Photojournalism Nights 15th Edition – Summary

Photographer Denise Laura Baker answers questions from the public.

Written by Fatima Sanchez

On Friday 23rd, the Photojournalism Hub hosted the 15th edition of the Photojournalism Nights event at The Studio inside The Westworks, dynamic venue in White City Place.

The night was filled with an engaged public, thought-provoking conversations and presentations from outstanding photographers documenting outstanding current affairs .

Our guests for the night included Denise Laura Baker, Simon King and Carolina Rapezzi who shared great insights on the work they have been producing over the last few years of their career.

The event started with the presentation of the photojournalist and portrait photographer Denise Laura Baker. Denise’s work is heavily embedded in socially engaged work. She has been documenting communities and events since the age of 11 as well as becoming a psychologist, studies that have added an incredible depth to her photographic work. In her compelling presentation, she explained the importance of drawing back from any subjectivity, ‘putting aside your personal biases’, which also ‘strengthens the [psychological] work’ that she captures.

Furthermore, her family environment, engaged in social justice, has contributed to her inclination towards photographing issues that surround communities around the UK and Wales. Her key interests surround the travellers and environmentalist communities.

One compelling aspect from Denise’s personal approach to photojournalist work is that she is in the look-out for the bigger picture in a story. Yet, not losing to capture the small details, like it is the human “gaze” in an image.

Simon Black talks about his latest and ongoing project.

The second guest of the evening was Simon King, British documentary photographer who brought to us captivating documentary work shot on film. He presented us his photographic documentation of Washington, D.C. when it was subject to militarised observation to a degree not seen in about 53 years, due to fears of right-wing violence after the MAGA riot at the Capitol of January 6.

When asked why investigating this topic, he explained ‘to keep exploring Patriarchism and the political landscape in America’.

Simon proved transparency, honesty and openness with his words which all encompassed with the strong visual work from his project, yet to be shown in its entirety.

Simon’s photographs seem to bring together elements that form conversations and interactions that are symbolic and representative of the political landscape in America. Some of the work he shared from this project evidenced how the journalists and police force members’ body language mirrored the political scene at the time.

Carolina Rapezzi shares insights behind her iconic photo of a girl taking a short rest amid e-waste disposal in Ghana.

The last guest of the Photojournalism Nights event, was Carolina Rapezzi, who is a self-taught Italian photographer who has been working on social, humanitarian, and environmental issues. She took the initiative to merging her journalistic background and interest for photography to document current affairs such as migration issues, various protests, and ultimately environmental issues.

Carolina introduced us to her timely long-term project Burning dreams which she has invested herself in for the past few years. Her project was  inspired by an investigation that she came across while researching on e-waste. A gps was placed inside an old washing machine in the UK and it eventually ended up been shipped to Agbogbloshie in Ghana. This was Carolina’s starting point of her ongoing and timely project.

She travelled to Ghana to investigate the way the e-waste was disposed as well as the impact of this in the communities. She learned that the cheapest way to get rid of huge amounts of e-waste was by burning it – often by local children.

Her project exposes the impact of disposing e-waste illegally and/or using methods that are not environmentally friendly.

Her presentation also opened up conversations on how important it is for a country to develop and sustain several sources of income, in order to divert from reliance on e-waste disposal, a completely non-sustainable activity.

Her presentation and insights, make us reconsider expanding the life of our day-to-day devices such as our mobile phones or laptops, something we often overlook.

Furthermore, her powerful work stresses how important it is for environmental issues to be talked about at a global level rather than simply national because of its scale and repercussions.

The Photojournalism Nights presented photographers whose work is committed to bringing to the wider public topics that impacts social justice. Bringing people together to learn and talk about these pressing issues is a fundamental step for action and positive change.

To learn more on the Photojournalism Nights: HERE

To contact the writer: fatima@photojournalismhub.org

Photojournalism Nights 15TH Edition

Photojournalism Hub 15th edition of the Photojournalism Nights presents a superb line-up of guest photographers: Carolina Rapezzi , Denise Laura Baker, Simon King.

23rd July 2021 06:30 pm

White City Place, The WestWorks,
195 Wood Lane
London
W12 7FQ

To join here

Ghana, Accra, November 2018. Rashida is a young girl originally from the North of Ghana, she sells water in the scrap yard of Agbogbloshie. Along with other girls living in the area, she carries water bags into a wheelbarrow and sell them for 1 Ghanaian Cedi each (the equivalent of £0,15) to workers who need to extinguish the fire and cool down the copper extracted from burning cables, wires and other appliances.

Carolina Rapezzi is an award-winning photographer based in London, part of the collective Women Photograph. Her works focus on social, humanitarian and environmental issues. She worked on migration issues in Sicily and France, covered the 100th anniversary of the Russian Revolution in Moscow and St. Petersburg, followed several protest movements in London, including the more recent Black Lives Matter and, since 2018 she has been working on environmental issues. Her independent project Burning Dreams on electronic waste in Ghana has been awarded internationally and exhibited multiple times: Portrait of Humanity 2019, Winner Flash Forward 2019, Winner 1st Prize Single Images, Winner World Water Day 2020, Shortlisted Sony World Photography 2020, Winner Siena International Award 2020.

