, Daily Mom, Oxfam UK, and DeafBlind UK and has had the good grace to be shortlisted for RPS International Photography Exhibition 164 2022 and reached 3rd place at the Arizona Congressional Photo Competition 2016.
To contact Ryan directly: Email: ryanarwynthomas@gmail.com Instagram: ryanthomas.photography Twitter: ryanthomasphoto To order a copy of the book: https://www.ryanthomasphotography.com
BECOME A PJH MEMBER Please support the Photojournalism Hub from as little as £1 every month. Consider becoming a member of the Photojournalism Hub and receive the benefits of editorial content, free access to events, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism and journalism. If there were ever a time to join us, it is now. Thank you. JOIN US HERE
On Sunday the 7th of August, Safeena Chaudhry from the Photojournalism Hub was in conversation with multi awarded photographer and journalist Danny Burrows.
Danny was the editor in chief of the pan-European magazine Onboard until 2013, when he left to dedicate himself to his freelance photography and writing work. In 2015, Danny began a long-term project documenting the refugee crisis in Northern France, entitled ‘Indeterminate State’. The project received wide recognition with photographs published in The Guardian, The Express, Huck Magazine, Mpora.com and prints were exhibited at Wells Arts Contemporary Exhibition.
Since August 2018 Danny has been shooting a long-term project entitled TOGETHER (A)PART, which documents the pacifist Anabaptist Christian community of The Bruderhof that practices a unique community of goods and wealth and devotion to god in 23 cloistered communities around the world. TOGETHER (A)PART has been well received both inside and beyond the photographic community, with a long form photo essay published in the Sunday Times Magazine in August 2019; an image was selected for the 2018 YICCA Contemporary Arts Exhibition, in Palermo, where it won a silver medal; A photograph was selected for the KLP International Portrait Prize and exhibited world wide; The project received a Coups de Coeur de L’ANI at the 2019 Visa Pour L’Image and was a finalist at the 2019 Prix Regnier Award in Paris.
Danny is currently seeking support to realise a book of the project TOGETHER (A)PART, which with unprecedented access, he is sharing touching photographs that documents the lives of the Bruderhof communities. Having the book published would offer inspiration for alternative ways of living in our world of perpetual war, hyper-consumerism and mass consumption as well as finding a more valued connection with each other as well as very valued historical testimony of this very reserved religious community.
If you would like to support this extraordinary unique document that describes the realms of ‘another life’ – their rejection of personal property, wealth and technologies, a commitment to god and non-violence – then please share this extraordinary story, and help to make this book a reality HERE
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, editorial content, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism, and journalism. If there were ever a time to join us, it is now.Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE
Hundreds protest outside Home Office against Rwanda deportation plan and they shout ‘Refugees are welcome here’. This is the message voiced by demonstrators opposing the government policies which sees deportation of some refugees to Rwanda.
The government claims the policy, belonging to the Nationality and Borders Act, of removing migrants who arrive in the UK illegally will deter people from making dangerous channel crossings, however many including bishops of England have condemned the move as being uncompassionate and intricately divisive and racist.
Among the huge numbers of protesters, many MPs voiced their anger at the policy, including former Labour leader Jeremy Corbyn who spoke out: “It is an utter disgrace that the British government and other European governments are proposing to outsource refugee processing as Australia. We have to say, ‘Absolutely no!”
Campaign groups such as Care4Calais , activists from various campaign groups gave speeches and chanted: “say it loud, say it clear, refugees are welcome here”.
The effort of these groups, PCS Union and Stand Up to Racism organisations, and all those that have opposed the policy, have mounted a forceful legal challenge to stop the first scheduled flight to Rwanda as part of the offshore detention plan. Solidarity is uniting people as more protests are organised to challenge the government plans.
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, PJHub resources, editorial content, annual portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through engaging the public to independent photojournalism and documentary photography. How to join HERE
Photojournalism Hub presents three photographers who have covered in depth stories of the external borders of Europe, the Canaries, Afghanistan and Myanmar exposing the extreme and dire conditions that force people to flee their countries and face unimaginable dangers along the migration routes into Europe.
With great courage and determination, the invited photographers will present photography from countries where escaping is a danger but remaining is equally a threat to life. With unparalleled access, the guest photographers present stories of exploitation, extreme poverty, conflict within countries, borders where reporting is challenging, dangerous and even illegal.
