Photojournalism Hub in Conversation with Ada Trillo & Isaac Scott

On Tuesday 2nd August, Cinzia D’Ambrosi and Safeena Chaudhry from Photojournalism Hub were in conversation with Ada Trillo & Isaac Scott about their current exhibition ‘I Look At The World’, which is curated by David Acosta and is being shown at the Da Vinci Art Alliance in Philadelphia.

Ada Trillo is a Philadelphia-based photographer. Born and raised in the U.S/ Mexican border region of Juarez and El Paso, her work focuses on sex trafficking, climate and violence-related international migration, and long-standing barriers of race and class. Her projects have been featured in international publications including The Guardian, Vogue, Smithsonian Magazine, and Mother Jones. Trillo’s work is held in the Library of Congress, the Philadelphia Museum of Art, and other institutional and private collections. Her many awards include a First Place in the Tokyo International Foto Awards (2019), a British Journal of Photography Female In Focus Best Series Award and The Me & Eve Grant from the Center of Photographic Arts in Santa Fe (2020). Trillo’s images have been exhibited in the US, Japan, Luxembourg, Italy, England, France, and Germany. She holds degrees from the Istituto Marangoni in Milan, and Drexel University in Philadelphia. Website: https://adatrillo.com

Isaac Scott is a ceramic artist, curator, and photographer from Madison, Wisconsin, who is currently living in Philadelphia, Pennsylvania. Scott is an MFA candidate at Tyler School of Art and Architecture and plans to graduate in Fall of 2021. His ceramic work has been exhibited around the country including at The Clay Studio in Philadelphia and at the 2019 National Conference for Education in the Ceramic Arts in Minneapolis. Scott’s photographs of the 2020 Uprising in Philadelphia were featured in the June 22, 2020 issue of The New Yorker. In August of 2020 Scott completed his first mural alongside collaborators Gerald A. Brown and Roberto Lugo. The Stay Golden mural is located at 33rd and West Diamond St. in Philadelphia. Just as Scott elevates his subjects on the surface of his pottery, his photography pays tribute to the people and places in his environment. His work capturing the 2020 Uprising follows the protesters and organizers in Philadelphia and the movement for Black Lives. He captures the humanity of those involved and the brutality they face in the streets. Scott’s goal is to capture the voices and stories of the movement for Black Lives Matter and amplify them past this moment so they can speak to generations to come. Website: https://studiopotter.org

Exhibition ‘A Look At The World’ runs: July 27th – August 17th
Opening Reception: July 28th, 4-7pm at Da Vinci Art Alliance (704 Catharine St)

BECOME A PJH MEMBER 
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, editorial content, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism, and journalism. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you.  JOIN US HERE

PHOTOJOURNALISM NIGHTS

13th July 2022 18:00-20:30
The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join us HERE

Photojournalism Hub presents three great photographers whose work is rooted by history, anthropological research and ethics. A search that has led to powerful, rich and evocative photography.

Stuart Freedman was born in London and has been a photographer since 1991. His work has been published in, amongst others, Life, Geo, Time, Der Spiegel, Newsweek, The Sunday Times Magazine and Paris Match covering stories from Albania to Afghanistan and from former Yugoslavia to Haiti. The author of three books he is a member of Panos Pictures. https://www.stuartfreedman.com/

Inès Elsa Dalal is a documentary photographer concerned with the ethics of portraiture. She is committed to confronting systemic injustice, such as racism and xenophobia. Born in Nottingham to a Swiss, Italian mother & German, Parsi (Iranian-Indian) father, Dalal’s own mixed heritage informs the tenderness with which she approaches portrait sitters; as well as the communities she co-creates with. Dalal initiates long-form documentary portraiture projects and responds to commissions, while tutoring nationally and lecturing internationally. http://www.ineselsa.com/

Valeria Luongo (Rome, 1989) is a London based documentary photographer and visual anthropologist. She studied anthropology in Rome and in Manchester and led academic research in Mexico for several years. Her photographic approach is characterised by working on long term projects and to fully engage with the subject of her stories. Her work usually focuses on communities, spirituality and gender issues and has been featured in The Guardian, BBC and National Geographic UK, among others. https://www.valerialuongo.com/

Photo cover:

BECOME A PJH MEMBER
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE

Finbarr O’Reilly: In Conversation with Photojournalism Hub

Finbarr O’Reilly is a multi award winning photojournalist and the 11th Laureate of the Carmignac Photojournalism Award. He has covered conflicts and combat situations in Congo, Chad, Sudan, Afghanistan, Libya and Gaza. His awards include the 2019 Nobel Peace Prize exhibition photographer and the World Press Photo of The Year in 2020.

