PHOTOJOURNALISM NIGHTS 28TH EDITION

November 6, 2022 admin Photojournalism Nights

Yemen: UN has declared the situation in Yemen as the greatest humanitarian disaster in 2018. ©RasmusFlindtPedersen

The last day of Chemotherapy ©CarlyClarke

23rd November 2022 18:00-20:30
The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join us HERE (in person) and HERE (online)

Photojournalism Hub presents Carly Clarke, Francesca Gabbiadini and Rasmus Flindt Pedersen.
Carly Clarke is a British documentary and portrait photographer working primarily with medium format film. After completing her BA in photography at Middlesex University, London she was awarded the Luck-Hille Postgraduate Photography scholarship for her Master’s degree in Photography, also at Middlesex. Her work mainly focuses on social and political issues that may otherwise go unnoticed. Storytelling through the voices of the people she photographs is key to her work. She has personally researched, organised and sought funding for all of her overseas projects, which include – Remember Me: Vancouver’s DTES, Godhūlikāla: India’s Forgotten Elders and Jamadagni’s Temple: The Real Full Moon Festival. When she was diagnosed with Hodgkin Lymphoma in 2012, she created a self-portrait project, Reality Trauma, documenting her journey through treatment and recovery. She subsequently created a second project, In the Blood, seven years later when her younger brother Joe was diagnosed with the same type of cancer. Reality Trauma has been widely commended and has been featured worldwide on BBC News Online, BBC TV local news, photography podcasts, and a radio show. She has won several honourable mentions for her projects through the International Photography Awards (IPA) and has been shortlisted for the Portrait of Britain. Her work has been published by the BBC, in the British Journal of Photography, Portrait of Britain, the charity Lymphoma Action, International Photography Awards (IPA), Suitcase Magazine, Jornal Contacto, POV Magazine (Canada), Lensculture, Portrait Salon and has been shown at the National Portrait Gallery in London. www.carlyclarkephotography.co.uk

Francesca Gabbiadini is a photojournalist from Italy. She reports on socio cultural taboos related to femininity and female identities into current society. Her two major ongoing projects are “The Call of Eve”, focused on female rage and the places where it can be expressed, and “Because”, a participatory archive on female identities. After the Master’s in Documentary Photography and Photojournalism at the University of Westminster (2018), she has been working as a freelance photojournalist in London. She collaborates with international and national media outlets, such as La Repubblica and Elle magazine. Francesca’s projects have been shown in various exhibitions between Italy and London, such as the group exhibition at the International Centre of Photography in Palermo (2021) led by Letizia Battaglia. In March 2022 she co-founded Femminsista, an international and intersectional feminist community on Instagram, where she works as an Editor-in-Chief. In May 2019, Francesca led the first workshop on documentary photography in Bergamo, Italy, with the editorial goal to ethically report the community of one of the city’s most multicultural neighbourhoods. www.francescagabbiadini.com

Rasmus Flindt Pedersen (40) is a Danish photojournalist, documentary filmmaker and father of two with 10+ years of experience documenting the world around him. He has won several awards for his work and has had his images exhibited in places like London, New York, Tokyo, Paris and Copenhagen. His work in the world’s hotspots has focused more on depicting the everyday struggle of civilians trapped in the war zones than on the actual fighting. It’s not that the dramatic photos of combat aren’t important to him, it’s just that he finds the struggles of regular people much more impactful. Rasmus’ latest war assignment brought him to Ukraine to document the initial phases of the Russian invasion at the beginning of the year. During the summer Rasmus has spent more time home to focus on his own family and the birth of his second son before he’ll start work on a documentary film project early next year. www.flindtpedersen.com

Photo Above ©Rasmus Flindt Pedersen

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

Photojournalism Hub in Conversation with Ryan Thomas

September 30, 2022 admin Interview

Som Prabh from the Photojournalism Hub was in conversation with award winning photojournalist Ryan Thomas on his photobook ‘Everything Will Kill You, So Choose Something Proactive’. The photobook is a collection of images shot from 2018 to 2022, mostly shot in Britain, with additional photographs taken in America and France. The work focuses on sublime, chaotic, and even peaceful (albeit disruptive) elements and has become an exploratory research into the similarities that bind rapidly fluid groups of people and the unpredictable energy that ensues. Ryan is a 23-year-old photojournalist currently based in Bristol, UK. He has an MA in Photojournalism from the University of Wales Trinity St. David’s Swansea. Ryan grew up in rural Wisconsin but have deep roots embedded in west Wales, the Land of my Fathers. Ryan covers a range of documentary subjects and has worked with a number of charities and enjoys being involved with intimate and personal projects just as much as the active aspects of protests and rallies. He has had editorial commissions with Huck Magazine, WalesOnline, Daily Mom, Oxfam UK, and DeafBlind UK and has had the good grace to be shortlisted for RPS International Photography Exhibition 164 2022 and reached 3rd place at the Arizona Congressional Photo Competition 2016.