Francesco Berlingerio was born in Brindisi, Italy, in 1980. Upon his graduation in Sociology, he progressed his professional career in the UK, in the field of child protection, and since then, he has been working for a significant number of Local Authorities. He became interested in photography, when he turned 23, he got carried away, and, to build his knowledge, he immersed himself in the study of analogue photography, darkroom film development. His photography projects, are focused on the unrelenting inequality of human conditions. Upon graduation at the University of Lecce, he undertook a statistic research about the street children phenomenon, in Kenya and Colombia, where he also worked and cooperated with NGOs.
His work is mainly undertaken in monochrome, with the purpose of investigating and documenting social issues, such as: identity and borders, the anthropic relationship between people and environments, as well as, their life conditions. During the earliest stage of his career as photojournalist, he worked in partnership with press photo agencies based in Italy and Italian newspapers and magazines, such as: il Manifesto, Diario, Il Messagero. In 2021, Francesco was a Nominee at Vienna International Photo Award, Category: Black and White for the project resilience.
Francesco is currently based in London, and his work is committed to long term projects, work on assignment.
Maria Tomas-Rodriguez is a Spanish born photographer living in UK for the last 22 years. Her photography work has always been black and white social – documentary photography, although recently, with the pandemic and domestic lockdown, she started exploring colour photography. Maria combines her current university academic job with her interest in photography and travelling for documenting social matters and people’s cultures & traditions. She collaborates on regular basis with Baolar, a charity based in Senegal as an active member and photographer.
Her major photography work concerns the modern-slavery conditions of children and the harsh working conditions of fishermen, both works in Senegal. She also has documented the Afar salt miners work in Ethiopia just a few months before the war started in the Eritrean border. Her main interest is to contribute to raise awareness on injustices and social inequalities. Some of her work has been published in UK online magazines and Spanish local newspapers.
In parallel to her interest in documentary photography, she is very keen on water sports and has developed a still ongoing portfolio on wind and water sports, attending major championships and documenting the training of professionals of these sports.
Maria’s work has been recognized at several international photography awards and exhibited in the last years, both individual and group exhibitions.
Niccolò Barcais a self-taught freelance photographer, journalist and musician from Rome. After collaborating as a writer with many Italian and American media outlets, the arrival of Covid pushed him outdoors to embrace and develop his life-long passion for photography.
Interested in documenting social and humanitarian issues, Niccolò moved to Thailand in order to follow the exploitation of Myanmar migrants in the Thai fishing industry. From there, he was also smuggled into Myanmar, currently devastated by a civil war, to photograph those fleeing from the military and its attacks on the civilian population. When he’s not taking pictures, Niccolò is one half of Gbresci, a music duo based in Rome.
Covid-19 pandemic has disproportionately affected communities and individuals who are poor, marginalised, discriminated; has brought to light the existing inequalities and injustices and in some cases how the impact has generated wider repercussions.
Through an Open Call, began at the heights of the global pandemic in 2020, Photojournalism Hub has been collecting photo stories, articles and multimedia pieces on the impact of Covid-19 on the most vulnerable, including the poor, BAME communities, refugees, the elderly, women, the stateless, and asylum seekers.
The submitted stories have been published on the Photojournalism Hub website providing an independent visual investigation on governments missed opportunities and on the scale of systemic failings which have caused sufferings and losses.
We would like to present this independent visual investigation in a series of public events, including a photography exhibition to present a body of evidential work that would leverage and provide a platform for a public discourse to enable recommendations and key actions, for improved, cohesive and inclusive protection of the most marginalised, discriminated and disadvantaged and would provide accountable points in order to advance to social justice for all.
NUESTROS +ESENCIALES (OUR +ESSENTIALS)
Photography by Sebastian Ambrossio
This Photographic-Documentary Report came from a personal concern to show, narrate and visually document through photographs the work of health professionals, of the essential workers who work in the hospital in Mercedes, and those connected to the hospital who work to combat the pandemic. The project explores how health workers dealt with this virus, leaving everything to give the best to patients. Blas L. Dubarry Acute General Zone Hospital, Sanitary Region X – Mercedes, Province of Buenos Aires, Argentina.
Photographer Krzysztof Maniocha has documented anti-lockdown protests in Dublin, Ireland. Ireland had one of the longest lockdowns and some of the most controversial restrictions in Europe. His photographs are presenting moments of clashes between police and protesters, as well as uncovering the existing issues externalised by the imposed restrictions: religion, identity and people’s resistance.
