Gendered face of London’s housing crisis

Photos and text by Cinzia D’Ambrosi

After years of documenting the lives of individuals in insecure housing in London, a clear pattern emerges: a significant portion of this demographic comprises single mothers in either no or low-paid employment. This raises the pressing question: why are so many women and their children being failed so profoundly?

Melissa fled domestic violence, seeking refuge far from her former home. However, living in a shipping container with her three young children has aggravated her depression and anxiety, failing to provide the safety and comfort she desperately needs.

Since 2006, Francesca recounts: “I have been evicted 3 times. The first time, I was living in a private rented accommodation through Hammersmith and Fulham council. I was living with my two children and expecting a third child when I was handed over an eviction notice. I was made homeless and then the council offered me a home in East London. My only financial support was my work as a mobile hairdresser and my clients, my children’s school and everyone I could ask any support to, is living in West London, however I had no where to go. I checked the place and it was rife with crime and I did not want my children to live there so I refused. Then they looked for a place for me in the private rented sector. I was told to go to Ealing Housing Team and at first they sent me to Willesden Green to live in one room. We had to move out and had to rent a storage for all my things. I could not live there with the children going to school miles away. Everyday they were late at school and getting detention so I went back to the council and told them of these challenges and that was when I was allocated a container flat in Meath Court in west London.”

Francesca and her three young children have been evicted many times before being moved to Meath Court.

Francesca has 3 children who in their entire lives have only lived in temporary accommodations. Living in the shipping containers is very difficult with no space for any privacy. One of the children, who has asthma, sleeps in the kitchen. On the very first day they moved into the container, he had an asthmatic attack.

Families that live in the containers report their shock when they first arrived at the site, some at first not realising that the shipping containers were to become their homes.

“How could it be humanly possible that containers could be offered as homes?”

Nathalie Bangama, from Congo, with three children, moved to Meath Court after a fire destroyed her home last year. Despite living in Ealing for over 15 years, she was shocked to be offered shipping containers as housing instead of promised flats. She couldn’t believe it, knowing even in Congo, women and children aren’t housed this way.
Nathalie is a single parent and she has had to strlie is a single parent and she has had to struggle with being on her own with three children and with the awful circumstances of her living conditions at Meath Court.

Similarly to many other women, Nathalie could not believe her eyes when she was given shipping containers as a home. “Even in Congo, we don’t house women and children in shipping containers.” Nathalie Bangama, originally from Congo, has three children 15 years old, 4 years old and 9 months and she ended up at Meath Court after her house caught fire. When she was given the keys to the container flat, she was crying and crying. She was told that within 6 months, she would be given a proper flat, but 2 years later she is still waiting.

Another resident of Meath Court is Melissa, a victim of domestic violence that was to be housed, in a different borough under the protection scheme. Melissa and her three small children were housed in the shipping containers. It has led her to depression and anxieties. Living in a container, it has not helped her to heal from her traumatic experiences. Instead, it is continuously making her feel unsafe and deeply anxious about herself and her children as the environment is characterized by rampant drug use, theft, and a pervasive sense of insecurity.

Like herself, many women in Meath Court have experienced sexual harassment and incidents of intimidation by drug users using the shipping containers as a space to deal, or to sleep for the night. “There was an incident of a woman falling down from the stairs and she is currently in coma – Melissa recounts. And my front door was tempered and broken, she continues- and I have taped it with a black bin bag and I am still waiting for someone from the council to come to repair it. I feel very anxious about my safety and that of my children.” Melissa’s broken door was not repaired at the time of my interview with her, weeks after the incident. Her rent is £370.55 + £19.05 service charge per week to live in shipping containers without a secure front door.

When Zara received the one-bedroom flat, she had just given birth. Her baby was only a week old. Given the top floor, she found walls riddled with bullet-like holes from the previous tenant’s mental health struggles. It was a frightening, lonely, and disheartening experience for a first-time mother.

When Zara was given the one bedroom flat she had just given birth. Her baby was one week old. She was given the last floor and one which all the walls were plastered by bullet like holes. She was told that the previous resident was suffering mental health issues and was using a hammer to bang the walls. “It felt scary, lonely and very disheartening for a first time mother who had just given birth.” Since living in the container, her wellbeing is deteriorating. She has pleaded to be allocated even in another one-bedroom in the containers, one without the violent markings on all the walls, but her pleas have gone unanswered.

Following the unanswered calls for the installment of security cameras or the placement of a security guard at Meath Court, women have resorted to create a WhatsApp group to ensure each other’s safety by sharing their whereabouts.

As policymakers and stakeholders seek solutions to London’s homelessness crisis, it is crucial to recognize and address the specific challenges faced by women. Failing to do so not only perpetuates the cycle of homelessness, but also deepens existing inequalities within society.

The question arises: why have so many women and their children been failed so miserably? Is it due to perceived vulnerability and social standing, perpetuating prejudices that hinder their access to decent living conditions?

All images ©Cinzia D’Ambrosi

CURRENT PROJECTS

Why shop small business?

Photojournalism Hub presents Why shop small business? – the latest edition of documentary photography and writings from our local young and senior participants of our documentary photography courses.
Why shop small business? brought a lot of conversations and critical analysis on what it really means. Are we shopping more ethically because more conscious of what we eat? Are we more aware of the authenticity and the personal experiences that one has in small independent outlerier. Or the choices of shopping small points to having the economic capacity to do so and thus a statement of wealth. One pervading reflection is that shopping small is very much tied to serving communities. We could say that we have many communities around each local shop, something that we cannot find in much bigger commercial chain.

