Seeing the Green Exhibition Recordings

Carol Cooper

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Trees ….. Tremendous!

Litter, not so …..

In 2012 I retrained in horticulture at the Capel Manor site in Regent’s Park. After two years of study I set up my own garden maintenance business and continue to work.

I’ve been concerned about climate change for 20+ years and have been protesting about that and Making Poverty History since I was a teenager with Global Justice Now! It’s clear it’s the poorer countries who are suffering most from disasters such as floods, hurricanes and earthquakes.

My ‘greening’ project relates to the trees planted in public spaces, which do several things to make life better. Trees are essential to human life, providing oxygen and purifying the air by absorbing carbon dioxide and filtering pollutants.

Straight away I noticed there were two young trees opposite Church Street library, with tree jackets that are meant to enable easier watering. However, I was horrified to find them regularly stuffed full of litter and detritus.

I tried to engage with one or two street cleaners and spoke to Muhammad Aziz, pictured.  It’s quite easy to lift the tree jackets to expose the litter. In August I was able to speak to two Council staff with responsibility for Church Street market and I expressed my concerns. 

I’d like to see Westminster Council being more proactive in caring better for the younger trees in particular. This summer we’ve experienced four heat waves and it should be obvious that these trees need regular watering. This is crucial during their early years in order for them to establish a good root system to ensure they survive and grow to maturity.

I’ve lived and worked in Westminster for over 40 years. A few weeks ago I spoke by phone to Curtis Fletcher, a Council representative and asked why the trees couldn’t be watered by those responsible for watering the hanging baskets. However, it appears that’s been outsourced to a private contractor.

I’d like to encourage residents who live on the ground floor where there are young street trees to lend a hand in watering them as well.  We all know from the summer we’ve just experienced that the trees are still going to need our help in the years ahead.


Anne Hogben

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Seeing the Green

This series of six photographs explores some of the different ways that light falls and how those reflections and the shadows cast can transform or distort our perception of everyday objects in curious and unexpected ways.  

The viewer is invited to slow down and pause and look again and notice how our ordinary everyday world can become something a bit strange and mysterious. 

The images were captured on sunny mornings in the green spaces near the Church Street area of Westminster. 

IG: annehogben


Roberta Mitchell

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Shades of Urban Green

Although I’ve lived in London for more than 40 years I’m still a country girl at heart and happiest in places where I can commune with nature. 

Grave yards, parks, canals and riversides have become a haven for wildlife, plants and trees who have set down their roots and adapted to urban living giving us all the opportunity to reconnect to the natural world in our everyday lives.


Matei Muntiu

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web: www.mateimuntiu.eu

Green Space Heroes

We walk through London’s green spaces every day. Parks, gardens, and tree-lined squares that feel like a breath of fresh air in the middle of the city. We stop to admire the flowers, we sit on the grass, we watch the leaves turn with the seasons.

But rarely do we ask ourselves: who made this possible?

Behind every well-kept lawn, every blossoming rose, every path free of weeds, there is a person. Someone who woke up early, who worked in the rain, who shaped the soil with patience and care.

These are the quiet heroes of our shared spaces. Their hands, often unnoticed, give us beauty, shade, and peace. They turn patches of land into living canvases, where we find rest, joy, and a sense of belonging.

This project is about them. About making their work visible. About showing the faces and the stories behind the gardens and parks we sometimes take for granted.

When you next walk through a park and feel the calm it brings, remember: it didn’t happen by chance. It happened because someone cared enough to tend it.

And today, it’s time we see them, not just the spaces they shape, but the people who give those spaces life.


Victoria Sanders

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Green is a very calming, natural, hopeful colour. However, rather than photographing vegetation in the local area, I chose to focus on other objects that display vivid flashes of green – items that define the locality or promote community or have a beneficial environmental impact. 

The landmark Church Street Market sign welcomes visitors to this busy, vibrant, multicultural market. The giant childlike alphabet blocks centred on the letter ‘R’ are arranged like the answer to a crossword puzzle. 