To contact Ryan directly:
Email: ryanarwynthomas@gmail.com
Instagram: ryanthomas.photography
Twitter: ryanthomasphoto
To order a copy of the book: https://www.ryanthomasphotography.com

BECOME A PJH MEMBER
Please support the Photojournalism Hub from as little as £1 every month. Consider becoming a member of the Photojournalism Hub and receive the benefits of editorial content, free access to events, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism and journalism. If there were ever a time to join us, it is now. Thank you. JOIN US HERE

PHOTOJOURNALISM NIGHTS 27th edition

September 8, 2022 admin Photojournalism Nights

21st September 2022 18:00-20:30
The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To Join: HERE (in person) or HERE (online)

Photojournalism Hub presents Encarni Pindado , Jakob Dall and James Hopkirk whose work bring to the attention underreported stories of our times.

Encarni Pindado is an award-winning photojournalist and documentary photographer from Spain. Educated in Spain and London. Her work focuses on social and Human rights issues, particularly on violence, migration, and gender. She publishes in some of the most prestigious media outlets in the English and Spanish-speaking world. Such as The Guardian, BBC, The Sunday Times, Al Jazeera, NPR, Reuters, AP, El País, Univision, EFE, among many others. She also collaborates with international institutions such as the UN, ICRC, Amnesty International, UNHCR, OXFAM among many others.Encarni has a long-term project about Mesoamerican women’s migration, focusing on violence (structural, explicit, and symbolic) as a migratory experience from Central America, in transit through Mexico, to the US. She is currently finishing an MSc in Migration, Mobility and Development at SOAS University. Encarni has won several journalism scholarships and awards including, COVID19 Emergency Found from National Geographic, IWMF “underreported story grant”, Pulitzer (producer team); Peabody Award, Finalist W. Eugene Smith Humanitarian Photography Award with her work “The other side of migration: Central American women”. Her work has been exhibited in different galleries and universities across Mexico, US, and the United Kingdom, and she gives conferences and seminars on migration and photojournalism.

Jakob Dall is a freelance photojournalist with a degree from the Danish School of Journalism. He is based in Copenhagen and works as a photojournalist for several daily newspapers like New York Times, magazines, companies and organizations like Copenhagen University, The Danish Parliamentary Ombudsman’s office and with HRH Crown Prince of the Denmark, he has traveled to Mozambique, Nepal and Bangladesh to document the international work of Red Cross. He has also worked as photo editor and photographer at newspaper Berlingske Tidende and Dagbladet Information in Denmark. Jakob Dall ́s photo stories mainly focus on how individuals are affected by events which often receive little media coverage. Through his photos of people from areas of conflict, disaster and crisis he wishes to show the faces and the realities of life in areas that need attention and help from the international community. In parallel with his frequent assignments for different NGO ́s, Red Cross, Danish Church Aid, CARE, Action Aid …, Jakob is working on a personal long-term project called “Climate Change Documentary”, which illustrates the impact climate change has on living conditions and daily life for people around the world. Jakob Dall has won awards from World Press Photo, Picture of the Year International (POYi), Picture of the year Denmark and an international EISA award for his photo essay about climate change impacts in Ethiopia. He has also received the photographers “Fogtdals Grant” for his specific work with climate change impacts.

James Hopkirk has been working as a writer and photographer for over 20 years. In 2015 he launched the South London Stories project, documenting underreported aspects of life in his community. Working collaboratively with Lambeth residents, often over many months or years, he uses photography, text, film, exhibitions and workshops to explore complex social issues, including immigration, homelessness, food poverty, addiction, mental health and the benefits system. www.southlondonstories.com

Photo Above ©Jakob Dall

Photojournalism Hub in Conversation with Danny Burrows

August 13, 2022 admin Interview

On Sunday the 7th of August, Safeena Chaudhry from the Photojournalism Hub was in conversation with multi awarded photographer and journalist Danny Burrows.

