The Photojournalism Hub Calendar 2026 showcasing the incredible work of photojournalists and documentary photographers who have contributed to our mission.
We’re delighted to welcome Marcin Kornacki and Nathaniel White-Steele to the 34th edition of Photojournalism Nightson the 31st July at the Riverside Studios, 7pm. To join us HERE.
Photojournalism Nights invites contemporary photojournalists and documentary photographers to share their powerful, committed photography and engage audiences in social justice and human rights causes. Photojournalism Nights feature Q&A’s from guest speakers and an opportunity to connect with photojournalists who are helping advance social justice and human rights around the world.
About the Photographers
Nathaniel White-Steeleis a documentary artist from Bristol, UK. He is interested in the visual register of authority, how power inscribes itself on landscapes and how ‘territory’ is made. He has worked with satellite images, GIS mapping technology, audio, archive, wet plate collodion tintypes and other methods to unpick how we attempt to control the landscape in order to govern people and the moments when the landscape and the people resist. Nathaniel is currently based in London and has exhibited both nationally and internationally, most recently showing alongside anthropologist Jason de Leon’s work Hostile Terrain 94 in Den Haag, The Netherlands.
Marcin Kornacki is a London-based photographer currently completing his MA in Photojournalism and Documentary Photography at LCC London. His photography focuses on the often untold human stories behind the headlines of communities affected by both chronic and acute distress. His most recent project on Jaywick, the most deprived area in the UK, was recognised by the British Journal of Photography as a winner of the 2022 Portrait of Britain. He is currently working on a project with Haitians displaced by gang violence in the country’s capital city Port-au-Prince.
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE
Jonathan Alpeyrie’s career spans over two decades, has brought him to 35 countries, and has covered 14 conflict zone assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America, and Central Asia.
Born in Paris in 1979, Jonathan Alpeyrie moved to the United States in 1993. He graduated from the Lycée Français de New York in 1998 and went on to study medieval history at the University of Chicago, from which he graduated in 2003. Alpeyrie started his career shooting for local Chicago newspapers during his undergraduate years. He spent a month driving across the country to create my first photo essay like a professional. The essay focused on the remnant of the Communist era heavy industry. His driver at the time took him to all the major industrial sites, visiting abandoned factories and taking photographs of what once was. The decaying infrastructure was a fascinating reminder of a collapsed system barely 10 years prior.
After graduating from the University of Chicago in the spring of 2003, Jonathan was sent off to start his first dangerous photo essay which he hoped at the time would help me further to launch his career as a photojournalist. He spent over a month covering gang activity in the Congolese capital of Kinshasa. With the photo essay completed, he returned home and was quickly picked up by Getty images for the reportage section after it was noticed by some editors at the NYC office. 2004, was a watermark year for Jonathan as he started covering wars that very same year, from West Africa to the Caucasus, all for Getty Images.
I became a war photographer in order to immerse myself into historical situations to then report them back to the public. Cut and dry
Jonathan Alpeyrie
With almost a decade of experience behind him and half a dozen wars under my belt, Jonathan decided to go on his own and leave the agency business partially behind. Dealing directly with his own clients while still working for various photo agencies, he started covering wars in the Middle East and Central Asia, furthering his resume as a war photographer. A year later, the Arab Spring launched a new phase in his career. With the various conflicts erupting all around the Middle East, Syria started to attract war reporters from all over the world interested in covering this new hot conflict. After two trips to the war-torn country in 2012, Jonathan decided to return in 2013. It happened after he was kidnapped for three months by Islamic rebels.
By 2014, right after his release from Syria, he embarked on another voyage, this time into Slavic land to start covering the new hot war: Ukraine. After almost 14 months of coverage, he was injured during a gun battle in Mariupol.
That year his career took another turn as he almost permanently stopped working for agencies and focused on some of his big clients like Vanity Fair, CNN, and others, which, interestingly was a reminiscence of the earlier part of his career when he was solely doing photo essays and almost no news. He focused on personal projects which took him closer to a region a new from his previous travels like Mexico and Central America while keeping an eye on South America.