The library is ‘home’ to our project and an important community space. The textured approach wall features circles reminiscent of bubble wrap just waiting to be ‘squished’. 

On nearby Gateforth Street, the Cockpit Theatre makes a bold turquoise statement, its columns march into the distance protecting the theatre-in-the-round within. 

A psychedelic number 98 bus stands at the Church Street Market stop. The hybrid and zero-emission buses sport a distinctive livery promoting a greener city.

The Westminster Wheels community bike shop, painted in a cool shade, encompasses environmentally friendly transport, refurbishment, recycling and retraining. 

A single photo of capsicum peppers represents the vast array of market produce, the solo green fruit in strong contrast to its red counterparts.


Maria Speller

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The Silent Decline of London’s Canals

The Paddington Arm and Regent’s Canal were once key trade routes, transporting coal and goods from across the country into London. With the arrival of the railway, the canals fell into decline until recent redevelopment transformed them into vital public spaces.

Today, these waterways provide accessible green areas for walking, cycling, and boating while supporting a wide range of wildlife. These restored canals now play a crucial role in urban wellbeing and biodiversity. However, pollution threatens to reverse this progress.

Bottles, wrappers, and discarded debris are frequently seen along the water’s edge. It not only degrades the canal’s appearance but also damages habitats and harms wildlife.

Although the Canal & River Trust and local volunteers work hard to maintain the area, the problem persists, largely due to public neglect. Clear signage is often ignored. If this continues, parts of the canal may become unpleasant and unsafe, losing the very qualities the redevelopment aimed to provide. Protecting these spaces is crucial, not just for the environment but for the communities who depend on them.


Seeing the Green

Seeing the Green Exhibition Opening: Thursday 2 October, 5pm to 8pm, Arbeit Gallery, 66 Church Street, London NW8 8EU. Exhibition dates: Thursday 2 – Saturday 4 October 2025, 12 to 5pm

Opening in Triangle Gallery on 2 October 2025, the ‘Seeing the Green’ exhibition showcases the work of participants of Seeing the Green photography project uncovering stories in and around Church Street green spaces.
You are invited to visit the exhibition to the Opening between 17:00 and 8 pm on Thursday 2 October.
RSVP HERE.

The Photojournalism Hub is delighted to present Seeing the Green photography exhibition.
Over the past months, participants of the Seeing the Green photography project have explored stories and visuals around Westminster’s green spaces, with a special focus on the Church Street ward. Through photography workshops, walks, and field trips, participants connected with nature, communities, and local spaces to develop photographic stories now presented in this exhibition.
As a viewer, you are invited on a journey into what is often unseen or forgotten to explore humanity through the simplicity of green spaces. The group’s observations reveal acts of generosity, community, and quiet contemplation, offering a new perspective on Church Street. This exhibition stands as both a personal and collective archive of the area and its people.


The photographers of ‘Seeing the Green’ are: Anne Hogben, Carol Cooper, Laura Martin Laderas, Maria Speller, Mattei Muntiu, Ottavia Verziera, Roberta Mitchell, Victoria Sanders.

Seeing the Green is kindly supported by Community Priorities Programme, City of Westminster.

Cover photo: Matei Muntiu


Further information:

Cinzia D’Ambrosi
Founder/Director Photojournalism Hub
E: cinzia@photojournalismhub.org
Mob: 07960940766


NOTES TO EDITOR
About Photojournalism Hub
Photojournalism Hub is a West London community interest company dedicated to empowering individuals and communities through documentary photography. We provide training, portfolio development, and opportunities for print publication and exhibitions. Our projects foster personal growth, social connections, and community cohesion while amplifying voices and creating pathways to employment and further education. www.photojournalismhub.org


About Arbeit Studios

We take empty spaces – ranging from small 750sq ft buildings to vast 15,000sq ft warehouses – and transform them into studio spaces for artists, designers, makers, start-ups and small businesses – to inspire creativity, connect communities and power ideas. www.arbeit.org.uk

Masoud Amin Naji: Children of Iran

Documentary photos & text by Masoud Amin Naji
copyright Masoud Amin Naji, 2025

We are delighted to present Masoud Amin Naji as our featured photographer. His work documents the plight of street children in Iran, who are forced into labour due to economic hardship. Through his lens, Masoud offers a rare and powerful glimpse into a reality that is often hidden from view, as access to such stories from Iran remains extremely difficult.