Danny was the editor in chief of the pan-European magazine Onboard until 2013, when he left to dedicate himself to his freelance photography and writing work. In 2015, Danny began a long-term project documenting the refugee crisis in Northern France, entitled ‘Indeterminate State’. The project received wide recognition with photographs published in The Guardian, The Express, Huck Magazine, Mpora.com and prints were exhibited at Wells Arts Contemporary Exhibition.

Since August 2018 Danny has been shooting a long-term project entitled TOGETHER (A)PART, which documents the pacifist Anabaptist Christian community of The Bruderhof that practices a unique community of goods and wealth and devotion to god in 23 cloistered communities around the world. TOGETHER (A)PART has been well received both inside and beyond the photographic community, with a long form photo essay published in the Sunday Times Magazine in August 2019; an image was selected for the 2018 YICCA Contemporary Arts Exhibition, in Palermo, where it won a silver medal; A photograph was selected for the KLP International Portrait Prize and exhibited world wide; The project received a Coups de Coeur de L’ANI at the 2019 Visa Pour L’Image and was a finalist at the 2019 Prix Regnier Award in Paris.

Danny is currently seeking support to realise a book of the project TOGETHER (A)PART, which with unprecedented access, he is sharing touching photographs that documents the lives of the Bruderhof communities. Having the book published would offer inspiration for alternative ways of living in our world of perpetual war, hyper-consumerism and mass consumption as well as finding a more valued connection with each other as well as very valued historical testimony of this very reserved religious community.

If you would like to support this extraordinary unique document that describes the realms of ‘another life’ – their rejection of personal property, wealth and technologies, a commitment to god and non-violence – then please share this extraordinary story, and help to make this book a reality HERE

Kickstarter link: https://www.kickstarter.com/projects/gblimitededitions/together-apart-a-photo-book-by-danny-burrows?ref=ksr_email_creator_launch

To contact Danny Burrows directly:

https://www.instagram.com/dannyburrowsphoto/

https://www.dannyburrowsphotography.com/

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, editorial content, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism, and journalism. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

Photojournalism Hub in Conversation with Ada Trillo & Isaac Scott

August 8, 2022 admin Interview

On Tuesday 2nd August, Cinzia D’Ambrosi and Safeena Chaudhry from Photojournalism Hub were in conversation with Ada Trillo & Isaac Scott about their current exhibition ‘I Look At The World’, which is curated by David Acosta and is being shown at the Da Vinci Art Alliance in Philadelphia.

Ada Trillo is a Philadelphia-based photographer. Born and raised in the U.S/ Mexican border region of Juarez and El Paso, her work focuses on sex trafficking, climate and violence-related international migration, and long-standing barriers of race and class. Her projects have been featured in international publications including The Guardian, Vogue, Smithsonian Magazine, and Mother Jones. Trillo’s work is held in the Library of Congress, the Philadelphia Museum of Art, and other institutional and private collections. Her many awards include a First Place in the Tokyo International Foto Awards (2019), a British Journal of Photography Female In Focus Best Series Award and The Me & Eve Grant from the Center of Photographic Arts in Santa Fe (2020). Trillo’s images have been exhibited in the US, Japan, Luxembourg, Italy, England, France, and Germany. She holds degrees from the Istituto Marangoni in Milan, and Drexel University in Philadelphia. Website: https://adatrillo.com

Isaac Scott is a ceramic artist, curator, and photographer from Madison, Wisconsin, who is currently living in Philadelphia, Pennsylvania. Scott is an MFA candidate at Tyler School of Art and Architecture and plans to graduate in Fall of 2021. His ceramic work has been exhibited around the country including at The Clay Studio in Philadelphia and at the 2019 National Conference for Education in the Ceramic Arts in Minneapolis. Scott’s photographs of the 2020 Uprising in Philadelphia were featured in the June 22, 2020 issue of The New Yorker. In August of 2020 Scott completed his first mural alongside collaborators Gerald A. Brown and Roberto Lugo. The Stay Golden mural is located at 33rd and West Diamond St. in Philadelphia. Just as Scott elevates his subjects on the surface of his pottery, his photography pays tribute to the people and places in his environment. His work capturing the 2020 Uprising follows the protesters and organizers in Philadelphia and the movement for Black Lives. He captures the humanity of those involved and the brutality they face in the streets. Scott’s goal is to capture the voices and stories of the movement for Black Lives Matter and amplify them past this moment so they can speak to generations to come. Website: https://studiopotter.org

Exhibition ‘A Look At The World’ runs: July 27th – August 17th
Opening Reception: July 28th, 4-7pm at Da Vinci Art Alliance (704 Catharine St)

PHOTOJOURNALISM NIGHTS

July 8, 2022 admin Photojournalism Nights

13th July 2022 18:00-20:30
The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join us HERE

Photojournalism Hub presents three great photographers whose work is rooted by history, anthropological research and ethics. A search that has led to powerful, rich and evocative photography.