After a hiatus from covering wars, he went to Iraq to cover the battle of Mosul in 2017, and took another break from war in 2018, except for some time spent on the front lines in Ukraine, he decided to focus on the drug wars in South America, and more specifically in Brazil. Covid19 cut short his project and focused on the pandemic with an exception: the war in Armenia at the end of 2020.
The War in Ukraine since 2014 never ended but rather was in a state of hiatus with more upsurge of fighting once in a while. February 2022, with the Russian invasion of its neighbor, has had everyone surprised by the scale of its aggression. When the fighting erupted he was in Mexico shooting a story on the drug war, as soon as his assignment ended he departed for the front in Central Ukraine. He spent a month covering the war between the two Slavic nations. Once more, he was drawn back into a conflict.
Alpeyrie has worked as a freelancer for various publications and websites, such as the Sunday Times, Le Figaro Magazine, ELLE, American Photo, GLAMOUR, Aftenposten, Le Monde, & bbc among others. Jonathan Alpeyrie’s career spans over a decade, and has brought him to over 36 countries, covered 14 conflict zones assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America and Central Asia. A future photography book about wwii. Veterans with verve editions are in the works.
Alpeyrie has been published in magazines such as: Paris Match, aftenposten, times (Europe), Newsweek, Wine Spectator, Boston Globe, glamour, bbc, vsd, Le Monde, newsweek, Popular Photography, Vanity Fair, La Stampa, cnn, and Bild Zeit, elle Magazine, Der Spiegel, Le Figaro, marie claire, The Guardian, The Atlantic.
Jonathan Alpeyrie www.jonathanalpeyrie.com E: peloponnessian@hotmail.com @Jonalpeyrie
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The Photojournalism Hub Calendar 2026 showcasing the incredible work of photojournalists and documentary photographers who have contributed to our mission.
We are proud to present a striking collection of images that tell powerful stories from across the globe. This year’s calendar features outstanding work by acclaimed photographers Mahmoud Abu Al-Qaraya, Masoud Amin Naji, Mark Chapman, Cinzia D’Ambrosi, Manuela Federl, Francesca Gabbiadini, Myah Asha Jeffers, Daniel Lai, Gašper Lešnik, Sabrina Merolla, Bruno Saguer, Richard Zubelzu Each photograph embodies the heart of our mission using documentary photography and photojournalism to inspire awareness, connection, and action.
Proceeds from the sale of the Photojournalism Hub 2026 Calendar will fund bursaries for portfolio reviews for young disadvantaged photographers and a grant supporting the development of an emerging photographer’s photojournalism project.
I am incredibly pleased to present the first edition of ‘Capturing Crisis’ photography and reporting magazine produced by our youths group living in west London participating in the ‘Stories, Reporting Mag, Photography Course’ project. In this first edition of ‘Capturing the Crisis’, we present photo stories and articles on the impact of the cost of living crisis on various communities in London. It includes personal and introspective stories of people living the crisis as well as stories reflecting on the way the city of London is rapidly changing as a result of it. Nonetheless, the photography is particularly captivating as each participant is developing their individual style and line of research. I hope you enjoy this first edition and will follow and support the ‘Capturing Crisis’ magazine. I am very proud for the commitment, talent and drive demonstrated by the young participants.
Capturing Crisis is a youth documentary and photojournalism magazine. All features and photographs are created by participants of ‘Stories, Reporting Mag, Photography Course’. The magazine provides the opportunity for youths who never had access to, to share their photography and photo stories to a large audience. Photojournalism Hub is committed to providing opportunities and support to youths, enabling equality in accessing opportunities for further education and work in the photo industry. Capturing Crisis magazine is a testament of the great work and inspiring contribution of our youths.
The project is supported by the NHS west London trust, Hammersmith and Fulham Council and Sobus.
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. Join us: HERE
We are delighted to announce the last Photojournalism Nights event of the year with a special festive edition! Come along and join our guest speakers of the night, take part in the conversations and cheers! All are welcome to bring (alcoholic) beverages if you wish, whilst tea and coffee is on offer at the venue.We look forward to seeing many of you!