‘Congo, A Sublime Struggle’ is evocatively titled after a quote from Patrice Lumumba’s Independence Speech. It is a sequel of ‘Congo in Conversation’ by Congolese photographers and journalists, and produced by the Carmignac Photojournalism Award team and Finbarr.

The monograph explores the Eastern DRC and how it connects with the environmental and climate crisis, the country’s colonial history, and on-going extractive practices. in collaboration with the International Criminal Court.

Iga Barriere, Ituri, DRC, May 17, 2021. Miners at a gold mine in Iga Barriere in Congo’s Ituri province
© Finbarr O’Reilly for Fondation Carmignac

This monograph is a striking and meaningful endeavour that documents and presents the many facets that are part of Congo today, including struggles and efforts in bringing the country as a whole. It includes work on the reparation programme with victims of violence in collaboration with the International Criminal Court.

On Friday 1st July, Finbarr O’Reilly joined Cinzia D’Ambrosi and Safeena Chaudhry in a conversation about The Congo, Photography, reparation and trauma.

During the interview, Finbarr answers questions on his latest work and monograph ‘Congo, A Sublime Struggle’, which contains powerful photographs and writings on Congo of the last two years.

MONOGRAPH – FINBARR O’REILLY
CONGO, A SUBLIME STRUGGLE

Carmignac Photojournalism Award – 11th Edition
Democratic Republic of Congo

Co-published by: Reliefs / Fondation Carmignac
Release date: June 17, 2022
Bilingual: French/English
Size: 24 × 28 cm, 128 pages
Texts : Finbarr O’Reilly, Comfort Ero and Judge Antoine Kesia-Mbe Mindua
Photographs : Finbarr O’Reilly
Price: 35 euros, 45 USD, 58 CAD, 35 GBP
Distributed by: Harmonia Mundi

BECOME A PJH MEMBER 
Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, editorial content, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism, and journalism. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you.  JOIN US HERE

PHOTOJOURNALISM NIGHTS

08th June 2022 18:00-20:30
The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join us HERE

Photojournalism Hub presents three photographers who have covered in depth stories of the external borders of Europe, the Canaries, Afghanistan and Myanmar exposing the extreme and dire conditions that force people to flee their countries and face unimaginable dangers along the migration routes into Europe.

With great courage and determination, the invited photographers will present photography from countries where escaping is a danger but remaining is equally a threat to life. With unparalleled access, the guest photographers present stories of exploitation, extreme poverty, conflict within countries, borders where reporting is challenging, dangerous and even illegal.

Francesco Berlingerio was born in Brindisi, Italy, in 1980. Upon his graduation in Sociology, he progressed his professional career in the UK, in the field of child protection, and since then, he has been working for a significant number of Local Authorities. He became interested in photography, when he turned 23, he got carried away, and, to build his knowledge, he immersed himself in the study of analogue photography, darkroom film development. His photography projects, are focused on the unrelenting inequality of human conditions. Upon graduation at the University of Lecce, he undertook a statistic research about the street children phenomenon, in Kenya and Colombia, where he also worked and cooperated with NGOs.

His work is mainly undertaken in monochrome, with the purpose of investigating and documenting social issues, such as: identity and borders, the anthropic relationship between people and environments, as well as, their life conditions. During the earliest stage of his career as photojournalist, he worked in partnership with press photo agencies based in Italy and Italian newspapers and magazines, such as: il Manifesto, Diario, Il Messagero. In 2021, Francesco was a Nominee at Vienna International Photo Award, Category: Black and White for the project resilience.

Francesco is currently based in London, and his work is committed to long term projects, work on assignment.

Maria Tomas-Rodriguez is a Spanish born photographer living in UK for the last 22 years. Her photography work has always been black and white social – documentary photography, although recently, with the pandemic and domestic lockdown, she started exploring colour photography. Maria combines her current university academic job with her interest in photography and travelling for documenting social matters and people’s cultures & traditions. She collaborates on regular basis with Baolar, a charity based in Senegal as an active member and photographer.

Her major photography work concerns the modern-slavery conditions of children and the harsh working conditions of fishermen, both works in Senegal. She also has documented the Afar salt miners work in Ethiopia just a few months before the war started in the Eritrean border. Her main interest is to contribute to raise awareness on injustices and social inequalities. Some of her work has been published in UK online magazines and Spanish local newspapers.

In parallel to her interest in documentary photography, she is very keen on water sports and has developed a still ongoing portfolio on wind and water sports, attending major championships and documenting the training of professionals of these sports.