Stuart Freedman was born in London and has been a photographer since 1991. His work has been published in, amongst others, Life, Geo, Time, Der Spiegel, Newsweek, The Sunday Times Magazine and Paris Match covering stories from Albania to Afghanistan and from former Yugoslavia to Haiti. The author of three books he is a member of Panos Pictures. https://www.stuartfreedman.com/

Inès Elsa Dalal is a documentary photographer concerned with the ethics of portraiture. She is committed to confronting systemic injustice, such as racism and xenophobia. Born in Nottingham to a Swiss, Italian mother & German, Parsi (Iranian-Indian) father, Dalal’s own mixed heritage informs the tenderness with which she approaches portrait sitters; as well as the communities she co-creates with. Dalal initiates long-form documentary portraiture projects and responds to commissions, while tutoring nationally and lecturing internationally. http://www.ineselsa.com/

Valeria Luongo (Rome, 1989) is a London based documentary photographer and visual anthropologist. She studied anthropology in Rome and in Manchester and led academic research in Mexico for several years. Her photographic approach is characterised by working on long term projects and to fully engage with the subject of her stories. Her work usually focuses on communities, spirituality and gender issues and has been featured in The Guardian, BBC and National Geographic UK, among others. https://www.valerialuongo.com/

Photo cover:

Finbarr O’Reilly: In Conversation with Photojournalism Hub

July 5, 2022 admin Photo Stories, Interview

Finbarr O’Reilly is a multi award winning photojournalist and the 11th Laureate of the Carmignac Photojournalism Award. He has covered conflicts and combat situations in Congo, Chad, Sudan, Afghanistan, Libya and Gaza. His awards include the 2019 Nobel Peace Prize exhibition photographer and the World Press Photo of The Year in 2020.

‘Congo, A Sublime Struggle’ is evocatively titled after a quote from Patrice Lumumba’s Independence Speech. It is a sequel of ‘Congo in Conversation’ by Congolese photographers and journalists, and produced by the Carmignac Photojournalism Award team and Finbarr.

The monograph explores the Eastern DRC and how it connects with the environmental and climate crisis, the country’s colonial history, and on-going extractive practices. in collaboration with the International Criminal Court.

Iga Barriere, Ituri, DRC, May 17, 2021. Miners at a gold mine in Iga Barriere in Congo’s Ituri province
© Finbarr O’Reilly for Fondation Carmignac

Rebecca, North Kivu, DRC © Finbarr O’Reilly for Fondation Carmignac and ICC

This monograph is a striking and meaningful endeavour that documents and presents the many facets that are part of Congo today, including struggles and efforts in bringing the country as a whole. It includes work on the reparation programme with victims of violence in collaboration with the International Criminal Court.

On Friday 1st July, Finbarr O’Reilly joined Cinzia D’Ambrosi and Safeena Chaudhry in a conversation about The Congo, Photography, reparation and trauma.

During the interview, Finbarr answers questions on his latest work and monograph ‘Congo, A Sublime Struggle’, which contains powerful photographs and writings on Congo of the last two years.

MONOGRAPH – FINBARR O’REILLY
CONGO, A SUBLIME STRUGGLE
Carmignac Photojournalism Award – 11th Edition
Democratic Republic of Congo

Co-published by: Reliefs / Fondation Carmignac
Release date: June 17, 2022
Bilingual: French/English
Size: 24 × 28 cm, 128 pages
Texts : Finbarr O’Reilly, Comfort Ero and Judge Antoine Kesia-Mbe Mindua
Photographs : Finbarr O’Reilly
Price: 35 euros, 45 USD, 58 CAD, 35 GBP
Distributed by: Harmonia Mundi

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, editorial content, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism, and journalism. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

PHOTOJOURNALISM NIGHTS

June 1, 2022 admin Photojournalism Nights

08th June 2022 18:00-20:30
The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join us HERE

Photojournalism Hub presents three photographers who have covered in depth stories of the external borders of Europe, the Canaries, Afghanistan and Myanmar exposing the extreme and dire conditions that force people to flee their countries and face unimaginable dangers along the migration routes into Europe.