Francesco Marchetti is an Italian born photographer living in London. Francesco combines his daily job with his passion for photography. He has completed a course in reportage photography at the Central Saint Martins, University of the Arts, and he is an associate member of the Royal Photographic Society (ARPS). His work span from documentary to street photography, has been recognised at several international photography awards, and exhibited in both individual and collective exhibitions in the UK and abroad. He has cooperated with various NGOs and worked on the community support projects in the UK, Serbia, Uganda and Ethiopia.
Jonny Pickup is an internationally published, multi-award-winning photojournalist and documentary filmmaker from Cornwall, England. His work focuses on the often unseen or forgotten areas of society, using still and motion imagery to help us question contemporary global issues. In 2021 he was awarded the Rory Peck Training Fund and is part of the Front Line Freelance Register. In 2015—despite not having an undergraduate degree—Jonny was invited to start a Masters at Leeds University at the School of Media and Communication focussing on documentary film and photography. An unconventional invitation based on the exceptional portfolio he had developed independently. He graduated in 2016 with a high distinction winning the prestigious University award for outstanding work. In 2018 he won the Platinum Remi Award at the 51st Huston International Film festival for his first documentary ‘The Bare Knuckle Carer’, past winners include directors such as George Lucas and the Coen Brothers. His second short ‘Ambazoina’—which required him to be smuggled into Cameroon—won Best Documentary Short at Bafta Cymru qualifying Carmarthen Bay Film Festival in 2020, and is being distributed by Journeyman Shorts. As a photojournalist, Jonny has covered world events and current affairs for publications such as National Geographic, The Telegraph, and Foreign Policy Magazine, and freelances for Getty Photo Agency. In 2019 he won Gold at Tokyo International Photography Awards. In 2020, he has become one of the 30-photographers selected to exhibit as part of the Paris Photo Prize ‘State of the World’ exhibition, and in 2021 he was exhibited at FotoNostrum Mediterranean House of Photography as part of the 17th Pollux Awards.
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. Join us: HERE
Photojournalism Hub presents Carly Clarke, Francesca Gabbiadini and Rasmus Flindt Pedersen. Carly Clarke is a British documentary and portrait photographer working primarily with medium format film. After completing her BA in photography at Middlesex University, London she was awarded the Luck-Hille Postgraduate Photography scholarship for her Master’s degree in Photography, also at Middlesex. Her work mainly focuses on social and political issues that may otherwise go unnoticed. Storytelling through the voices of the people she photographs is key to her work. She has personally researched, organised and sought funding for all of her overseas projects, which include – Remember Me: Vancouver’s DTES, Godhūlikāla: India’s Forgotten Elders and Jamadagni’s Temple: The Real Full Moon Festival. When she was diagnosed with Hodgkin Lymphoma in 2012, she created a self-portrait project, Reality Trauma, documenting her journey through treatment and recovery. She subsequently created a second project, In the Blood, seven years later when her younger brother Joe was diagnosed with the same type of cancer. Reality Trauma has been widely commended and has been featured worldwide on BBC News Online, BBC TV local news, photography podcasts, and a radio show. She has won several honourable mentions for her projects through the International Photography Awards (IPA) and has been shortlisted for the Portrait of Britain. Her work has been published by the BBC, in the British Journal of Photography, Portrait of Britain, the charity Lymphoma Action, International Photography Awards (IPA), Suitcase Magazine, Jornal Contacto, POV Magazine (Canada), Lensculture, Portrait Salon and has been shown at the National Portrait Gallery in London. www.carlyclarkephotography.co.uk
Francesca Gabbiadini is a photojournalist from Italy. She reports on socio cultural taboos related to femininity and female identities into current society. Her two major ongoing projects are “The Call of Eve”, focused on female rage and the places where it can be expressed, and “Because”, a participatory archive on female identities. After the Master’s in Documentary Photography and Photojournalism at the University of Westminster (2018), she has been working as a freelance photojournalist in London. She collaborates with international and national media outlets, such as La Repubblica and Elle magazine. Francesca’s projects have been shown in various exhibitions between Italy and London, such as the group exhibition at the International Centre of Photography in Palermo (2021) led by Letizia Battaglia. In March 2022 she co-founded Femminsista, an international and intersectional feminist community on Instagram, where she works as an Editor-in-Chief. In May 2019, Francesca led the first workshop on documentary photography in Bergamo, Italy, with the editorial goal to ethically report the community of one of the city’s most multicultural neighbourhoods. www.francescagabbiadini.com