©DeniseLauraBaker

Denise Laura Baker is a photojournalist, documentary, and portrait photographer. Her work draws on influences from the many different strands of her career, particularly her time as an ethnographic psychologist where she interviewed and collected the stories of the people with whom she worked. She has been exhibiting since 2016 and have, exhibited at various locations in Wales, including holding her first solo exhibition as part of LLAWN 2019 (Llandudno arts Weekend). She is the recipient of an Arts Council for Wales R&D grant for a project examining interconnecting communities within Gwynedd, Conwy and Ynys Mon. She also teaches and give talks on the role of narrative in photography and photo book making.

©Simon King

Simon King is a documentary photographer, currently working on a series of long-term projects, all on 35mm film. Simon teaches at UAL, and with Leica Akademie (UK). Simon works with the collective New Exit Group to publish photo-essays highlighting intimate, local stories. Simon’s recent publications include BARDO (in collaboration with NEG), a USA Digest which includes work from 2019 – Winter 2021, and Transiting Bulgaria, from his recent time there over Christmas 2020.

The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join HERE

Thanks to White City Place for supporting our events

Injustices & Inequalities: Covid-19 – Edition 10

The current Covid-19 pandemic has disproportionately affected communities and people who were already marginalised, discriminated, and at the throng of continuous injustices and inequalities. We are bringing together stories, investigations from around the world to highlight and advocate and create the important exposure to leverage and bring about positive changes.
In the 10th edition of the Journal on “Injustice & Inequalities: Covid-19”, we present the work of Kasangati Godelive Kabena.
Kasangati shares a photo documentary tracing the complex relationship during the period of confinement imposed by Covid-19 pandemic guidelines and the practice of faith in Kinshasa in DRC. As the practice of faith is very much part of daily life for the communities in Congo and in Kinshasa, Kasangati explores through photographs the emptiness that confinement has created in the society.

Photo editor: Cinzia D’Ambrosi

ALMOST EMPTY
Photography & Text by
KASANGATI GODELIVE KABENA

Il était important pour moi de comprendre un peu cette relation complexe pendant la période de confinement entre le covid-19 et la religion en RDC. Pendant la période de confinement, je suis allé en ville, à Kinshasa (République Démocratique, pays où la majorité de la population est chrétienne) pour voir l’état des églises, les rues presque vides, les lieux étrangers et familiers (amis etc. ). Ces lieux n’étaient plus fréquentés car ils ne pouvaient plus accueillir plus de monde. Cette imposition indirecte et directe était fatale surtout pour les églises aussi pour nos relations amicales etc.

It was important for me to understand a little this complex relationship during the period of confinement imposed by covid-19 pandemic guidelines and the practice of religion in the Democratic Republic of Congo (DRC) . During the period of confinement, I went to town, to Kinshasa, where the majority of the population is Christian to see the state of the churches, the almost empty streets, the foreign and familiar places (friends etc. ). These places were no longer frequented because they could no longer accommodate more people. This indirect and direct imposition was fatal especially for the churches, but also for our friendly relations etc.

Kasangati Godelive Kabesa
Phone: (+243) 818022128 (+233) 595534983
godelivekas7@gamail.com
https://www.eyeem.com/u/30716632
IG: GodeliveKasangati

Knowing You programme: Us Connected

‘Us Connected’ is a photobook created by women from West London as part of the Photojournalism Hub’s ‘Knowing You’ program—a course designed to build skills in photography and visual storytelling.
The project offers a supportive space for self-expression, healing, and connection. Through the process of crafting and publishing photo stories of one another, participants gain tools for personal empowerment while fostering broader community cohesion.


The project has been kindly supported by the National Lottery.

Photojournalism Nights 14th edition

Photojournalism Hub fourteenth edition of the Photojournalism Nights presents an amazing line-up of photographers: Arsène Mpiana Monkwe, Beau Patrick Coulon, Justin Makangara.

©Beau Patrick Coulon

Beau Patrick Coulon, Beau Patrick Coulon, Beau Patrick Coulon, is a New Orleans based photographer and filmmaker whose imagery draws from class struggle and sub-cultural movements. At The Photojournalism Nights, Beau will be talking about his latest book, Revel & Revolt, a straightforward-yet-personal book of photography that documents protests, parades, and the punk scene in New Orleans from 2013 to 2020. It is published by Burn Barrel Press and DNO books.

A thief struck in agony this morning by the population. Put on a tray ready to be sacrificed, the police come to their aid and disperse everyone Kinshasa, DR Congo, June 20, 2020. ©Arsene Mpiana

Arsène Mpiana Monkwe, is a photojournalist and active artist based in Kinshasa. Arsène is also a tutor at the Department of Photography at the Academy of Fine Arts in Kinshasa. He has been Nominated for the Joop Swart masterclass (2020) of the World Press Foundation. Ini 2019, he became a freelance writer for Jeune Afrique then joined Agence France-Presse and in 2021, he tried his luck with the New York Times.