“This is the Middle East. It consists of Afghanistan, Pakistan and Iran. The people here are kind and knowledgeable, but for various reasons such as tribal wars, poor economy, cultural and religious differences, they are forced to either abandon their children or use them for a living. They force children who are deprived of education, love, happiness, fun and play to do hard and tiring work. Even if they do not want to work, they are forced to work and, without wanting to, they lose a good life full of happiness, health and respect.

Maybe they can be helped to return to the normal cycle of life. There is no doubt that they are brilliant talents.
You may have heard these sentences in newspaper headlines or in films such as Bicycle Thief (Ladri di Bicicletta), but here with these documentary photos we want to talk about children whose entire childhood or perhaps their entire life is spent longing for a normal life.


After all, for what crime and mistake should the entire life and happiness of a child be ruined, this is the Middle East and such things happens a lot, let’s be together for once and work for women and children so that they can have a normal life” – Masoud Amin Naji

Photos: Masoud Amin Naji

Masoud Amin Naji
Instagram: masoudnaji682

Photojournalism Hub x Saatchi Gallery

27/03 – 25/04 at Saatchi Gallery
Duke of York’s HQ
King’s Road
London SW3 4RY

‘POSSIBILITIES’ is an exhibition about resilience, change, transformation, and hope. It explores the vast possibilities that humankind faces, namely opportunities for change, resistance, and survival in an era defined by uncertainty and adversity. From global crises to personal struggles, our participants have turned their lenses toward moments of strength, renewal, and the potential for a better future.

Throughout this journey, young people and adults alike have sought to capture the essence of possibility in their stories. Whether documenting acts of kindness, resistance, resilience and change in times of hardship, uncovering overlooked
narratives of courage, or revealing personal and collective struggles, their work offers a profound and thought-provoking window into the human experience.
This exhibition is more than just a display of photographs; it is an invitation to reflect, engage, and question. It urges us to look closer to step into the stories being told, and to consider the ways in which we, too, can embrace the possibilities that shape our world.
We invite you to visit ‘POSSIBILITIES’ as we celebrate the power of documentary photography to inspire change, amplify voices, and create new pathways for understanding and action.

‘POSSIBILITIES’ is curated by Cinzia D’Ambrosi., award-winning documentary photographer and founder of the Photojournalism Hub, the exhibition is structured as a journey. Visitors will navigate the gallery, encountering four thematic walls that frame the experience: Resistance, Resilience, Change, and Hope.

“I wanted the viewer to feel that despite living in dark times, there are always choices that enable change and positive outcomes.” says Cinzia D’Ambrosi


The photographers of POSSIBILITIES are: Amy Daintree, Areti Nikou, Avril Gabbay, Denni Rose, Earl Matthew, Ella Khalek, Filippo Mainella, Francesca Nieves Martin, Maria Speller, Rebecca Stella, Roberta Faccio, Roberta Mitchell, Roberto Simone, Selma Nicholls, Sienna Sunna, Sól, Steven Okonkwo.

Possibilities exhibition is included when viewing the current major exhibition, ‘Flowers’ at Saatchi Gallery. 

IN FOCUS: Ellie Ramsden and Vudi Xhymshiti

1 September 2025, 7:25 pm
Riverside Studios
101 Queen Caroline Street
London W6 9BN

TO BOOK A PLACE: HERE

Ellie Ramsden and Vudi Xhymshiti bring powerful, contrasting perspectives to our next IN FOCUS of 1st September event, revealing stories of identity, resilience, and courage from British subcultures to the frontlines of global conflict.