Maria’s work has been recognized at several international photography awards and exhibited in the last years, both individual and group exhibitions.

Niccolò Barca is a self-taught freelance photographer, journalist and musician from Rome. After collaborating as a writer with many Italian and American media outlets, the arrival of Covid pushed him outdoors to embrace and develop his life-long passion for photography.

Interested in documenting social and humanitarian issues, Niccolò moved to Thailand in order to follow the exploitation of Myanmar migrants in the Thai fishing industry. From there, he was also smuggled into Myanmar, currently devastated by a civil war, to photograph those fleeing from the military and its attacks on the civilian population. When he’s not taking pictures, Niccolò is one half of Gbresci, a music duo based in Rome.

To join us: HERE

Injustices & Inequalities: Covid-19 – Edition 12

Covid-19 pandemic has disproportionately affected communities and individuals who are poor, marginalised, discriminated; has brought to light the existing inequalities and injustices and in some cases how the impact has generated wider repercussions.

Through an Open Call, began at the heights of the global pandemic in 2020, Photojournalism Hub has been collecting photo stories, articles and multimedia pieces on the impact of Covid-19 on the most vulnerable, including the poor, BAME communities, refugees, the elderly, women, the stateless, and asylum seekers.

The submitted stories have been published on the Photojournalism Hub website providing an independent visual investigation on governments missed opportunities and on the scale of systemic failings which have caused sufferings and losses.

We would like to present this independent visual investigation in a series of public events, including a photography exhibition to present a body of evidential work that would leverage and provide a platform for a public discourse to enable recommendations and key actions, for improved, cohesive and inclusive protection of the most marginalised, discriminated and disadvantaged and would provide accountable points in order to advance to social justice for all.

NUESTROS +ESENCIALES (OUR +ESSENTIALS)

Photography by Sebastian Ambrossio

This Photographic-Documentary Report came from a personal concern to show, narrate and visually document through photographs the work of health professionals, of the essential workers who work in the hospital in Mercedes, and those connected to the hospital who work to combat the pandemic. The project explores how health workers dealt with this virus, leaving everything to give the best to patients.
Blas L. Dubarry Acute General Zone Hospital, Sanitary Region X – Mercedes, Province of Buenos Aires, Argentina.

©Sebastian Ambrossio
©Sebastian Ambrossio

©Sebastian Ambrossio
©Sebastian Ambrossio
©Sebastian Ambrossio
©Sebastian Ambrossio

Photography and text:
Sebastian Ambrossio
@sebastianambrossio

Music:
Rodrigo Almas
@rodrigo_al_mar


ANTI-LOCKDOWNS IN IRELAND

Photography by

Krzysztof Maniocha

Photographer Krzysztof Maniocha has documented anti-lockdown protests in Dublin, Ireland. Ireland had one of the longest lockdowns and some of the most controversial restrictions in Europe.  His photographs are presenting moments of clashes between police and protesters, as well as uncovering the existing issues externalised by the imposed restrictions: religion, identity and people’s resistance.

©Krzysztof Maniocha
©Krzysztof Maniocha
©Krzysztof Maniocha
©Krzysztof Maniocha
©Krzysztof Maniocha

Photography:
Krzysztof Maniocha
@krzysztofmaniocha

Photo editor: Cinzia D’Ambrosi

REPORTING OF WAR, AWAY FROM THE FRONTLINES

The Invention Rooms, Imperial College
Door C, 68 Wood Lane
London
W12 7TA

To join HERE

Russia invaded Ukraine on 24 February 2022, escalating the Russo-Ukrainian War which had begun in 2014. During the past eleven weeks, photographers and journalists have reported from field, many of the images have captured the deadly events that have taken place.

We have invited a group of photographers, whose work have contributed to the ongoing documentation, with photographs that unearth stories away from the frontlines, such as the displaced within the country and events at the borders. Carolina Rapezzi , one of the guest photographers, explains: according to the latest IOM report (17 April 2022) there are 7,707,000 Internally displaced people in Ukraine. 2,850,000 of this are in West Ukraine. Chernivtsi, the last Ukrainian city before the Romanian border, has become a refuge for roughly over 100,000 displaced Ukrainians, 33,341 are children and 82,340 are now officially registered with IDP status. These are stories I found between Chernivtsi and Siret, the first Romanian city after the Ukrainian border, that has instead become a crossroads, for the ones leaving the country.

We are incredibly honoured to present to you all our guests photographers Carolina Rapezzi, Hether Ng and Natalia Campos who have been covering the war in Ukraine and will be sharing their powerful photography, insights and stories from within the war ravaged country.