Rasmus Flindt Pedersen (40) is a Danish photojournalist, documentary filmmaker and father of two with 10+ years of experience documenting the world around him. He has won several awards for his work and has had his images exhibited in places like London, New York, Tokyo, Paris and Copenhagen. His work in the world’s hotspots has focused more on depicting the everyday struggle of civilians trapped in the war zones than on the actual fighting. It’s not that the dramatic photos of combat aren’t important to him, it’s just that he finds the struggles of regular people much more impactful. Rasmus’ latest war assignment brought him to Ukraine to document the initial phases of the Russian invasion at the beginning of the year. During the summer Rasmus has spent more time home to focus on his own family and the birth of his second son before he’ll start work on a documentary film project early next year. www.flindtpedersen.com
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE
Som Prabh from the Photojournalism Hub was in conversation with award winning photojournalist Ryan Thomas on his photobook ‘Everything Will Kill You, So Choose Something Proactive’. The photobook is a collection of images shot from 2018 to 2022, mostly shot in Britain, with additional photographs taken in America and France. The work focuses on sublime, chaotic, and even peaceful (albeit disruptive) elements and has become an exploratory research into the similarities that bind rapidly fluid groups of people and the unpredictable energy that ensues. Ryan is a 23-year-old photojournalist currently based in Bristol, UK. He has an MA in Photojournalism from the University of Wales Trinity St. David’s Swansea. Ryan grew up in rural Wisconsin but have deep roots embedded in west Wales, the Land of my Fathers. Ryan covers a range of documentary subjects and has worked with a number of charities and enjoys being involved with intimate and personal projects just as much as the active aspects of protests and rallies. He has had editorial commissions with Huck Magazine, WalesOnline, Daily Mom, Oxfam UK, and DeafBlind UK and has had the good grace to be shortlisted for RPS International Photography Exhibition 164 2022 and reached 3rd place at the Arizona Congressional Photo Competition 2016.
To contact Ryan directly: Email: ryanarwynthomas@gmail.com Instagram: ryanthomas.photography Twitter: ryanthomasphoto To order a copy of the book: https://www.ryanthomasphotography.com
BECOME A PJH MEMBER Please support the Photojournalism Hub from as little as £1 every month. Consider becoming a member of the Photojournalism Hub and receive the benefits of editorial content, free access to events, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism and journalism. If there were ever a time to join us, it is now. Thank you. JOIN US HERE
Photojournalism Hub presents Encarni Pindado , Jakob Dall and James Hopkirk whose work bring to the attention underreported stories of our times.
Encarni Pindado is an award-winning photojournalist and documentary photographer from Spain. Educated in Spain and London. Her work focuses on social and Human rights issues, particularly on violence, migration, and gender. She publishes in some of the most prestigious media outlets in the English and Spanish-speaking world. Such as The Guardian, BBC, The Sunday Times, Al Jazeera, NPR, Reuters, AP, El País, Univision, EFE, among many others. She also collaborates with international institutions such as the UN, ICRC, Amnesty International, UNHCR, OXFAM among many others.Encarni has a long-term project about Mesoamerican women’s migration, focusing on violence (structural, explicit, and symbolic) as a migratory experience from Central America, in transit through Mexico, to the US. She is currently finishing an MSc in Migration, Mobility and Development at SOAS University. Encarni has won several journalism scholarships and awards including, COVID19 Emergency Found from National Geographic, IWMF “underreported story grant”, Pulitzer (producer team); Peabody Award, Finalist W. Eugene Smith Humanitarian Photography Award with her work “The other side of migration: Central American women”. Her work has been exhibited in different galleries and universities across Mexico, US, and the United Kingdom, and she gives conferences and seminars on migration and photojournalism.