Ellie Ramsden is a London-based photographic artist whose practice centres on portrait and documentary photography, informed by a deep interest in human behaviour, interaction, and communication. Working primarily with analogue film, she adopts a slower, more considered approach that allows for intimacy and reflection in her work.
Her practice often incorporates elements of co-creation, aiming to foster dialogue, challenge stereotypes, and present alternative perspectives through authentic, collaborative storytelling. Ellie’s personal projects focus on British subcultures and communities, exploring themes such as youth culture, gender equality, collective identity, and resistance to mainstream narratives.
Balancing self-initiated projects with commissioned work, Ellie’s photography has been exhibited internationally and widely featured in the press. Her work is held in the permanent archive of the Museum of Youth Culture.

Vudi Xhymshiti is an investigative journalist, war reporter, and foreign editor based in London, renowned for his fearless reporting on armed conflicts, political corruption, and global power struggles. With a career spanning over 18 years, he has covered some of the world’s most volatile regions, from the Arab Spring and Syria’s civil war to Russian aggression in Ukraine, the Armenian-Azerbaijani conflict, and ongoing tensions in the Balkans.
As the founder and editor-in-chief of The Gunpowder Chronicles – www.thegpc.uk, Xhymshiti delivers in-depth investigative journalism exposing corruption, disinformation warfare, and geopolitical manoeuvring that threaten democracy and human rights. His work has been featured in The New York Times, The Guardian, TIME, The Washington Post, Der Spiegel, Le Monde, and La Repubblica, among others.
Vudi’s work seeks to document the human condition in the face of war, occupation, and political oppression, with a focus on the resilience, dignity, and courage of ordinary people living through extraordinary circumstances.
In Ukraine, Vudi has been recording the stories of those who have survived the brutality of the Russian invasion, capturing their lived experiences in the aftermath of atrocities and amidst ongoing destruction. His photographs aim not only to bear witness to suffering but to highlight perseverance, the fight for identity, and the everyday struggles for survival in the shadow of geopolitical violence.

IN FOCUS is presented by the Photojournalism Hub in collaboration of Riverside Studios, bringing to the public compelling and thought-provoking contemporary documentary photography and photojournalism.

Photojournalism Hub Jamie Clark in conversation with David Hadland

Photojournalism Hub Jamie Clark is in conversation with social documentary photographer David Hadland.

David Hadland is a British social documentary photographer originally from Luton and currently based in London. His work focuses on the lives and experiences of diverse communities, using portraiture to convey nuanced, human-centred stories. From British subcultures to the fishing community in Brixham, his photography explores themes of identity, culture, politics, and belonging.

David’s projects have included documenting the cultural significance of the keffiyeh during pro-Palestine protests in London, as well as an ongoing body of work about the war in Ukraine. A key aspect of his
practice is the commitment to building trust with his subjects, which allows him to create images that are intimate, honest, and sensitive to the complexities of lived experiences. Through this approach, David
aims to provide deeper insights into the social forces that shape contemporary life.

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub. Your support will enable us to continue our work promoting photographic work that expose, raise awareness of social justice issues. To learn more how to become a member and the benefits of joining, follow the link HERE

“I am your Local…” Refugee Week 2025

We were delighted to collaborate with Hikayetna on I Am Your Local…, a photography exhibition at Shepherd’s Bush Market marking Refugee Week 2025.
Curated by our founder and director Cinzia D’Ambrosi, the exhibition brought together the work of twelve photographers from migrant and refugee backgrounds, including those who fled the wars in Ukraine and Syria. Through photography, video, and installation, the exhibition reflected on how our community is shaped and supported by those who are often overlooked—shopkeepers, teachers, drivers, entrepreneurs, doctors, nurses, and many more.
The opening event was filled with inspiring conversations and connections, celebrating the strength, diversity, and creativity that migrants and refugees bring to our shared community.

See more from the exhibition: HERE

Photos: Annie Gentil-Kraatz

The exhibition was made possible with the generous support of Hammersmith & Fulham Council.

IN FOCUS: Evgeniya Strygina and Tori Ferenc

23rd June 2025, 7:15 pm
Riverside Studios
101 Queen Caroline Street
London W6 9BN

TO BOOK A PLACE: HERE

Photojournalism Hub is delighted to present guest photographers Evgeniya Strygina and Tori Ferenc for the IN FOCUS event on the 23rd June, 7:15 pm, hosted at Riverside Studios.