Carolina Rapezzi is an Italian freelance photographer based in London who works on social, humanitarian and environmental issues. She started working on migration issues in 2015, documenting the welcoming systems for minors arriving from Libya on the Sicilian coasts (“Minors on the Move” September 2015) and, after a few months, began a project that lasted eight months covering the eviction of the refugee camp of Calais, France (“The Eviction” March-October 2016). Moved to London in 2013, she photographs various protest movements, including those on the Brexit Referendum and the more recent Black Lives Matter. In 2017 she begins a long-term project on identity and gender (“It was meant to be” April 2017 – 2020).In since 2018 and 2019 she started working on environmental issues with a focus on electronic waste and disposal systems (“Burning Dreams” October 2018 – November 2019). In May 2020 she covered the Covid19 pandemic in London, documenting from a homeless hostel and since 2019 she has been working on a project on knife crime and its social roots in London.

Yuen Ching (Hesther) Ng, a London-based Hong Kong photographer who was born in 1992. Currently, she is studying to be a photojournalist from the University of the Arts London (UAL). Her press works are mainly focusing on breaking news and protests. They can be found in various national and international media outlets such as The Guardian, Forbes, BBC, The Times, Metro, and Yahoo! News, CNN, the Wall Street Journal etc. Being born and raised in different countries, she develops a keen interest in documenting the displacement of people and cultures around the world through her lenses. Apart from photography, she is a qualified clinical pharmacist practising in London and an independent journalist from HK Feature.

Natalia Campos is a self-taught freelance photographer originally from Rio de Janeiro, Brazil but based for the past six years in Dublin, Ireland. In her three years as a photographer she has documented protests, news events, and everyday life in countries such as Northern Ireland, Portugal, Turkey, and Georgia. She has recently reported on the humanitarian crisis in Ukraine as a result of the Russian invasion. She is interested in social and political concerns and has collaborated with non-governmental organizations that promote minority rights, equality, and human rights.

Photos from left to right: ©Carolina Rapezzi, ©Yuen Ching (Hesther) Ng, ©Natalia Campos.

Human Rights in Frame (Turkey)

“Human rights in Frame (Turkey)” is an event focusing on the role of photography in the representation of Human Rights in Turkey.
12th April 2022 18:30 – 20:30 (UK time) Online
to join Here

Human rights in Frame (Turkey) is an event focusing on the role of the image on the representation of Human Rights in Turkey through the work of photographers and NGOs.

In a time when civil rights are being challenged every day, photojournalism and documentary photography is continuing to be of vital importance in exposing these realities. Human rights crisis predominantly affects marginalised groups who experience continuous devaluation and stigmatisation while others are pushed into invisibility. Photography is a method to provide visibility and a voice to those people and to issues; through the work presented in this event, Photojournalism Hub will explore how the visual media has provided valuable tools to raise awareness of human right violations in Turkey. The presentations will be followed by Q&A and conversations on the topics raised, alongside exploring ways on how to get involved. Panel will include a list of great photographers whose works and projects offer an insight on the current situation of human rights in Turkey: Özge Sebzeci, Bradley Secker, Carola Cappellari, Noemi Zaltron.

Özge Sebzeci is a photographer and a journalist based in Istanbul, Turkey. She studied international relations at Galatasaray University where she decided to approach major stories from a human rights perspective. She aims to explore underreported stories, focusing on gender and migration with an intimate approach.Her photography caught the eye of the Magnum Foundation, which awarded her a fellowship. She is a 2021-2022 National Geographic Explorer.

Bradley Secker is a British freelance photojournalist, based in Istanbul, Turkey. His personal work often focuses on themes of identity, migration, social and political actions, and the ramifications of those for individuals. He regularly covers stories about how identity shapes lives in challenging and unexpected ways, particularly within sexual and ethnic minority groups.

Carola Cappellari is an editorial and documentary photographer currently based in Gaziantep, Turkey. Her work alternates autobiographical and documentary approaches to explore themes of womanhood, mental health, family dynamics and migration. With a background in education, Carola believes in the use of participatory creative practices as tools to engage communities and promote intercultural dialogue and, in the past year, she has organised photography and storytelling workshops in collaboration with NGOs based in Southeastern Turkey, involving women and children from refugee communities. She is currently studying for a Master in Human Rights, Migration and Intercultural Inclusion at the University of Bologna

Noemi Zaltron is a documentary photographer who works with images and videos to explore emotional experiences, with the aim to make internal feelings visual. She is particularly interested in the study of issues related to belonging, love and self-consciousness in the context of political and cultural geography and subcultures. She often combine photography with social projects that help to raise awareness and give a voice to unknown stories; in 2021 she collaborated with the NGO Sitoded in Erzurum (North East Turkey) in running a photography course that involved young local adults to learn photography and documentary practice, and to develop a personal photography project about human rights in Turkey.

