IN FOCUS: Adam Docker and Igor Chekachkov

To book a place: HERE

This June, as part of Refugee Week, IN FOCUS brings together two photographers whose work explores what it means to endure displacement, uncertainty, and survival and the human stories that exist beyond the headlines.
Join us for an evening with Igor Chekachkov and Adam Docker, two photographers documenting lives shaped by conflict, movement, and resilience from deeply personal and unexpected perspectives. Through his powerful project 100 Days of War, Igor documents the emotional reality of war in Ukraine, capturing fragments of daily life, fear, tenderness, and survival during moments of upheaval. His images move beyond reportage, revealing the psychological weight of living through conflict and the fragile humanity that persists within it. Alongside this work, Adam Docker will present photographs made while travelling through refugee camps in Kenya with veterinary teams working on the frontlines of humanitarian aid. His work uncovers a rarely seen aspect of displacement: the vital relationship between people and animals in refugee communities, and how protecting livestock and pets can mean protecting livelihoods, health, dignity, and hope.
Though working in different environments, both photographers ask urgent questions about care, survival, and connection in times of crisis. Together, their work reminds us that stories of displacement are never abstract, they are intimate, layered, and deeply human.
Join us for an evening of photography, conversation, and reflection on the realities of conflict, refuge, and the resilience of people rebuilding life in impossible circumstances.

Adam Docker – is a photographer and cinematographer working across fine art, documentary, and portrait. His work is shaped by a cinematic eye, grounded in instinct, light, and human connection. Based in london but shaped by journeys through more than 90 countries, his photography captures striking human stories, intimate moments, and evocative landscapes from around the world.
For Adam Docker, photography is not merely a visual medium; it is a profound exploration of humanity and culture. his images are a testament to his understanding of composition, storytelling and emotion. Adam grew up between London and Rome, deeply influenced by his italian roots and a large extended family. His father was tragically shot dead when Adam was just ten years old. although they never met, his father’s legacy left a deep imprint and instilled in adam a deep sense of resilience, justice, and identity. these themes form the foundation of his creative work. Fuelled by a childlike curiosity and an insatiable desire for knowledge, Adam has always been fascinated by other cultures, histories, and the ever-changing landscapes that unfold beyond a window. this constant sense of wonder drives him to seek out the unfamiliar, to observe, to listen, and to translate what he discovers into imagery that feels both intimate and universal. “I want to catch something in the act and see how it becomes something else.”
Adam is a two-time winner of the British Journal of Photography’s Portrait of Britain award (2021 and 2025), and recipient of the Portrait of Humanity award (2021 and 2023). His work has also been recognised by LensCulture and The Independent Photographer.

Igor Chekachkov – When Russia invaded Ukraine in February 2022, I was forced to leave my hometown, Kharkiv and go to the West of the country. From the very first day, I began to put together photographs and notes in a small notebook, creating a personal record of war and displacement from the inside. What originally stemmed from an intuitive desire to document my experience of war and uncertainty, developed into something broader: a reflection on the notions of home, identity, and displacement. Whilst the work literally describes the sudden evacuation of my family and the consequences of a brutal Russian attack, it also seeks to question the language of photography itself, and its limitations in documenting, representing and affecting conflict.
This deeply personal visual chronicle became 100 Days of War, a project that explores the tension between memory and documentation, the limits of photographic truth, and the search for meaning in the face of destruction

IN FOCUS is presented by the Photojournalism Hub in collaboration with  Riverside Studios, bringing to the public compelling and thought-provoking contemporary documentary photography and photojournalism.

Photojournalism Hub in Conversation with Ada Trillo & Isaac Scott

On Tuesday 2nd August, Cinzia D’Ambrosi and Safeena Chaudhry from Photojournalism Hub were in conversation with Ada Trillo & Isaac Scott about their current exhibition ‘I Look At The World’, which is curated by David Acosta and is being shown at the Da Vinci Art Alliance in Philadelphia.

Ada Trillo is a Philadelphia-based photographer. Born and raised in the U.S/ Mexican border region of Juarez and El Paso, her work focuses on sex trafficking, climate and violence-related international migration, and long-standing barriers of race and class. Her projects have been featured in international publications including The Guardian, Vogue, Smithsonian Magazine, and Mother Jones. Trillo’s work is held in the Library of Congress, the Philadelphia Museum of Art, and other institutional and private collections. Her many awards include a First Place in the Tokyo International Foto Awards (2019), a British Journal of Photography Female In Focus Best Series Award and The Me & Eve Grant from the Center of Photographic Arts in Santa Fe (2020). Trillo’s images have been exhibited in the US, Japan, Luxembourg, Italy, England, France, and Germany. She holds degrees from the Istituto Marangoni in Milan, and Drexel University in Philadelphia. Website: https://adatrillo.com

Isaac Scott is a ceramic artist, curator, and photographer from Madison, Wisconsin, who is currently living in Philadelphia, Pennsylvania. Scott is an MFA candidate at Tyler School of Art and Architecture and plans to graduate in Fall of 2021. His ceramic work has been exhibited around the country including at The Clay Studio in Philadelphia and at the 2019 National Conference for Education in the Ceramic Arts in Minneapolis. Scott’s photographs of the 2020 Uprising in Philadelphia were featured in the June 22, 2020 issue of The New Yorker. In August of 2020 Scott completed his first mural alongside collaborators Gerald A. Brown and Roberto Lugo. The Stay Golden mural is located at 33rd and West Diamond St. in Philadelphia. Just as Scott elevates his subjects on the surface of his pottery, his photography pays tribute to the people and places in his environment. His work capturing the 2020 Uprising follows the protesters and organizers in Philadelphia and the movement for Black Lives. He captures the humanity of those involved and the brutality they face in the streets. Scott’s goal is to capture the voices and stories of the movement for Black Lives Matter and amplify them past this moment so they can speak to generations to come. Website: https://studiopotter.org

Exhibition ‘A Look At The World’ runs: July 27th – August 17th
Opening Reception: July 28th, 4-7pm at Da Vinci Art Alliance (704 Catharine St)

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