Both photographers explore themes of place, identity, and belonging from distinct yet complementary perspectives. Strygina’s minimalist landscapes, often void of people, reflect on space, architecture, and the quiet tension between presence and absence. Ferenc focuses on portraiture and documentary work, capturing the nuances of family, community, and our connection to nature. Together, their work forms a thoughtful dialogue on what it means to inhabit a space, physically, emotionally, and collectively.

Evgeniya Strygina (b. 1989) is a lens-based visual artist exploring urbanisation, contemporary landscape, and immigration. She honed her skills at the Fine Art Photography School, Moscow Museum of Modern Art, and PhMuseum. Since relocating to the UK in 2022, her work has been exhibited at Photo|Frome Festival, London Lighthouse Gallery, Cicek Gallery, and LoosenArt Gallery, with publications in Fisheye Magazine, Truth in Photography, Al-Tiba9 Art Magazine, and Artdoc Photography Magazine. Notable awards include the Top 150 MIRA Mobile Prize, MonoVisions Awards, and Photometria Awards judged by Martin Parr. In 2023, she held a solo exhibition after an art residency in Czechia. Her first photobook, Home from Home, is scheduled for release in 2025 with the publisher Ephemere.
As a contemporary photographer with an interest in shooting both urban and natural landscapes, I make a point of keeping my images almost or totally uninhabited as I consider people to be but one part of the world as opposed to being its centre. Even in my pictures of architecture, obviously built by people for other people to use, I am fascinated by the space and its details rather than its occupants. Juxtapositions, interactions and contradictions, rhythms and rhymes – be they intended or otherwise – is what I never stop looking for in nature and cities. In an attempt to make the viewer see aspects of the landscape that routinely go unnoticed, I offer a different perspective on things and deliberately strip down the style of my photographs. Minimalistic and geometric, my pictures are both an experiment in deconstructing reality and a quest for quiet harmony in our noisy existence. Besides exploring the nature of space in my work, I am also keen on studying the notion of home, which could be both a place and a non-place, and portraying a longing for an environment you can call your own. This is probably because, being born in a small town and currently living hundreds of miles away from it, I cannot but wonder where I actually belong.

Tori Ferenc is a portrait and documentary photographer, born in Poland in 1989. In her work, Tori is focusing on the themes of identity, community, family dynamics, and exploring the relationship between humans and nature. Over the years, her projects have been shown at renowned exhibitions such as the Taylor Wessing Photographic Portrait Prize in 2021, the Hamburg Portfolio Review and Prix Virginia in 2022, and Rencontres d’Arles in 2023. She is a member of Women Photograph and Equal Lens. 

IN FOCUS is presented by the Photojournalism Hub in collaboration of Riverside Studios, bringing to the public compelling and thought-provoking contemporary documentary photography and photojournalism,

Remembering Grenfell

The Ethiopian community mourn the deaths of their own children and families that died in the Grenfell Tower fire. Among the mourners are school children and family members of those that died. ©Cinzia D’Ambrosi

June 14 marks eight years from the Grenfell Tower fire. The grief remains deep. Grenfell tower stands as a painful reminder of a preventable tragedy that claimed 72 lives on the night of June 14, 2017.

These photographs of the community coming together to grief the loss of lives, are not just a documentation of a moment in history, they are a call to remember, to reflect, and to remind us that the fight for justice continues. Above all, to uphold the principle of equality for all.

Grenfell Tower, the community leaves messages in a memorial wall.©Cinzia D’Ambrosi

The pain felt by the Grenfell community is not just personal. It is the pain of institutional failure, of systemic inequality, of lives devalued. Inequality cost lives. This was not simply a tragedy. It was, and continues to be, a profound human rights failure.

©Cinzia D’Ambrosi

Eight years have passed and as we stand together in remembrance, we pledge to fight for meaningful change, and for equality.

Cinzia D’Ambrosi
Documentary photographer and journalist
www.cinziadambrosi.com
Instagram: @cinziadambrosi