With great courage and determination, the invited photographers will present photography from countries where escaping is a danger but remaining is equally a threat to life. With unparalleled access, the guest photographers present stories of exploitation, extreme poverty, conflict within countries, borders where reporting is challenging, dangerous and even illegal.

Francesco Berlingerio was born in Brindisi, Italy, in 1980. Upon his graduation in Sociology, he progressed his professional career in the UK, in the field of child protection, and since then, he has been working for a significant number of Local Authorities. He became interested in photography, when he turned 23, he got carried away, and, to build his knowledge, he immersed himself in the study of analogue photography, darkroom film development. His photography projects, are focused on the unrelenting inequality of human conditions. Upon graduation at the University of Lecce, he undertook a statistic research about the street children phenomenon, in Kenya and Colombia, where he also worked and cooperated with NGOs.

His work is mainly undertaken in monochrome, with the purpose of investigating and documenting social issues, such as: identity and borders, the anthropic relationship between people and environments, as well as, their life conditions. During the earliest stage of his career as photojournalist, he worked in partnership with press photo agencies based in Italy and Italian newspapers and magazines, such as: il Manifesto, Diario, Il Messagero. In 2021, Francesco was a Nominee at Vienna International Photo Award, Category: Black and White for the project resilience.

Francesco is currently based in London, and his work is committed to long term projects, work on assignment.

Maria Tomas-Rodriguez is a Spanish born photographer living in UK for the last 22 years. Her photography work has always been black and white social – documentary photography, although recently, with the pandemic and domestic lockdown, she started exploring colour photography. Maria combines her current university academic job with her interest in photography and travelling for documenting social matters and people’s cultures & traditions. She collaborates on regular basis with Baolar, a charity based in Senegal as an active member and photographer.

Her major photography work concerns the modern-slavery conditions of children and the harsh working conditions of fishermen, both works in Senegal. She also has documented the Afar salt miners work in Ethiopia just a few months before the war started in the Eritrean border. Her main interest is to contribute to raise awareness on injustices and social inequalities. Some of her work has been published in UK online magazines and Spanish local newspapers.

In parallel to her interest in documentary photography, she is very keen on water sports and has developed a still ongoing portfolio on wind and water sports, attending major championships and documenting the training of professionals of these sports.

Maria’s work has been recognized at several international photography awards and exhibited in the last years, both individual and group exhibitions.

Niccolò Barca is a self-taught freelance photographer, journalist and musician from Rome. After collaborating as a writer with many Italian and American media outlets, the arrival of Covid pushed him outdoors to embrace and develop his life-long passion for photography.

Interested in documenting social and humanitarian issues, Niccolò moved to Thailand in order to follow the exploitation of Myanmar migrants in the Thai fishing industry. From there, he was also smuggled into Myanmar, currently devastated by a civil war, to photograph those fleeing from the military and its attacks on the civilian population. When he’s not taking pictures, Niccolò is one half of Gbresci, a music duo based in Rome.

To join us: HERE

Injustices & Inequalities: Covid-19 – Edition 12

May 29, 2022 admin Journal

Covid-19 pandemic has disproportionately affected communities and individuals who are poor, marginalised, discriminated; has brought to light the existing inequalities and injustices and in some cases how the impact has generated wider repercussions.

Through an Open Call, began at the heights of the global pandemic in 2020, Photojournalism Hub has been collecting photo stories, articles and multimedia pieces on the impact of Covid-19 on the most vulnerable, including the poor, BAME communities, refugees, the elderly, women, the stateless, and asylum seekers.

The submitted stories have been published on the Photojournalism Hub website providing an independent visual investigation on governments missed opportunities and on the scale of systemic failings which have caused sufferings and losses.

We would like to present this independent visual investigation in a series of public events, including a photography exhibition to present a body of evidential work that would leverage and provide a platform for a public discourse to enable recommendations and key actions, for improved, cohesive and inclusive protection of the most marginalised, discriminated and disadvantaged and would provide accountable points in order to advance to social justice for all.