©Justin Makangara

Justin Makangara, is an independent photojournalist and documentary photographer based in Kinshasa. His work focuses on underreported developing documentary and storytelling reporting on stories focusing on social justice, politics, music, and daily life. Justin is a member of APJD African Photojournalist Database, VII academy Insider, and Congo in conversation.

The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join HERE

Photojournalism Nights 13th edition

25th May 2021 06:30 pm utc Online

Photojournalist Hub thirteenth edition of the Photojournalism Nights presents an amazing line-up of photographers: Antonio Josué Cortéz, Ana Carolina Haddad, Sabrina Merolla.

©Antonio Josué Cortéz
©Ana Carolina Haddad
©Sabrina Merolla

The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join here

KNOWING YOU-2

Knowing You-2 is an encompassing Photography and Storytelling project for women of different backgrounds and faiths. During the project, women will learn how to develop and create a photo story, learn how to approach personal stories and visually translating emotions into images, how to develop photo stories from home.

PARTICIPANTS WILL LEARN:

Basic Photography

Learn how to research and develop ideas for a photo story

Learn approaches and methods in producing a photo-story

Learn how to develop their photo story

Learn how to visually translate personal stories, emotions and events into photographs

Learn how to work and develop photo-stories from home

Learn how to edit a photo story

The project will run on Zoom and is open to all women in White City, London.

The project is kindly supported by the National Lottery

WONDERING ABOUT WEST LONDON?

West London zine produced by youth, run by the Photojournalism Hub and supported by W12together!

As the West London Zine project is drawing to a close, we look at the past weeks producing the local zine with west London youths with great joy and a sense of accomplishment.

Working through national lockdown, personal and collective challenges has not been an easy task, however the young participants have demonstrated great commitment, resilience and spurred creativity.
The project run with regular online sessions combined with those on field and one to one mentoring. Every two weeks, we published a new edition of the zine with content produced by the young participants. These included photo stories, articles, features, illustrations covering topics on the impact of Covid-19 on young people’s lives, the challenges that local businesses face as well as how they adapted their work to navigate the current difficult times. Photostories have poignantly exposed the solitude experienced by the elderly, students school experiences wearing face covering and social distancing and their hopes for a future post Covid-19 . The project has given the participants the experience of working on field developing reporting and photography skills, including interviewing, editing, writing, captioning, storytelling, proofreading, ethics. Working on field whilst receiving guidance has been a very positive experience according to the participants. Using a quote from one of the students: the thing that I enjoyed the most is being able to try something new. I learnt photography skills and journalism skills. I have also learnt interviewing skills. I would use it for my portfolio, CV and everyday skills to take photos.
Moreover, the experience of having their work published in an editorial has been very beneficial; it provided focus, self-esteem and improved confidence in their abilities.
For the Photojournalism Hub, the experience of running this project has been very positive. It achieves one of the main purposes of its mission; to provide opportunities to young people and those disadvantages with demonstrable CV of published work and reporting and photography skills equiping for better chance of entering further education, work experience and work placement.
Photojournalism Hub is very thankful for the kind support provided by W12together, which has enabled us to deliver this project and make a meaningful difference in the lives of the participants and our community.
To view some of the zines:
https://photojournalismhub.org/wondering-about-west-london/
https://photojournalismhub.org/wondering-about-west-london-issue2/
https://photojournalismhub.org/wondering-about-west-london-issue3/


KNOWING YOU IS NOMINATED RECOGNISED PROJECT !

The Photojournalism Hub Knowing You project has received a Recognised award from the London Faith & Belief Community Award!

I would like to express my thanks to everyone for their Nomination, the wonderful participants, the charity Near Neighbours, the London Faith & Belief and Her Majesty’s Lord Lieutenant of Greater London’s Council on Faith.
It is an honour that the Photojournalism Hub’s Knowing You project will be receiving a Certificate of Recognition from the Faith and Belief Forum and Her Majesty’s Lord-Lieutenant of Greater London’s Council on Faith on the 30th November at The Royal Society of Medicine.  

The Knowing You project is among the 40 selected projects ‘deemed exceptional’ by this year’ judges and the Faith & Belief Forum that have provided support, respite and are working to make London a city that is inclusive to everyone and continuing to do so despite the challenges posed by the current pandemic.

Knowing You photobook cover with an image of the participants meeting over Zoom during lockdown.

It has been a wonderful experience to engage with women of different faiths and backgrounds living in White City with the Knowing You photography project to inspire bonding and community cohesion whilst providing visual narrative and photojournalism teaching. The project supports participants to bond one another, promoting respect and acceptance and aims to dispel prejudice and barriers of ethnic, religious and racial discrimination by encouraging participants to get to know a fellow participant through developing a photo story of each other. The project has culminated in the production of a photo book, which will be soon shared to the wider public containing wonderful visual stories and testimonies of the powerful human connections. The project has been kindly supported by the charity Near Neighbours.