Jakob Dallis a freelance photojournalist with a degree from the Danish School of Journalism. He is based in Copenhagen and works as a photojournalist for several daily newspapers like New York Times, magazines, companies and organizations like Copenhagen University, The Danish Parliamentary Ombudsman’s office and with HRH Crown Prince of the Denmark, he has traveled to Mozambique, Nepal and Bangladesh to document the international work of Red Cross. He has also worked as photo editor and photographer at newspaper Berlingske Tidende and Dagbladet Information in Denmark. Jakob Dall ́s photo stories mainly focus on how individuals are affected by events which often receive little media coverage. Through his photos of people from areas of conflict, disaster and crisis he wishes to show the faces and the realities of life in areas that need attention and help from the international community. In parallel with his frequent assignments for different NGO ́s, Red Cross, Danish Church Aid, CARE, Action Aid …, Jakob is working on a personal long-term project called “Climate Change Documentary”, which illustrates the impact climate change has on living conditions and daily life for people around the world. Jakob Dall has won awards from World Press Photo, Picture of the Year International (POYi), Picture of the year Denmark and an international EISA award for his photo essay about climate change impacts in Ethiopia. He has also received the photographers “Fogtdals Grant” for his specific work with climate change impacts.
James Hopkirk has been working as a writer and photographer for over 20 years. In 2015 he launched the South London Stories project, documenting underreported aspects of life in his community. Working collaboratively with Lambeth residents, often over many months or years, he uses photography, text, film, exhibitions and workshops to explore complex social issues, including immigration, homelessness, food poverty, addiction, mental health and the benefits system. www.southlondonstories.com
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, premier editorial content, portfolio reviews, photography exhibitions, discounts on our courses and training, whilst you will be supporting our work advocating, advancing social justice and human rights. If there were ever a time to join us, it is now. Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE
On Sunday the 7th of August, Safeena Chaudhry from the Photojournalism Hub was in conversation with multi awarded photographer and journalist Danny Burrows.
Danny was the editor in chief of the pan-European magazine Onboard until 2013, when he left to dedicate himself to his freelance photography and writing work. In 2015, Danny began a long-term project documenting the refugee crisis in Northern France, entitled ‘Indeterminate State’. The project received wide recognition with photographs published in The Guardian, The Express, Huck Magazine, Mpora.com and prints were exhibited at Wells Arts Contemporary Exhibition.
Since August 2018 Danny has been shooting a long-term project entitled TOGETHER (A)PART, which documents the pacifist Anabaptist Christian community of The Bruderhof that practices a unique community of goods and wealth and devotion to god in 23 cloistered communities around the world. TOGETHER (A)PART has been well received both inside and beyond the photographic community, with a long form photo essay published in the Sunday Times Magazine in August 2019; an image was selected for the 2018 YICCA Contemporary Arts Exhibition, in Palermo, where it won a silver medal; A photograph was selected for the KLP International Portrait Prize and exhibited world wide; The project received a Coups de Coeur de L’ANI at the 2019 Visa Pour L’Image and was a finalist at the 2019 Prix Regnier Award in Paris.
Danny is currently seeking support to realise a book of the project TOGETHER (A)PART, which with unprecedented access, he is sharing touching photographs that documents the lives of the Bruderhof communities. Having the book published would offer inspiration for alternative ways of living in our world of perpetual war, hyper-consumerism and mass consumption as well as finding a more valued connection with each other as well as very valued historical testimony of this very reserved religious community.
If you would like to support this extraordinary unique document that describes the realms of ‘another life’ – their rejection of personal property, wealth and technologies, a commitment to god and non-violence – then please share this extraordinary story, and help to make this book a reality HERE
BECOME A PJH MEMBER Consider becoming a member of the Photojournalism Hub and receive the benefits of free access to events, Photojournalism Hub resources, editorial content, portfolio reviews and photography exhibitions, and lots more! whilst supporting our work advocating, advancing social justice and human rights through promoting, engaging the public and stakeholders to committed, courageous independent photojournalism, and journalism. If there were ever a time to join us, it is now.Support the Photojournalism Hub from as little as £1 every month. If you can, please consider supporting us with a regular amount each month. Thank you. JOIN US HERE