NUESTROS +ESENCIALES (OUR +ESSENTIALS)

Photography by Sebastian Ambrossio

This Photographic-Documentary Report came from a personal concern to show, narrate and visually document through photographs the work of health professionals, of the essential workers who work in the hospital in Mercedes, and those connected to the hospital who work to combat the pandemic. The project explores how health workers dealt with this virus, leaving everything to give the best to patients.
Blas L. Dubarry Acute General Zone Hospital, Sanitary Region X – Mercedes, Province of Buenos Aires, Argentina.

Photography and text:
Sebastian Ambrossio
@sebastianambrossio

Music:
Rodrigo Almas
@rodrigo_al_mar

ANTI-LOCKDOWNS IN IRELAND

Photography by

Krzysztof Maniocha

Photographer Krzysztof Maniocha has documented anti-lockdown protests in Dublin, Ireland. Ireland had one of the longest lockdowns and some of the most controversial restrictions in Europe. His photographs are presenting moments of clashes between police and protesters, as well as uncovering the existing issues externalised by the imposed restrictions: religion, identity and people’s resistance.

Photography:
Krzysztof Maniocha
@krzysztofmaniocha

Photo editor: Cinzia D’Ambrosi

REPORTING OF WAR, AWAY FROM THE FRONTLINES

May 18, 2022 admin Photojournalism Nights

The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join HERE

Russia invaded Ukraine on 24 February 2022, escalating the Russo-Ukrainian War which had begun in 2014. During the past eleven weeks, photographers and journalists have reported from field, many of the images have captured the deadly events that have taken place.

We have invited a group of photographers, whose work have contributed to the ongoing documentation, with photographs that unearth stories away from the frontlines, such as the displaced within the country and events at the borders. Carolina Rapezzi , one of the guest photographers, explains: according to the latest IOM report (17 April 2022) there are 7,707,000 Internally displaced people in Ukraine. 2,850,000 of this are in West Ukraine. Chernivtsi, the last Ukrainian city before the Romanian border, has become a refuge for roughly over 100,000 displaced Ukrainians, 33,341 are children and 82,340 are now officially registered with IDP status. These are stories I found between Chernivtsi and Siret, the first Romanian city after the Ukrainian border, that has instead become a crossroads, for the ones leaving the country.

We are incredibly honoured to present to you all our guests photographers Carolina Rapezzi, Hether Ng and Natalia Campos who have been covering the war in Ukraine and will be sharing their powerful photography, insights and stories from within the war ravaged country.

Carolina Rapezzi is an Italian freelance photographer based in London who works on social, humanitarian and environmental issues. She started working on migration issues in 2015, documenting the welcoming systems for minors arriving from Libya on the Sicilian coasts (“Minors on the Move” September 2015) and, after a few months, began a project that lasted eight months covering the eviction of the refugee camp of Calais, France (“The Eviction” March-October 2016). Moved to London in 2013, she photographs various protest movements, including those on the Brexit Referendum and the more recent Black Lives Matter. In 2017 she begins a long-term project on identity and gender (“It was meant to be” April 2017 – 2020).In since 2018 and 2019 she started working on environmental issues with a focus on electronic waste and disposal systems (“Burning Dreams” October 2018 – November 2019). In May 2020 she covered the Covid19 pandemic in London, documenting from a homeless hostel and since 2019 she has been working on a project on knife crime and its social roots in London.

Yuen Ching (Hesther) Ng, a London-based Hong Kong photographer who was born in 1992. Currently, she is studying to be a photojournalist from the University of the Arts London (UAL). Her press works are mainly focusing on breaking news and protests. They can be found in various national and international media outlets such as The Guardian, Forbes, BBC, The Times, Metro, and Yahoo! News, CNN, the Wall Street Journal etc. Being born and raised in different countries, she develops a keen interest in documenting the displacement of people and cultures around the world through her lenses. Apart from photography, she is a qualified clinical pharmacist practising in London and an independent journalist from HK Feature.

Natalia Campos is a self-taught freelance photographer originally from Rio de Janeiro, Brazil but based for the past six years in Dublin, Ireland. In her three years as a photographer she has documented protests, news events, and everyday life in countries such as Northern Ireland, Portugal, Turkey, and Georgia. She has recently reported on the humanitarian crisis in Ukraine as a result of the Russian invasion. She is interested in social and political concerns and has collaborated with non-governmental organizations that promote minority rights, equality, and human rights.