The event is organised by Noemi Zaltron, who will also be leading the moderation of the event.

FROM THE INSIDE

Photojournalism Hub welcomes three photographers whose work addresses disabilities and stigmas – of their own or of the others .

28th February 2022 18:30 – 21:00

The Invention Rooms, Imperial College
68 Wood Lane
London
W12 7TA

To join: HERE

©Patricia Lay-Dorsey

Living with one or more chronic conditions is the daily routine of so many people in the world. Nonetheless, the way visible and invisible illnesses are portrayed by media, films, and schoolbooks can be highly frustrating. “The disabled” tend to be portrayed as dependent persons who constantly need help. When they are not, they tend to suddenly become heroes, simply for facing their daily lives. Both views point out that the invisible barrier of unconscious stereotypes and bias on the others’ daily truth is the biggest hurdle for a disabled person. For this reasons, Photojournalism Hub welcomes three photographers whose work addresses disabilities and stigmas – of their own or of the others – in differently unique ways: Patricia Lay-DorseyJameisha Prescod and Sophie Harris Taylor.

©Sophie Harris-Taylor
©Jameisha Prescod

This event will be hosted by Sabrina Merolla. She is a documentary and press photographer, multimedia storyteller and participatory photography facilitator, who has shown her daily routine of “diverse ability” in more than one personal project. www.sabrinamerolla.co.uk

Photojournalism Nights 20th edition

Photojournalism Hub twentieth edition of the Photojournalism Nights presents a superb line-up of guest photographers: Carol Allen StoreyChristopher Bethell Kevin Percival 

Hotel Elephant
1-5 Spare Street

London
SE17 3EP

17th February 2022 06:30 pm till late

To learn more and to join us follow this link here.

Elizabeth provides some physical comfort to her sonAmon by gently bathing him in the shade of banana trees.His body withered from the AIDS virus. Kamughobe , Uganda Carol Allen Storey
©Chris Bethell

Grace outside her home on Wornington Green, the estate where she has lived since she was 28. Made as part of the Wornington Word project, which documents the story of a housing estate in the midst of regeneration, through photography and oral history. ©Kevin Percival

Photojournalism Nights 18th edition

Photojournalism Hub eighteenth edition of the Photojournalism Nights presents a superb line-up of guest photographers: Susannah Ireland, Jermaine Francis, Sabrina Merolla.

25th November 18:30 PM

The Invention Rooms
68 Wood Lane
London
W12 7TA

To Join: HERE

Rumi Munawar, former Miss Pakistan for UAE 2015 pictured in Sharjah, United Arab Emirates, 14th October 2016. Photo Credit: Susannah Ireland
Credit: Jermaine Francis
City, Country, Date DD MMM YYYY

Susannah Ireland, is a freelance photojournalist and documentary photographer based in London, UK but working internationally as well. She began her photojournalism career on a local news agency in Birmingham in 2006, graduating to London the following year to work principally for The Times and Independent newspapers. Following a brief stint working in India, Susannah moved back to London and now undertakes news, features and portraits assignments for a variety of international clients such as NBC News, The New York Times and NRC Handelsblad. She is a member of Women Photograph – a platform of independent photographers working to elevate the voices of women and non-binary visual storytellers worldwide. She is particularly interested in documenting the humanitarian impact of conflict and environmental disasters on local communities.

Jermaine Francis, is a London based Photographer who works with portraiture and conceptual documentary projects, using editorial, personal projects, and books as vehicles to tell these stories! Jermaine’s work has appeared in publications such as I-D, The Face Magazine, Autre Magazine & Beauty Papers. His work has recently appeared in Aperture’s latest publication the monograph Photo No, No’s, as well ICP book ICP Concerned, Global Images for Global crisis! Jermaine’s work has also exhibited at the National Portrait Gallery as part of the Taylor Wessing, The International Centre of Photography NYC in the group show #ICPConcerned and his solo show ‘The Invisibles’.

Sabrina Merolla has collaborated with Photojournalism Hub for more than one year. She is an awarded photographer, cultural studies researcher, multimedia journalist and participatory photography facilitator. Sabrina has a strong work ethic and is committed to telling stories in which the general fairness of the narration is granted by long pre-field and on-field research. She focuses on the environment, communities, health and human rights.

Donations are welcome. To Join: HERE