Photojournalism Nights 16th edition (online)






The current Covid-19 pandemic has disproportionately affected communities and people who were already marginalised, discriminated, and at the throng of continuous injustices and inequalities. We are bringing together stories, investigations from around the world to highlight and advocate and create the important exposure to leverage and bring about positive changes.
In the 11th edition of the Journal on “Injustice & Inequalities: Covid-19”, we present the work of Guilherme
Bergamini which exposes some of the contradictory messages given by government officials.
At the start of the pandemic, Guilherme listed 27 countries cited in the news above published on March 3, 2020, He searched Google “Street View” at random and appropriated each photograph, covering the people in the image with red circles.
The monitoring carried out by the Federal Government is contradictory for what he observed in the actions taken by the President of the Federative Republic of Brazil. What is at stake, as he understands it, are the lives of millions of Brazilians who survive each day with minimal wage or nothing, an unjustifiable and impractical social inequality.
Photo editor: Cinzia D’Ambrosi

Searching the Internet about the new COVID-19 around the world, I saw the website of the Ministry of Health of Brazil. I came across a list of 27 countries that are being monitored by the Federal Government.
I listed these 27 countries cited in the news above published on March 3, 2020, I searched in Google “Street View” at random and appropriated each photograph, covering the people in the image with red circles.
This monitoring carried out by the Federal Government is contradictory for what I observe in the actions taken by the President of the Federative Republic of Brazil. What is at stake, if he understands it, are the lives of millions of Brazilians who survive each day with minimal wage or nothing, an unjustifiable and impractical social inequality.
And in this conflict of vanities, interests and power, we can come to an unprecedented tragedy.
Never imagined that i would live an experience of pandemic and social confinement. From that I remember a passage from the inauguration speech of the President-elect of the Federative Republic of Brazil, Jair Bolsonaro, on January 1, 2019, in Brasília, in the Federal District, Brazil:
“May God bless this great nation. Brazil above all. God above all. This is our flag, which will never be red. It will only be red if our blood is needed to keep it green and yellow.” – Part of the inauguration speech of the President-elect of the Federative Republic of Brazil, Jair Bolsonaro.


http://guilhermebergamini.com/fiquem-em-casa-nao-e-uma-gripezinha/
Biography
Reporter photographic and visual artist, Guilherme Bergamini is Brazilian and graduated in Journalism. For more than two decades, he has developed projects with photography and the various narrative possibilities that art offers. The works of the artist dialogue between memory and social political criticism. He believes in photography as the aesthetic potential and transforming agent of society. Awarded in national and international competitions, Guilherme Bergamini participated in collective exhibitions in 44 countries.

Carolina Rapezzi is an award-winning photographer based in London, part of the collective Women Photograph. Her works focus on social, humanitarian and environmental issues. She worked on migration issues in Sicily and France, covered the 100th anniversary of the Russian Revolution in Moscow and St. Petersburg, followed several protest movements in London, including the more recent Black Lives Matter and, since 2018 she has been working on environmental issues. Her independent project Burning Dreams on electronic waste in Ghana has been awarded internationally and exhibited multiple times: Portrait of Humanity 2019, Winner Flash Forward 2019, Winner 1st Prize Single Images, Winner World Water Day 2020, Shortlisted Sony World Photography 2020, Winner Siena International Award 2020.

Denise Laura Baker is a photojournalist, documentary, and portrait photographer. Her work draws on influences from the many different strands of her career, particularly her time as an ethnographic psychologist where she interviewed and collected the stories of the people with whom she worked. She has been exhibiting since 2016 and have, exhibited at various locations in Wales, including holding her first solo exhibition as part of LLAWN 2019 (Llandudno arts Weekend). She is the recipient of an Arts Council for Wales R&D grant for a project examining interconnecting communities within Gwynedd, Conwy and Ynys Mon. She also teaches and give talks on the role of narrative in photography and photo book making.

Simon King is a documentary photographer, currently working on a series of long-term projects, all on 35mm film. Simon teaches at UAL, and with Leica Akademie (UK). Simon works with the collective New Exit Group to publish photo-essays highlighting intimate, local stories. Simon’s recent publications include BARDO (in collaboration with NEG), a USA Digest which includes work from 2019 – Winter 2021, and Transiting Bulgaria, from his recent time there over Christmas 2020.
The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join HERE
Thanks to White City Place for supporting our events