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We would like to thank the NHS West London Trust, Hammersmith & Fulham Council, Sobus and Hammersmith United Charities for their support.

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CAPTURING CRISIS

In this new edition of ‘Capturing Crisis’ youth photography magazine, we present a special edition on a local coffee shop to learn of its championing and success. We present a photo essay on the charity Nourish Hub documenting its cycle of sustainability, healthy and free food for all.
Our young team also reported on Free Palestine local and national responses. And we present evocative images at Meanwhile Gardens, a photo story on volunteers creating a community garden at Factory Quarter in west London.
In the last pages, we present the world of teenagers and friends, and a few portraits from a series of portraits of staff at The Globe, the dedicated Shakespeare Theatre in central London. We hope you enjoy Capturing Crisis youth magazine!

Capturing Crisis is a youth documentary and photojournalism magazine. All features and photographs are created by participants of ‘Stories, Reporting Mag, Photography Course’.
The magazine provides the opportunity for youths who never had access to, to share their photography and photo stories to a large audience. Photojournalism Hub is committed to providing opportunities and support to youths, enabling equality in accessing opportunities for further education and work in the photo industry.
Capturing Crisis magazine is a testament of the great work and inspiring contribution of our youths.

The project is supported by the NHS west London trust, Hammersmith and Fulham Council and Sobus.

Photojournalism Hub x Riverside Studios (Dec 2023)

11th December 2023 7 pm
Riverside Studios
101 Queen Caroline Street
London W6 9BN

To Join us: HERE

We’re delighted to welcome Maria Tomas Rodriguez and Ollie G. Monk to the 38th edition of the Photojournalism Nights.

Photojournalism Nights invites contemporary photojournalists and documentary photographers to share their powerful, committed photography and engage audiences to social justice and human rights. It invites interactive Q&A’s , and an opportunity for people to connect and network with photojournalists and likeminded audiences. Our guest speakers of this last edition of the year 2023 use traditional journalistic methodologies in their work documenting migration and the human stories of hope and death as well as delving on the impact corporates and their increasing power shadowing accountability.

Maria Tomas- Rodriguez is a Senior Lecturer of Control Systems Engineering and Mechatronics at The City University of London, United Kingdom. Since 2016 I have combined her academic profession with documentary photography projects mostly within the field of social inequalities and human rights. She has received photography training through courses and seminars at the Westminster College, The Photographer’s Gallery and Royal Photographic Society, United Kingdom.
She won the British Photography Award in documentary category in 2019, she also has won the second prize at the International Photography Awards in Editorial/sports category and she has also been finalist at the Travel photography of the year in 2020. Her work has been published both in UK and Spanish media.
@photomtr

Ollie G. Monk is a photojournalist using local stories to paint a bigger picture of the contemporary issues facing Britain. Using traditional journalistic methods such as investigation, interviews and (arguably obsessive) research, he builds narratives that encourage the viewer to look for nuance and significance in the smallest of stories, putting an emphasis on the local in an increasingly global media landscape. We do not need to stray far to find stories worth telling.
Based in south-west London, he is in the final stages of a postgraduate degree at the London College of Communication while also working towards teaching documentary practice, mentoring both at King’s College London and the London College of Communication. For the last year, he has been working on two major projects. Comms Failure is an investigation into the difficulty of keeping companies like Thames Water accountable to the public they serve, and was exhibited in Copeland Gallery, Peckham this year. 
Meanwhile Protest Pen, an ongoing project, is the story of a photographer’s journey into the Truth Seeker or Truther movement told over the course of five zines. Known as conspiracy theorists to some, the beliefs they share are often based on the most tenuous or tangential of evidence, relying on one’s own internal logic and anecdote — you must only cast doubt on the status quo for a theory to become worthy of discussion. Excerpts of informal interviews with Truthers build an overall narrative; however, when paired with portraits and documentary images of the group in their own space, the viewer is forced to confront them not as stereotypes and slogans, but as people, no longer hidden behind brash, choreographed online personas. Social isolation, family tragedies, and mental illness: the community is not simply a fringe political group, but a refuge for those who, like so many of us, have felt lost and scared in a broken world that seems just too complicated to fix.
@olliegmonk

National Demonstration Free Palestine

National Demonstration for Free Palestine and a Ceasefire Now in London, 25th November 2023.

At Photojournalism Hub we work for social justice and human rights through publishing, promoting and supporting the work of independent photojournalists and documentary photographers. It is our belief that no one should be killed for their faith, ethnicity, nationality. What we are witnessing every day in the past 7 weeks has hurt us immensely. It is wrong to tackle acts of terrorism by disproportionately or indiscriminately killing and injuring civilians, women and children. We hope for a Ceasefire and for Palestinians right to peace, security and to live in their own independent state, free from occupation. We stand for Peace and an end of war.

Below are some photographs from our team on pro Palestine marches in London.

©Cinzia D’Ambrosi

©Cinzia D’Ambrosi

@Cinzia D’Ambrosi

©Safeena Chaudhry

©Sienna Sunna

Cinzia D’Ambrosi @cinziadambrosi
Safeena Chaudhry  @photographerdreamertraveller

Sienna Sunna