Photojournalism Hub is pleased to host a conversation on the challenges that the LGBTQ+ community face, and the further impact of Brexit and Covid-19 pandemic has had on the community. How can we as individuals and as communities support and address the current challenges? Departing from the photography of Gemma Mancinelli and Tim Boddy, join us in the conversation.
Tim Boddy, is a photographer based in London, and a recent graduate of LCC’s Photojournalism & Documentary Photography MA course. Tim develops personal documentary-based projects outside of his commercial work. His practice generally centres on the LGBTQ+ community, whom he enjoys working alongside to embolden storytelling and to make his work more representative of the community.
Gemma Mancinelli, is a photographer and a visual storyteller based in London. Her dedication to human rights, especially women’s rights, LGBTQ+ and working class, is central in her photographs. Gemma has extensively reported on the movement of protests of the last years, focusing on documenting the people’s stories within.
Fazal Mahmood, Rapid Intervention Worker at St Mungo. Fazal will share his personal experiences, both about the trials, tribulations and the celebrations of the integration of his identity from being a South-Asian Muslim gay man.
Richard Ansett, an award winning photographer known for his provocative images. His images are in permanent collections including the National Portrait Gallery, London and Library and Archives Canada, Bibliothèque Nationale de France and the Smithsonian Institution. His images have been part of major collaborative exhibitions.

Cover photo ©Richard Ansett
Photojournalism Hub fourteenth edition of the Photojournalism Nights presents an amazing line-up of photographers: Arsène Mpiana Monkwe, Beau Patrick Coulon, Justin Makangara.

Beau Patrick Coulon, Beau Patrick Coulon, Beau Patrick Coulon, is a New Orleans based photographer and filmmaker whose imagery draws from class struggle and sub-cultural movements. At The Photojournalism Nights, Beau will be talking about his latest book, Revel & Revolt, a straightforward-yet-personal book of photography that documents protests, parades, and the punk scene in New Orleans from 2013 to 2020. It is published by Burn Barrel Press and DNO books.

Arsène Mpiana Monkwe, is a photojournalist and active artist based in Kinshasa. Arsène is also a tutor at the Department of Photography at the Academy of Fine Arts in Kinshasa. He has been Nominated for the Joop Swart masterclass (2020) of the World Press Foundation. Ini 2019, he became a freelance writer for Jeune Afrique then joined Agence France-Presse and in 2021, he tried his luck with the New York Times.

Justin Makangara, is an independent photojournalist and documentary photographer based in Kinshasa. His work focuses on underreported developing documentary and storytelling reporting on stories focusing on social justice, politics, music, and daily life. Justin is a member of APJD African Photojournalist Database, VII academy Insider, and Congo in conversation.
The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join HERE
Daniele Napolitano




Daniele Napolitano
Photoreporter and video maker
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©Daniele Napolitano



The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights. To join here

Knowing You-2 is an encompassing Photography and Storytelling project for women of different backgrounds and faiths. During the project, women will learn how to develop and create a photo story, learn how to approach personal stories and visually translating emotions into images, how to develop photo stories from home.
PARTICIPANTS WILL LEARN:
Basic Photography
Learn how to research and develop ideas for a photo story
Learn approaches and methods in producing a photo-story
Learn how to develop their photo story
Learn how to visually translate personal stories, emotions and events into photographs
Learn how to work and develop photo-stories from home
Learn how to edit a photo story
The project will run on Zoom and is open to all women in White City, London.

Photojournalism is an industry that is still dominated by men. Suzanne Plunkett, award winning photojournalist, reaffirmed this fact during the Photojournalism Hub’s talk event last Monday. She recounted her impressive career and highlighted that she was always among only a handful of women photographers within a sea of men when working for agencies. Her lived experience can be reflected in the fact that ‘just 18% of the AOP’s accredited photographers and assistant photographers are women.’ (Steven: 2019). Along with the clear gender bias towards employing male photographers, she also touched on issues of sexism from managers in agencies, not being taken as seriously as her male counterparts and the lack of demand for stories that cover important female issues.
Talking about these issues was pertinently timed as International Women’s Day was to be celebrated just 6 days ahead of the talk. The theme of this year’s IWD was Each for Equal – aiming to help create a more equal world where women are always on the same platform as men. Suzanne, along with Chiara Ceolin and Quintina Valero (the two other speakers at the event) are certainly helping to create gender equality by doing such amazing work with women around the world and documenting their stories. They have worked on projects with victims of female genital mutilation, sex trafficking and female prison.

By having more amazing female photojournalists in the industry we are creating a levelled playing field and going against a male centric selection of stories in the media. We need to keep recognising the achievements of female photographers and those who are telling the stories of women to come closer to a world where gender discrimination is a thing of the past.



The Photojournalism Nights is an event that promotes committed and courageous photojournalism and engages the public to social justice and human rights.